Review of the Year

Cover of Review of the Year
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Bodies of Work Online Program

Bus Projects

Review
Amelia Wallin

Published 12 October 2020
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If the future is to be worth anything: 2020 South Australian Artist Survey

ACE Open

Review
Suzanne Close

Published 09 October 2020
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Older Than Language

Salamanca Arts Centre

Review
Seán Kelly

Published 07 September 2020
Amended 2020
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Cognitive Dissidents: Reasons to be Cheerful

Griffith University Art Museum

Review
Louise R. Mayhew

Published 04 September 2020
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Connected online: New art for new times
Review
Julianne Pierce

Published 14 August 2020
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The virtual world of the Aboriginal art market in 2020
Review
Kieran Finnane

Published 12 August 2020
UNSW
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The Stranger Artist: Life at the edge of Kimberley painting
Review
John Kean

Quentin Sprague
Hardie Grant, Melbourne, 2020

 

Published 29 June 2020
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Desert Aboriginal art centres adapt to the pandemic
Review
Kieran Finnane

Published 14 May 2020

Exhibition review Reflections on a year of contemporary art in Tasmania.

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More from this Issue Full Issue Contents

Hook's Mountain - The Environment as Theatre
Feature
Tim Thorne

Tasmanian theatre company Zootango's touring production Hook's Mountain.

Published December 1991
Memories of Water
Feature
Alan Rogers

The Sandgate Environmental Sculpture has involved the local community in both designing and creating the sculpture.

Published December 1991
Asunder, and Lindy Lee Painting
Review
Stephanie Radok

Exhibition review Time Warps Sound Installation by Ros Bandt Composing Women's Festival
Union Gallery
Adelaide South Australia
September 1991

Published December 1991
Artists and the Mt Leuseur Campaign
Feature
Ric McCracken

Artist's involvement in the Mt Lesueur Campaign -- 200 km north of Perth, Western Australia.

Published December 1991
Architecture and Lyndall Milani's Installations
Feature
Bruce Muirhead

Lyndall Milani uses sculptural installations to question the place of architecture in the landscape and within human life.

Published December 1991
Exponential Losses, Collective Guilt: The Work of Jeannie Baker
Feature
Berwyn Lewis

Change, and how it effects the evironment and the quality of life, is a recurring theme and metaphor in the work of artist Jeannie Baker. While celebrating the beauty and fragility of the environment she delivers a provocative and powerful message about our responsibilities towards the natural world.

Published December 1991
Eco-design Conference at RMIT
Feature
Stephanie Britton

Eco-design is probably one of the most far reaching topics to be assembled under the banner of one small hyphenated word. The linking of ecology with design is for many still a novel concept....conference held at RMIT 17 -19 October 1991.

Published December 1991
Meadows Under the Sea
Feature
Ian Cuming

The Seagrass Project has been cited as a model community arts project. Located in Hastings Victoria, the project has been documented on video and shown on television in Austria and Canada and could potentially achieve wide international exposure.

Published December 1991
Arts to Ashes
Feature
Teresa Jordan

In Tasmania particularly it can be difficult to be vocal about political issues. Here is a chance to be uncompromising, a chance to take risks, a chance to raise community cultural awarenes. And who says art needs to be permanent? Heres a chance to make something and then release it, to allow visual art to metamorphose into performance art. Intrigued? then follow up the article!

Published December 1991
On Empowering Clients and Collaborative Design Processes
Feature
Rena Czaplinska-Archer

"Never doubt that a small group of thoughtful, committed citizens can change the world; indeed, it's the only thing that ever has." (Margaret Mead)

Published December 1991
Memories of Power
Feature
Catherine Murphy

Placemaking in Newport, Geelong and North Carlton.

Published December 1991
Restored to Life with a Bypass
Feature
Stephanie Britton

Landscape art by Roger Noakes and Flightpath.

Published December 1991
 
Guildhouse
Bill Morrow
MGNSW
QAGOMA
ACE Open