First Australian Jewellery Biennial

Cover of First Australian Jewellery Biennial
1.128
Curiouser and Curiouser

Bathurst Regional Art Gallery

Review
Ann Finegan

 
 

Published 23 January 2019
1.13
The 9th Asia Pacific Triennial of Contemporary Art

QAGOMA

Review
Jasmin Stephens

Published 22 January 2019
1.128
Unhallowed Arts

Various venues, Perth

Review
Darren Jorgensen and Gemma Weston

Published 18 January 2019
Crown Resorts
1.126
The Partnershipping Project

Burnie Regional Art Gallery

Review
Seán Kelly

Published 18 January 2019
1.174
6th Guangzhou Triennial

Guangdong Museum of Art

Review
Darren Jorgensen and Tami Xiang

Published 18 January 2019
1.266
Jude Adams: Narratives from the Family Album

artroom5

Review
Zoe Freney

Published 10 December 2018
Dan McCabe
1.302
Bush Women

Fremantle Arts Centre

Review
Gemma Weston

Published 10 December 2018
1.126
Oceania

Royal Academy, London

Review
Mandy Treagus

Published 07 December 2018

Exhibition review First Australian Jewellery Biennial Jam Factory Craft and Design Centre Adelaide South Australia October 1991

Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Reading the Land
Feature
Stephanie Britton

The idea for a 7 day 'Reading the Land' Festival came to Wimmera River Catchment Group Chairperson, farmer, artist and environmentalist Barry Clugston during a series of salinity flights.

Published December 1991
Memories of Power
Feature
Catherine Murphy

Placemaking in Newport, Geelong and North Carlton.

Published December 1991
Restored to Life with a Bypass
Feature
Stephanie Britton

Landscape art by Roger Noakes and Flightpath.

Published December 1991
Exponential Losses, Collective Guilt: The Work of Jeannie Baker
Feature
Berwyn Lewis

Change, and how it effects the evironment and the quality of life, is a recurring theme and metaphor in the work of artist Jeannie Baker. While celebrating the beauty and fragility of the environment she delivers a provocative and powerful message about our responsibilities towards the natural world.

Published December 1991
Art, Architecture and the Environment
Editorial
Stephanie Britton

This issue of Artlink tries to flag some of the issues for designers in Australia today, and to document just some of the changes which are happening.

Published December 1991
Gilding the Lillipilli
Feature
Maggie McLeod

Tree decorating was revived in Melbourne as part of the larger Treeproject. Looks at some of the issues faced with mounting such an event.

Published December 1991
Gateways Project
Feature
Chris Downie

..the response to a site was very much tied up with the way humans had mediated the experience. Yes trees and forests were sacred but that didn't mean that you couldn't touch them. Our mediation of course must be sensitive - be fearless yet thoughtful... Series of black and white photographs accompany the article.

Published December 1991
The Art of Living
Feature
Paul Downton

The place Ecopolis 2, the world's first ecocity. The time -- mid-afternoon 3rd November 2007.

Published December 1991
The Essential Gift of Ceremonies: Towards a Poetics of Scarcity
Feature
Deborah White

"In modern architecture we find difficulty in managing the relation between the physical presence of a building and its intimations of the mental and spiritual. Our architectural objects rarely serve as objects of intermediation between the ordinary, the physical and the present on the one hand, and the mystical, the spiritual and the abstract on the other...."

Published December 1991
Built Form for Well-Being, Not Just Comfort
Feature
Emilis Prelgauskas

Looks at issues of energy self sufficiency -- battery banks and photovoltaic solar collector panels.

Published December 1991
Juan Davila
Review
Paul Greenaway

Exhibition review Juan Davila
Contemporary Art Centre
Adelaide South Australia
9 August - 8 September 1991

Published December 1991
Andy Goldsworthy: Everything in the City is Nature
Feature
Stephanie Radok

British artist Andy Goldsworthy came to Australia for three weeks in July to work on site at Mount Victor Station east of the Flinders Ranges. During the 1992 Festival of Arts photographs of the works made at Mount Victor and an installation was shown at the Artspace at the Adelaide Festival Centre, a survey of past works was on show at Yarrabee and Goldsworthy produced a permanent work for the Adelaide Botanic Gardens.

Published December 1991
 
Japan Foundation
AFF
Axolotl
NAVA
Artlink Subs Promo