Red Gum, Red Light

Cover of Red Gum, Red Light
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
Artlink Subs Promo
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
Axolotl
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

David Cranswick's work in Perspecta 1991 entitled Constructing Nature was one of the most successful and moving of the Western Sites Component.

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More from this Issue Full Issue Contents

Artworkers On the Urban Frontier
Feature
Roderick Simpson

Australian cities cannot continue to grow in the manner to which we've become accustomed. The environmental, social and economic costs are simply too great. There needs to be a qualitative change to the way we build and live in them.

Published December 1991
Subject/ Object
Review
Ian McLean

Exhibition review Subject/Object Arthouse
Tasmania
October 1991

Published December 1991
New Life for Gordonvale
Feature
Carrie Bies

Written with June Fermo. Looks at the issues in a townscape project, faced by the community of Gordonvale 21 km south of Cairns in northern Queensland.

Published December 1991
Meadows Under the Sea
Feature
Ian Cuming

The Seagrass Project has been cited as a model community arts project. Located in Hastings Victoria, the project has been documented on video and shown on television in Austria and Canada and could potentially achieve wide international exposure.

Published December 1991
Gareth Sansom
Review
Ken Bolton

Exhibition review Gareth Sansom
1991 Indian Seventh Trienniale exhibition
University of South Australia Art Museum
12 September - 19 October 1991

Published December 1991
Solar Houses: an Introduction
Feature
Susan Coldicutt

Faced with these complexities, it is hardly surprising that many designers find the proto-type solar house to be a preferable starting point.

Published December 1991
Science, Art and Mangroves
Feature
Jeanie Adams

The Mangroves Discovery Cycle was a Community Arts Project which gave a group of school children an opportunity to explore the environment. Located in Cairns, far North Queensland.

Published December 1991
Mudflats: A Fertile Breeding Ground for Artists
Feature
Charles Zuber

Mudflat arts believes that the landscape is not there to be painted so much as to be protected. The role has changed from one of passive painter to active member of the community.

Published December 1991
Response to the Climate in the Top End
Feature
Phil Harris

It never gets really cold in the Top End. But it does get very humid during the Wet. However, simple steps in house design can make the house comfortable and you don't need fans and air conditioners.

Published December 1991
Creating Livable Places
Feature
Robert McNulty

Affecting one's city, state or country requires wit, wisdom opportunity and a sense of fun. Robert McNulty, President of the extraordinarily successful Washington based 'Partners for Livable Places' gives a thumb-nail sketch of the last 15 years of the organisation and some of the tools they have used as operational forces for action.

Published December 1991
Artists and the Mt Leuseur Campaign
Feature
Ric McCracken

Artist's involvement in the Mt Lesueur Campaign -- 200 km north of Perth, Western Australia.

Published December 1991
Arts to Ashes
Feature
Teresa Jordan

In Tasmania particularly it can be difficult to be vocal about political issues. Here is a chance to be uncompromising, a chance to take risks, a chance to raise community cultural awarenes. And who says art needs to be permanent? Heres a chance to make something and then release it, to allow visual art to metamorphose into performance art. Intrigued? then follow up the article!

Published December 1991
 
Riddoch
NAVA
Dan McCabe
Crown Resorts
Japan Foundation