Published 01 June 2014
Published March 2014
Published December 2013
Published 01 September 2013
Published June 2013
Published March 2013
Published September 2012
Perth Symposium, various venues 19 - 21 March 2004
Published June 2004
Peter Hennessey & Patricia Piccinimi Greenaway Gallery, Adelaide 28 February - 28 March 2004
Art Gallery of South Australia, Adelaide 29 February - 30 May 2004
National Gallery of Australia 2 - 4 April 2004
The generic theme for the 2nd Auckland Triennial Public/Private sought to address central issues concerned with the relationship of the visual art scene to that of the everyday life (to banality), the potential or otherwise of new technologies to engage with the conditions of modern society and the ability of art to deal in specific ideas of a social and political nature. Furthermore in bringing together artists projects that are cross-cultural and transgenerational, the curatorial aim was to make connections which would intensify the privacy debate. Edward Hanfling examines some of these works with regards to such issues and concerns.
Plimsoil Gallery, Hobart 5 - 28 March 2004
Aleks Danko The Ian Potter Centre, NGV Australia Melbourne (and touring) 7 February - 18 April 2004
Guy Benfield, Nadine Christensen, Stephen Honegger & Anthony Hunt, Tom Nicholson, Sangeeta Sandrasegar, Parekohai Whakomoe Australian Centre for Contemporary Art, Melbourne 23 March - 16 May 2004
Experimental Art Foundation, Adelaide 27 February - 3 April 2004
Flinders University Art Museum 20 February - 17 April 2004
John Curtin Gallery Curtin University of Technology, Perth 14 - 17 April 2004
Joan Kerr, Art Historian, February 1938 - February 2004
