The Museum, the Muslim and the Infidel: K L Revisited

Cover of The Museum, the Muslim and the Infidel: K L Revisited
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
NAVA
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.126
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Axolotl
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Critically looks at the exhibition 'Kecurangan - Infidelity' curated by Dato Shahrum Yub in Kuala Lumpur where 90% of Malaysia's population is Muslim.

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More from this Issue Full Issue Contents

8 X Tables by Steve Tepper
Review
Robyn Taylor

Moore's Building, Fremantle
May 14 - 28, 1998
Reviewed by Robyn Taylor

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Cosie: She Decorated a House and Called it a Home
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Lisa Harms

Annette McKee and Helen Fuller Jam Factory Gallery Adelaide SA
16 May- 5 July 1998

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Black Humour
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Stephanie Radok

Curated by Neville John O'Neill for the Canberra Contemporary Art Space.
Tandanya, National Aboriginal Cultural Institute, Adelaide
10 July - 16 August 1998

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Garden of Earthly Delights: Erotica at Carrick Hill
Feature
Daniel Thomas

Gone from Carrick Hill before it became a public collection are three Stanley Spencer erotic paintings and William Dobell's 'The Duchess Disrobes' (two versions). Smith examines the nature of the collection of works by Sir Edward and Lady Ursula Haywood.

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In a Barbie World
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Juliette Peers

Fictional Barbies (Mattel trademarked doll) are presented in the dark side of suburbia spinning a queer identity for Ken and Barbie.

Published September 1998
An Accelerated Life: Lydia Lunch
Feature
Caroline Farmer

Women need to fight for an alternative pornography. Women need a pornography that addresses all the alternatives of our sexuality, in every format, so that there's something for everyone....Farmer interviewed porn star Lydia Lunch on her visit to the MRC in Adelaide.

Published September 1998
Some Notes on Pornography, Contemporary Art and Social Politics
Feature
Christopher Chapman

Explores the 'pornographic' in the public domain. Art isn't an excuse for pornography, because pornography simpy exists. Art has remained a realm within which a vast range of ideas can be explored and tested. There are no questions of ethics or morality in art. This starts to get more exciting as art gets closer to life.

Published September 1998
Porn Again
Feature
George Alexander

Porn is a safety valve, big business, a cabinet of curiosities, a staging theatre for many contradictions and inversions: male submission, female dominance, intricate identity and gender crossings, and the validity of female desire. Pleasure is misunderstood in a society where is commodified, exchanged and consumed displaced into food, wine, cars....Discusses the works of Jane Burton, Mary Fallon, Catherine Mackinnon, Marcia Pally and W.H.Auden.

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Visual Culture, Pornography and Censorship
Editorial
Robert Crocker

Editorial: hypocrisy in our attitude to sex. It is both celebrated and maligned, and the censorship laws allow young people to view explicit violence while classifying sex for adults only, based on psuedo-scientific analysis of 'normal' or 'aberrant'. This history of public attitude from the Enlightenment on, libertinism a radical opposition to status quo, advertising and porn, and artists exercising self-censorship.

Published September 1998
Fetish: So what's your Fetish?
Feature
Serena Kuhl

The artist writes about her interest in feminism and much of what is written seems intrinsically fetishistic. Her aim was to try to create a democratic, woman friendly fetish language.

Published September 1998
Masculinity Below the Surface: Pornography and Suppression in Images of Broken Hill Miners
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Murray Couch

Mines and mining provide underground settings for a sub-genre of gay male porn. Features the work of artists George Gittoes and Avis Smith.

Published September 1998
The Spectre of Pedophilia and Dennis Del Favero's Parting Embrace
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Jill Bennett

Dennis Del Favero's 'Parting Embrace' is a series of 10 Type C prints which attempt to investigate the subjectivity of sexual abuse in a way that not only engages with its inherent pornographic content but which refuses neat moral resolution.

Published September 1998
 
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