Australian Pavilion, 59th La Biennale di Venezia
Published 15 June 2022
National Gallery of Victoria
Published 30 May 2022
Art Gallery of Western Australia
Published 04 May 2022
Adelaide Railway Station
Monash University Museum of Art
Published 30 March 2022
Edited by Brad Haylock & Megan Patty Sternberg Press, 2021, 288 pages
Angela Goddard and Tim Riley Walsh (eds.) Griffith University Art Museum and Power Publications, 2020 66 images, including colour plates 216 pages
The Substation
Published 15 December 2021
Exhibition review Subject/Object Arthouse Tasmania October 1991
In Tasmania particularly it can be difficult to be vocal about political issues. Here is a chance to be uncompromising, a chance to take risks, a chance to raise community cultural awarenes. And who says art needs to be permanent? Heres a chance to make something and then release it, to allow visual art to metamorphose into performance art. Intrigued? then follow up the article!
Published December 1991
We all use rules. By looking at them critically we will precipitate a dynamic evolution in our understanding and practice of designing 'with the environment'.
This issue of Artlink tries to flag some of the issues for designers in Australia today, and to document just some of the changes which are happening.
Lyndall Milani uses sculptural installations to question the place of architecture in the landscape and within human life.
David Cranswick's work in Perspecta 1991 entitled Constructing Nature was one of the most successful and moving of the Western Sites Component.
Looks at the work of Gabriel Poole with statements by Gabriel Poole.
Written with Andrew Bryan The increasing urgency for us to achieve a harmonious relationship with the environment is stimulating artists in many media and designers in a range of disciplines to work in new ways with one another and community groups who share this concern.
'Choose a woman architect - there is a difference!' proclaim a multitude of stickers all over Sydney. Constructive Women, the Sydney based association of Women Architects and Planners decided it was time for a new approach.
Mudflat arts believes that the landscape is not there to be painted so much as to be protected. The role has changed from one of passive painter to active member of the community.
New Zealand is not only snake less and nuclear free but also has a tradition of earth buildings. In pre European times, Maori utilised the ground's insulating properties by partially sinking thatched roofed houses into the ground.
The Shire of Mundaring is a large semi rural locality in the hills of the Darling Scarp some 35 km east of Perth in Western Australia. Large areas of natural bushland including the John Forrest National Park and the catchment areas of the Mundaring Weir are to be found within its boundaries--- so are some fascinating sculptures and installations.
Placemaking in Newport, Geelong and North Carlton.
