Julie Robb is the executive director of the Arts Law Centre of Australia. The centre advises artists and those involved in exhibitions and publication of risky material of the cultural responsibilities to make efforts to find ways of exercising their privileges. Looks at the current practices.
Explores the difficult issues surrounding artistic expression and censorship (both self censorship and public) with the associated threat of legal action.
Dennis Del Favero's 'Parting Embrace' is a series of 10 Type C prints which attempt to investigate the subjectivity of sexual abuse in a way that not only engages with its inherent pornographic content but which refuses neat moral resolution.
Porn is a safety valve, big business, a cabinet of curiosities, a staging theatre for many contradictions and inversions: male submission, female dominance, intricate identity and gender crossings, and the validity of female desire. Pleasure is misunderstood in a society where is commodified, exchanged and consumed displaced into food, wine, cars....Discusses the works of Jane Burton, Mary Fallon, Catherine Mackinnon, Marcia Pally and W.H.Auden.
Gone from Carrick Hill before it became a public collection are three Stanley Spencer erotic paintings and William Dobell's 'The Duchess Disrobes' (two versions). Smith examines the nature of the collection of works by Sir Edward and Lady Ursula Haywood.
The artist writes about her interest in feminism and much of what is written seems intrinsically fetishistic. Her aim was to try to create a democratic, woman friendly fetish language.
Photography has inspired more hysteria and censorship than paintings .... examines the situation in Perth Western Australia with child pornography and the photographs of Concetta Petrillo.