Lismore Regional Gallery
Published 08 February 2021
Wagga Wagga Art Gallery
Published 29 January 2021
Published 04 January 2021
Newmarch Gallery
ANCA Gallery, Canberra
Published 28 December 2020
The Riddoch Arts and Cultural Centre, Mount Gambier
Published 08 December 2020
Published 30 November 2020
Burnie Regional Art Gallery
Exhibition review Subject/Object Arthouse Tasmania October 1991
Faced with these complexities, it is hardly surprising that many designers find the proto-type solar house to be a preferable starting point.
Published December 1991
In Tasmania particularly it can be difficult to be vocal about political issues. Here is a chance to be uncompromising, a chance to take risks, a chance to raise community cultural awarenes. And who says art needs to be permanent? Heres a chance to make something and then release it, to allow visual art to metamorphose into performance art. Intrigued? then follow up the article!
Exhibition review Possessed: Virginia Barratt, Simryn Gill, Richard Grayson, Michele Luke, Julienne Pierce, Steve Wigg Bullring Jam Factory South Australia 6 October - 3 November 1991
The South Australian Co-operative Housing Bill allowed for the creation of a new housing authority to administer co-operative housing independently of other forms of public housing was passed in October 1991. This coincides with the Federal Government's recognition, through the National Housing Strategy, of the need to explore "innovative forms of social housing which fit between the extremes of private and public tenure."
It seems clear enough that women feel loss and the lack at the heart of the consumer society. But the creation of other riches, even in imagination, is hard to achieve....We need nevertheless to imagine other worlds, other ways - all of us- in order to sustain hope and inform desire.
Change, and how it effects the evironment and the quality of life, is a recurring theme and metaphor in the work of artist Jeannie Baker. While celebrating the beauty and fragility of the environment she delivers a provocative and powerful message about our responsibilities towards the natural world.
British artist Andy Goldsworthy came to Australia for three weeks in July to work on site at Mount Victor Station east of the Flinders Ranges. During the 1992 Festival of Arts photographs of the works made at Mount Victor and an installation was shown at the Artspace at the Adelaide Festival Centre, a survey of past works was on show at Yarrabee and Goldsworthy produced a permanent work for the Adelaide Botanic Gardens.
The Seagrass Project has been cited as a model community arts project. Located in Hastings Victoria, the project has been documented on video and shown on television in Austria and Canada and could potentially achieve wide international exposure.
Our town planners, our architects and we ourselves need to rethink the city. If downtown spaces, internal and external, are to become inhabitable, there needs to be a dramatic shift away from narrowly architectural conception of them and their functions towards an acoustic analysis.
Looks at the work of Gabriel Poole with statements by Gabriel Poole.
Lyndall Milani uses sculptural installations to question the place of architecture in the landscape and within human life.
Looks at issues of energy self sufficiency -- battery banks and photovoltaic solar collector panels.
