The Generosity of a Light Touch

For the more than 15 years that the Australian organisation Experimenta Media Arts has metamorphosed through various ideological, aesthetic and technological identities, its one constant has been a passionate involvement with and championing of the new and experimental. Prototype, exhibited in Melbourne in 2002, carried on this tradition, more than living up to the title.

More from this Issue

Breathing/Diving/Dreaming/Dancing to the BEAP in Perth (You Can't Buy These Emotions off the Hollywood Shelf)

Immersion was part of the Perth Biennale of Electronic Art (BEAP), a selection of some of the most important international immersive, interactive and virtual reality artworks from the last decade, created by Chris Malcolm and presented at the John Curtin Gallery.

Stephen Jones

Museums For the 21st Century: Entertainments or Big Challenging Ideas?

Museums both reinforce one's views and challenge them, encouraging innovative connections we hadn't thought of before, driving us on to expanded understandings. Griffin addresses some of the controversies surrounding museums in the age of technology.

Des Griffin

The Art of Gift Giving...

The magnificent donations made to museums, galleries and libraries in the last 12 months were made possible by the Commonwealth's Cultural Gifts Program, an initiative that encourages Australian patronageof the arts by offering attractive tax incentives to donors. Wallace here presents a short expression of appreciation.

Heather Wallace

Seven Warehouses

Long Gallery, Salamanca Arts Centre Hobart 8 September - 6 October 2002

Maria Kunda

Uncertain Terrain

Modern physics suggests we are living within an expanding universe. We are, it seems, still moving away from our point of origin (the singularity of the Big Bang). The intersection of new physics and Buddhism provides pathways into Julia Ciccarone's landscape paintings (exhibited at Niagara Galleries in Melbourne in early 2002), elucidating the narratives and suggesting relationships between the metaphors and symbols she uses.

Cassandra Laing

Arid Arcadia: art of the Flinders Ranges

Curated by Alisa Bunbury Art Gallery of South Australia 30 August - 3 November 2002

Stephanie Radok

19th Telstra National Aboriginal and Torres Strait Islander Award

Museum & Art Gallery of the NT Darwin 10 August - 27 October 2002

Christine Nicholls

Lawrence Daws: From Mandala to Full Circle

Australian artist Lawrence Daws speaks of seven phases of his work, based on specific themes that have guided his development as an artist. There has been a gradual trend in his work from themes of archetypal symbolism and exotic portent towards the more local and personal.

Timothy Morrell

Four books on SA artists

Annette Bezor: A Passfonate Gaze
Richard Grayson 2000

James Darling: Instinct, Imagination, Physical Work
Daniel Thomas 2001

Nick Mount: Incandescence
Margot Osborne 2002
Wakefield Press/SALA

Greg Johns
John Neylon, Macmillan 2002

Ian Hamilton

Arte Povera: Art from Italy 1967 - 2002

Museum of Contemporary Art 23 August - 10 November 2002

Kiersten Fishburn

Marine Nature in Porcelain: The Recent Work of Robin Best

Ceramic artist Robin Best became fascinated by a complex marine world which included sea-invertebrates/filter feeders like bryozoans, sea sponges and ascidians (sea squirts) during walks on the beach in her seaside suburn of Semaphore. Here Walker discusses some of Best's recent work and conceptual concerns.

Wendy Walker

Clearing

Curated by Colin Langridge CAST Gallery, Hobart 2 - 25 August 2002

Briony Rhodes

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