Scaling Up at ACCA

Opening in mid October 2002, the new ACCA is a purpose built complex designed by Melbourne- based architects Wood Marsh. An architectural marvel and simultaneously a contemporary art space, at last the ACCA is moving to a building that lives up to the portent of its name. Haley spoke to the new Creative Director Juliana Engberg in August of 2002.

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A Stitch in Time

Peter Callas' show held at Stills Gallery in 2002 Vinculum + Orison resulted from his Asialink residency in Delhi, India and comprises of digital prints on photographic paper and an artist's book. Both the scale and choice of images in this exhibition are seductive and enthralling; deceptively innocent moments in daily and century-old rituals and routines.

Tempe MacGowan

Indecorous Abstraction: Contemporary Women Painters

Curated by Margot Osborne Light Square Gallery, AIT Arts Adelaide 22 August - 19 September 2002

Michael Newall

Breathing/Diving/Dreaming/Dancing to the BEAP in Perth (You Can't Buy These Emotions off the Hollywood Shelf)

Immersion was part of the Perth Biennale of Electronic Art (BEAP), a selection of some of the most important international immersive, interactive and virtual reality artworks from the last decade, created by Chris Malcolm and presented at the John Curtin Gallery.

Stephen Jones

Asia Pacific Triennial 2002 - Starry Night

When talking about non-Indo-European cultures, we are taking on board profound differences in how we arrange our worlds. The 2002 Asia Pacific Triennial endeavours to present art from these cultures through various treatments of time and space relations.

Alison Carroll

Four books on SA artists

Annette Bezor: A Passfonate Gaze
Richard Grayson 2000

James Darling: Instinct, Imagination, Physical Work
Daniel Thomas 2001

Nick Mount: Incandescence
Margot Osborne 2002
Wakefield Press/SALA

Greg Johns
John Neylon, Macmillan 2002

Ian Hamilton

The Generosity of a Light Touch

For the more than 15 years that the Australian organisation Experimenta Media Arts has metamorphosed through various ideological, aesthetic and technological identities, its one constant has been a passionate involvement with and championing of the new and experimental. Prototype, exhibited in Melbourne in 2002, carried on this tradition, more than living up to the title.

Shiralee Saul

Shell Fremantle Print Award

Fremantle Arts Centre 31 August - 6 October 2002

Rachel Berry

Museums For the 21st Century: Entertainments or Big Challenging Ideas?

Museums both reinforce one's views and challenge them, encouraging innovative connections we hadn't thought of before, driving us on to expanded understandings. Griffin addresses some of the controversies surrounding museums in the age of technology.

Des Griffin

The SALA Festival

South Australia: metro and regional 2 - 11 August 2002

Emma Zakarevicius

Clearing

Curated by Colin Langridge CAST Gallery, Hobart 2 - 25 August 2002

Briony Rhodes

Singapore Opens Up to the World - Site + Sight: First Major International Show

Using Singapore as the first 'site' for the exhibition, Site + Sight: Translating Cultures from 7 June to 26 July 2002 brought together 26 international artists from 11 countries to discuss and present artworks relating to the theme of globalisation and its cultural impact on the world.

Michelle Antoinette

Documenta 11 Takes On Masters of the Universe

Every five years the sleepy little German town of Kassel is invaded by the international art world. The 2002 Documenta exhibition staged here, which have traditionally played second fiddle only to the Venice Biennale, was eagerly anticipated as the first genuinely postcolonial Documenta, due in large part to the appointment of the expatriate Nigerian curator Okwui Enwezor as Artistic Director.

David McNeill

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