Get Out There and $ell

Cover of Get Out There and $ell
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
PICA 2
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.124
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Artlink Promo
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Explores the international art market for serious contemporary art, looking at the Australian Visual Art Export Strategy.

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More from this Issue Full Issue Contents

Sit Up! and Nature as Object
Review
Christopher Crouch

Sit Up!: 100 Masterpieces from the Vitra Design Museum Collection
Nature as Object: Craft and Design from Japan, Finland and Australia
Art Gallery of Western Australia
2 July - 6 September 1998

Published December 1998
ODD: business, news, finance and weather
Review
Barry Craig

Andrew Petrusevics and Chris Gaston
Artspace, Adelaide Festival Centre
28 August to 24 October 1998

Published December 1998
John Kelly: London to Brighton
Feature
John Kelly

John Kelly was the recipient of a Samstag Scholarship in 1996 to study at the Slade for a year. The article looks at Kelly's current work and the tensions between working in London and Australia.

Published December 1998
Past Tense/Future Perfect
Review
Margaret Moore

Craftwest Gallery, Perth and Moores Building, Fremantle
4 - 26 July 1998
Centre for Contemporary Craft, Customs House, Sydney
12 September - 11 October 1998

Published December 1998
The Culture of Exporting Art-cargo
Feature
Peter Hill

How does Australia export its visual culture overseas? What have been the positive achievements and the low points of this process? Looks at the role of the Australia Council and the Visual Arts/Crafts Board.

Published December 1998
Annette Bezor in Paris
Feature
Georgy Downey

Since 1986 Annette Bezor has been working in both the Cite Internationale des Arts and private studios in Paris. The Adelaide Paris connection, seemingly so contemporary is very much a part of South Australian visual art history. Conducted as an interview with the artist.

Published December 1998
Zhong Chen: Adelaide - London - Adelaide
Feature
Zhong Chen

Zhong Chen as a relatively recent graduate of the SA School of Art won a Samstag Scholarship to travel to the Chelsea College of Art in late 1997.

Published December 1998
Entree: Emerging Adelaide Artists
Review
Jackie Deane

Curated by Di Barrett
Nexus Gallery, Adelaide
September - October

Published December 1998
Anne Pincus in Munich
Feature
Stephanie Britton

'Ask the dust' the exhibition of Anne Pincus at Access Gallery in Sydney explores the contrast between the light and sand and dust of Australia and Israel and the darkness of Europe.

Published December 1998
The Wild(e) Colonial Boy
Book Review
Juliette Peers

Leigh Bowery
edited Robert Violette
published Editions Violette/distributed by Thames and Hudson
$89.00 238 pp colour and b&w illustrations

Published December 1998
To Go Abroad: Australians-in-residence
Feature
Jonathan Holmes

Explores the issues of residencies overseas for Australian artists: Jeffrey Smart, Justin O'Brien, Norma Redpath, Clement Meadmore and Colin Lanceley.

Published December 1998
Simon Mangos in Berlin
Feature
Terence Maloon

Explores the work of Simone Mangos who left Australia in 1988 to spend a year as an artist in residence at the Kunstlerhaus Bethanien in Berlin. During the past 10 years she has maintained a profile in Sydney and Adelaide. Mangos creates site specific installations as well as discrete objects that can be exhibited in art galleries and art fairs.

Published December 1998
 
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