The Museum, the Muslim and the Infidel: K L Revisited

Cover of The Museum, the Muslim and the Infidel: K L Revisited
0.786
Between worlds: Belinda Mason and Blur Projects
Feature
Alasdair Foster

Published 01 September 2020
0.786
Body, remember: Wrap me in a sister cloak
Feature
Ali Gumillya Baker

Published September 2020

0.794
Regimes of care: Concerning the afterlife of artists
Feature
Robert Cook

Published 01 September 2020
UNSW
0.788
The idea of redemption: Artmaking in prison
Feature
Alasdair Foster

Published 01 September 2020
0.786
On thin ice: Creating a life beyond addiction
Feature
Ginger Gorman

Published 01 September 2020
0.792
Flesh after fifty: Changing images of older women in art
Feature
Jacqueline Millner

Published 01 September 2020
QAGOMA
0.786
How can I live in your world? Empathic strategies in contemporary Asian art
Feature
Reuben Keehan

Published 01 September 2020
0.786
Shahidul Alam: You're blocking the sun
Feature
Kelly Hussey-Smith

Published 01 September 2020

Critically looks at the exhibition 'Kecurangan - Infidelity' curated by Dato Shahrum Yub in Kuala Lumpur where 90% of Malaysia's population is Muslim.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Andy's Idol
Feature
Lutz Presser

Analysis of some of Andy Warhol's early works to demonstrate a direct link between his art and the homoerotic magazines which the author found in his Time Capsules in the archives of the Andy Warhol Museum in Pittsburgh, USA.

Published September 1998
Ecologies of Place and Memory and Time and Tide
Review
Diana Klaosen

Ecologies of Place and Memory (Lauren Berkowitz, Rosemary Burke, Torquil Canning, Lola Greeno, Ruth Hadlow, Sieglinde Karl and Louise Weaver)
Time & Tide (Rowena Gough, Gay Hawkes, Lin Li, Pilar Rojas and Catherine Truman)
Both curated by Bridget Sullivan
Plimsoll Gallery, Centre for the Arts, Hobart
May 22 - June 14 (Ecologies)
June 19 - July 12 (Time)

Published September 1998
The Prying Game
Feature
Stephanie Britton

Explores the difficult issues surrounding artistic expression and censorship (both self censorship and public) with the associated threat of legal action.

Published September 1998
The Painted Coast: Views of the Fleurieu Peninsula Coast of South Australia.
Review
Cath Kenneally

Art Gallery of SA
8 May to 16 August 1998
Curated by Jane Hylton

Published September 1998
Black Humour
Review
Stephanie Radok

Curated by Neville John O'Neill for the Canberra Contemporary Art Space.
Tandanya, National Aboriginal Cultural Institute, Adelaide
10 July - 16 August 1998

Published September 1998
Subject Declined: Swap Mail with Francesca Da Rimini
Feature
Colin Hood

Explores Francesca Da Rimini's web site 'Dollspace' - extracts of an email interview.

Published September 1998
Political Pop-porn in Hong Kong
Feature
Cornelis (Casey) Van Sebille

Much of the vibrancy of Hong Kong's contemporary culture manifests itself in unexpected new forms...explores how four artists construct images of sexuality within the compact (post?) colonial environment.

Published September 1998
The Spectre of Pedophilia and Dennis Del Favero's Parting Embrace
Feature
Jill Bennett

Dennis Del Favero's 'Parting Embrace' is a series of 10 Type C prints which attempt to investigate the subjectivity of sexual abuse in a way that not only engages with its inherent pornographic content but which refuses neat moral resolution.

Published September 1998
In the Middle of it All - A Personal Text
Feature
Jack Cross

From the perspective of one who has worked on the SA Classification of Publications Board. Argues that censorship is becoming increasingly unmanageable due to two trends which are detailed in the article. Also argues that public debate (with the exception of child pornography) in the media has declined. In contrast there is rising debate about sacrilege.

Published September 1998
Garden of Earthly Delights: Erotica at Carrick Hill
Feature
Daniel Thomas

Gone from Carrick Hill before it became a public collection are three Stanley Spencer erotic paintings and William Dobell's 'The Duchess Disrobes' (two versions). Smith examines the nature of the collection of works by Sir Edward and Lady Ursula Haywood.

Published September 1998
In a Barbie World
Feature
Juliette Peers

Fictional Barbies (Mattel trademarked doll) are presented in the dark side of suburbia spinning a queer identity for Ken and Barbie.

Published September 1998
Censor and be Damned
Feature
Julie Robb

Julie Robb is the executive director of the Arts Law Centre of Australia. The centre advises artists and those involved in exhibitions and publication of risky material of the cultural responsibilities to make efforts to find ways of exercising their privileges. Looks at the current practices.

Published September 1998
 
NAVA
Amended 2020
Bill Morrow
Guildhouse
MGNSW