Breathing/Diving/Dreaming/Dancing to the BEAP in Perth (You Can't Buy These Emotions off the Hollywood Shelf)

Immersion was part of the Perth Biennale of Electronic Art (BEAP), a selection of some of the most important international immersive, interactive and virtual reality artworks from the last decade, created by Chris Malcolm and presented at the John Curtin Gallery.

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21st Century Chairs

Curator: Kirsten Fitzpatrick Brisbane City Gallery 16 August - 13 October 2002

Robyn Daw

Cacophony + Cramp for the Sensory Bundle

Digital media provides intuitive contemporary ways for storytelling in our times. dLux media arts, based in Sydney, this year curated a selection of installation works derived from their annual d>art program, and for the first time showed it outside Sydney. The five works selected for the Adelaide exhibition were complex and esoteric: a gorgeous array of storytelling techniques which explore and exploit narrative and interactivity.

Amanda McDonald Crowley

Seven Warehouses

Long Gallery, Salamanca Arts Centre Hobart 8 September - 6 October 2002

Maria Kunda

19th Telstra National Aboriginal and Torres Strait Islander Award

Museum & Art Gallery of the NT Darwin 10 August - 27 October 2002

Christine Nicholls

Arid Arcadia: art of the Flinders Ranges

Curated by Alisa Bunbury Art Gallery of South Australia 30 August - 3 November 2002

Stephanie Radok

Uncertain Terrain

Modern physics suggests we are living within an expanding universe. We are, it seems, still moving away from our point of origin (the singularity of the Big Bang). The intersection of new physics and Buddhism provides pathways into Julia Ciccarone's landscape paintings (exhibited at Niagara Galleries in Melbourne in early 2002), elucidating the narratives and suggesting relationships between the metaphors and symbols she uses.

Cassandra Laing

Jewel Mackenzie: Gemini Paintings

Jewel Mackenzie's practice explores both the understanding and experience of the world and the history and legacies of painting. Her background in both dressmaking and in public administration has informed her project to provoke and explore the positioning of the artist within contemporary bureaucratic culture.

Angela Goddard

The Art of Gift Giving...

The magnificent donations made to museums, galleries and libraries in the last 12 months were made possible by the Commonwealth's Cultural Gifts Program, an initiative that encourages Australian patronageof the arts by offering attractive tax incentives to donors. Wallace here presents a short expression of appreciation.

Heather Wallace

The SALA Festival

South Australia: metro and regional 2 - 11 August 2002

Emma Zakarevicius

Artrave

Singapore Opens Up to the World - Site + Sight: First Major International Show

Using Singapore as the first 'site' for the exhibition, Site + Sight: Translating Cultures from 7 June to 26 July 2002 brought together 26 international artists from 11 countries to discuss and present artworks relating to the theme of globalisation and its cultural impact on the world.

Michelle Antoinette

African Marketplace and Reporting the World: John Pilger's Great Eyewitness Photographers

African Marketplace Ivan Dougherty Gallery, Sydney 22 August - 28 September 2002 Reporting the World: John Pilger's Great Eyewitness Photographers Museum of Contemporary Art, Sydney 8 August - 6 October 2002

Tracey Clement

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