Asunder, and Lindy Lee Painting

Cover of Asunder, and Lindy Lee Painting
0.768
The Stranger Artist: Life at the edge of Kimberley painting
Review
John Kean

Quentin Sprague
Hardie Grant, Melbourne, 2020

 

Published 29 June 2020
0.786
Desert Aboriginal art centres adapt to the pandemic
Review
Kieran Finnane

Published 14 May 2020
0.77
2020 Adelaide Biennial of Australian Art: Monster Theatres

Art Gallery of South Australia | Adelaide Botanic Garden

Review
Gemma Weston

Published 05 April 2020
SALA
0.776
2020 Adelaide//International

Samstag Museum of Art

Review
Chloé Wolifson

Published 29 March 2020
0.77
Cementa19

Kandos, New South Wales

Review
Marco Marcon

Published 05 February 2020
0.774
Therese Ritchie: Burning Hearts

Museum and Art Gallery of the Northern Territory

Review
Chips Mackinolty

Published 05 February 2020
Darwin Aboriginal Art Fair
0.69
Kulinmaya! Keep Listening Everybody!

Mumu Mike Williams

Review
Kieran Finnane

Published 01 December 2019
1.126
OzAsia 2019

Adelaide Festival Centre and other venues

Review
Anna O'Loughlin

Published 29 November 2019

Exhibition review Time Warps Sound Installation by Ros Bandt Composing Women's Festival Union Gallery Adelaide South Australia September 1991

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More from this Issue Full Issue Contents

Material Re-Creation
Feature
Tony Fry

A new paradigm of design is starting to emerge as a result of the efforts of those members of the design community who are concerned with the extent, as well as the underplaying, of our global environmental crisis.

Published December 1991
Mudflats: A Fertile Breeding Ground for Artists
Feature
Charles Zuber

Mudflat arts believes that the landscape is not there to be painted so much as to be protected. The role has changed from one of passive painter to active member of the community.

Published December 1991
The Essential Gift of Ceremonies: Towards a Poetics of Scarcity
Feature
Deborah White

"In modern architecture we find difficulty in managing the relation between the physical presence of a building and its intimations of the mental and spiritual. Our architectural objects rarely serve as objects of intermediation between the ordinary, the physical and the present on the one hand, and the mystical, the spiritual and the abstract on the other...."

Published December 1991
Andy Goldsworthy: Everything in the City is Nature
Feature
Stephanie Radok

British artist Andy Goldsworthy came to Australia for three weeks in July to work on site at Mount Victor Station east of the Flinders Ranges. During the 1992 Festival of Arts photographs of the works made at Mount Victor and an installation was shown at the Artspace at the Adelaide Festival Centre, a survey of past works was on show at Yarrabee and Goldsworthy produced a permanent work for the Adelaide Botanic Gardens.

Published December 1991
Architecture and Lyndall Milani's Installations
Feature
Bruce Muirhead

Lyndall Milani uses sculptural installations to question the place of architecture in the landscape and within human life.

Published December 1991
Memories of Water
Feature
Alan Rogers

The Sandgate Environmental Sculpture has involved the local community in both designing and creating the sculpture.

Published December 1991
The Art of Living Sustainably
Feature
Tamara Winikoff

Written with Andrew Bryan The increasing urgency for us to achieve a harmonious relationship with the environment is stimulating artists in many media and designers in a range of disciplines to work in new ways with one another and community groups who share this concern.

Published December 1991
Built Form for Well-Being, Not Just Comfort
Feature
Emilis Prelgauskas

Looks at issues of energy self sufficiency -- battery banks and photovoltaic solar collector panels.

Published December 1991
Earth-Sheltered Building using Timber
Feature
John Maitland

Earth sheltered housing is not new. The most common way of keeping the soils at bay has been with reinforced concrete and masonry walls and roofs.

Published December 1991
Arts to Ashes
Feature
Teresa Jordan

In Tasmania particularly it can be difficult to be vocal about political issues. Here is a chance to be uncompromising, a chance to take risks, a chance to raise community cultural awarenes. And who says art needs to be permanent? Heres a chance to make something and then release it, to allow visual art to metamorphose into performance art. Intrigued? then follow up the article!

Published December 1991
Acoustic Futures. Sound Noise and Urban Design
Feature
Paul Carter

Our town planners, our architects and we ourselves need to rethink the city. If downtown spaces, internal and external, are to become inhabitable, there needs to be a dramatic shift away from narrowly architectural conception of them and their functions towards an acoustic analysis.

Published December 1991
Maleness
Review
Richard Grayson

Exhibition review Asunder: Works by Rick Martin and David Kerr Artspace Festival Centre
Adelaide South Australia
September - October 1991

Published December 1991
 
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