Published April 2021
Explores the international art market for serious contemporary art, looking at the Australian Visual Art Export Strategy.
Describes Asialink's exhibition program which commenced in 1991 at the same time as the residency program with funding from the VACB and the Department of Foreign Affairs and Trade.
Published December 1998
Although the US is often cited as the holy grail for export, with its huge art-aware public and wealthy collectors, and although it is true to say that many Australian art dealers have links with US dealers and sales are made on a fairly regular basis, Japan, Germany and Spain are the countries to which Australian commercial galleries have exported Australian art since the early nineties.
Looks at the issues facing the export of the Australian visual art product overseas.
Exploration of the 11th Biennale of Sydney curated by Jonathon Watkins.
24 Hr Art, Darwin
Jill Scott writes about her experiences in Europe particularly Germany. Short biographical details of the artist are also included.
Nike Savvas was awarded a Samstag Scholarship in 1996 ans was accepted into Goldsmiths College as an Associate Research Student. She has instigated a number of one day exhibitions with artists from Australia and Europe along with fellow students from Goldsmiths.
The strength of the Australian jewellery practice may be attributed to the jewellery departments in Australian universities and art schools as well as to the influence and impact of leading jewellery artists who have arrived from other countries to live, teach or practice in Australia. Looks at the work of Dorothy Erikson.
Explores the work of Simone Mangos who left Australia in 1988 to spend a year as an artist in residence at the Kunstlerhaus Bethanien in Berlin. During the past 10 years she has maintained a profile in Sydney and Adelaide. Mangos creates site specific installations as well as discrete objects that can be exhibited in art galleries and art fairs.
Sit Up!: 100 Masterpieces from the Vitra Design Museum Collection
Nature as Object: Craft and Design from Japan, Finland and Australia
Art Gallery of Western Australia
2 July - 6 September 1998
Kultural Kommuting is a collaboration between 18 artists resulting in installations in public locations in Melbourne and Berlin during 1998. Initiated by Claudia Luenig and Maggie McCormick, Kultural Kommuting is a 'cityartpublicspace' project run in association with Galerie Trepenhaus and the Public Office and is a project of the City of Melbourne's public art program.
Tracey Moffatt has since the end of 1997 had two solo exhibtions overseas -- 'Freefalling' at the Dia Center for the Arts in New York and 'Tracey Moffatt' at the Kunsthalle Vienna touring 16 galleries in Europe. She was included in the 10th Biennale of Sydney in 1996, followed in 1997 by the Venice Biennale, the Basel Art Fair and the Sao Paulo Bienal in Brazil. Adrian Martin looks at her show at the Arnolfini Gallery in Bristol.