I Wonder Where the Public Art Went?

Cover of I Wonder Where the Public Art Went?
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
Riddoch
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
Churchie
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

During the first half of 2002 the Danish champion of pedestrians, Dr. Jan Gehl and his team from GEHL Architects were commissioned to analyse the City of Adelaide in terms of its viability as a pedestrian city.

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More from this Issue Full Issue Contents

19th Telstra National Aboriginal and Torres Strait Islander Award
Review
Christine Nicholls

Museum & Art Gallery of the NT
Darwin
10 August - 27October 2002

Published December 2002
The Possibility Forum - Institutional Change and Modest Proposals
Feature
Charles Esche

This text takes up some of the broader concerns of Tony Bonds initial questions to an Australian panel at ARCO 2002 Madrid, particularly can there be a benign global capitalism? and how do we address the value of exchanges between artists?.

Published December 2002
Ti Parks recent work at Pinacotheca
Review
Nathan Firth

Melbourne
2 31 August 2002

Published December 2002
Cacophony + Cramp for the Sensory Bundle
Feature
Amanda McDonald Crowley

art program, and for the first time showed it outside Sydney. The five works selected for the Adelaide exhibition were complex and esoteric: a gorgeous array of storytelling techniques which explore and exploit narrative and interactivity.

Published December 2002
Asia Pacific Triennial 2002 - Starry Night
Feature
Alison Carroll

When talking about non-Indo-European cultures, we are taking on board profound differences in how we arrange our worlds. The 2002 Asia Pacific Triennial endeavours to present art from these cultures through various treatments of time and space relations.

Published December 2002
Long Arm Drawing 1992-2002: Jan Senbergs
Review
Penelope Richardson

14 August  15 September
Faculty Gallery, Faculty of Art and Design
Caulfield Campus, Monash University

Published December 2002
Arid Arcadia: art of the Flinders Ranges
Review
Stephanie Radok

curated by Alisa Bunbury
Art Gallery of South Australia
30 August  3 November 2002

Published December 2002
Mnemotech : sense + scape + time + memory
Review
Dorothy Erickson

Perth Institute of Contemporary Arts
18 Sept - 20 October 2002

Published December 2002
Fashion Infiltrates the Galleries
Feature
Juliette Peers

Even if one's first reaction upon hearing the sound of the words 'Melbourne Fashion Festival' is not to reach for one's gun, but to condemn the dumbing down of 'culture' into Madonna or Barbie 101, bemoan the melting of the abstract expressionist/tachiste snows of yesteryear, it has unquestionably enriched the city's art experience.

Published December 2002
The Art of Gift Giving...
Feature
Heather Wallace

The magnificent donations made to museums, galleries and libraries in the last 12 months were made possible by the Commonwealth's Cultural Gifts Program, an initiative that encourages Australian patronageof the arts by offering attractive tax incentives to donors. Wallace here presents a short expression of appreciation.

Published December 2002
Seven Warehouses
Review
Maria Kunda

Long Gallery, Salamanca Arts Centre
Hobart
8 September  6 October 2002

Published December 2002
Uncertain Terrain
Feature
Cassandra Laing

Modern physics suggests we are living within an expanding universe. We are, it seems, still moving away from our point of origin (the singularity of the Big Bang). The intersection of new physics and Buddhism provides pathways into Julia Ciccarones landscape paintings (exhibited at Niagara Galleries in Melbourne in early 2002), elucidating the narratives and suggesting relationships between the metaphors and symbols she uses.

Published December 2002
 
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