In Tasmania particularly it can be difficult to be vocal about political issues. Here is a chance to be uncompromising, a chance to take risks, a chance to raise community cultural awarenes. And who says art needs to be permanent? Heres a chance to make something and then release it, to allow visual art to metamorphose into performance art. Intrigued? then follow up the article!
'Choose a woman architect - there is a difference!' proclaim a multitude of stickers all over Sydney. Constructive Women, the Sydney based association of Women Architects and Planners decided it was time for a new approach.
The South Australian Co-operative Housing Bill allowed for the creation of a new housing authority to administer co-operative housing independently of other forms of public housing was passed in October 1991. This coincides with the Federal Government's recognition, through the National Housing Strategy, of the need to explore "innovative forms of social housing which fit between the extremes of private and public tenure."
A new paradigm of design is starting to emerge as a result of the efforts of those members of the design community who are concerned with the extent, as well as the underplaying, of our global environmental crisis.
Exhibition review Backward Glance: Perth Institute of Contemporary Art Western Australia
6 - 30 September 1991
A Sideways Glance: Galerie Dusseldorf
Western Australia
13 September - 6 October 1991
Affecting one's city, state or country requires wit, wisdom opportunity and a sense of fun. Robert McNulty, President of the extraordinarily successful Washington based 'Partners for Livable Places' gives a thumb-nail sketch of the last 15 years of the organisation and some of the tools they have used as operational forces for action.
There is a video which shows the noted Viennese artist Hundertwasser sitting on a bucket in his public home unit in Vienna City, uttering this exhortation. He then takes the bucket upstairs to a roof garden of sorts and dumps the contents into a compost bin.
Mudflat arts believes that the landscape is not there to be painted so much as to be protected. The role has changed from one of passive painter to active member of the community.
British artist Andy Goldsworthy came to Australia for three weeks in July to work on site at Mount Victor Station east of the Flinders Ranges. During the 1992 Festival of Arts photographs of the works made at Mount Victor and an installation was shown at the Artspace at the Adelaide Festival Centre, a survey of past works was on show at Yarrabee and Goldsworthy produced a permanent work for the Adelaide Botanic Gardens.