Sustainable Canberra

Cover of Sustainable Canberra
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.126
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
Hazelhurst
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
1.128
The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
1.126
Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
ACMI
1.094
The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
1.126
Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

Australia's capital shows the way in applying sustainability to a city.

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More from this Issue Full Issue Contents

Response to the Climate in the Top End
Feature
Phil Harris

It never gets really cold in the Top End. But it does get very humid during the Wet. However, simple steps in house design can make the house comfortable and you don't need fans and air conditioners.

Published December 1991
Meadows Under the Sea
Feature
Ian Cuming

The Seagrass Project has been cited as a model community arts project. Located in Hastings Victoria, the project has been documented on video and shown on television in Austria and Canada and could potentially achieve wide international exposure.

Published December 1991
Possessed
Review
Stephanie Radok

Exhibition review Possessed: Virginia Barratt, Simryn Gill, Richard Grayson, Michele Luke, Julienne Pierce, Steve Wigg
Bullring Jam Factory
South Australia
6 October - 3 November 1991

Published December 1991
Asunder, and Lindy Lee Painting
Review
Stephanie Radok

Exhibition review Time Warps Sound Installation by Ros Bandt Composing Women's Festival
Union Gallery
Adelaide South Australia
September 1991

Published December 1991
Let There be Light and Power
Feature
Berwyn Lewis

Berwyn Lewis talks to solar physicist Bruce Robins. Imagine 6 billion people simultaneously turning on lights and electrical appliances. This apocalyptic drain on power would plunge us into an eternal blackout with devastating effects on the environement.

Published December 1991
First Australian Jewellery Biennial
Review
Stephanie Radok

Exhibition review Manifest Destiny: Ian North
Vast: David Stephenson
Contemporary Art Centre
South Australia
14 September - 6 October 1991

Published December 1991
Working with Rules
Feature
David Week

We all use rules. By looking at them critically we will precipitate a dynamic evolution in our understanding and practice of designing 'with the environment'.

Published December 1991
Backward Glance and A Sideways Glance
Review
John Barrett-Lennard

Exhibition review Backward Glance: Perth Institute of Contemporary Art Western Australia
6 - 30 September 1991
A Sideways Glance: Galerie Dusseldorf
Western Australia
13 September - 6 October 1991

Published December 1991
Gareth Sansom
Review
Ken Bolton

Exhibition review Gareth Sansom
1991 Indian Seventh Trienniale exhibition
University of South Australia Art Museum
12 September - 19 October 1991

Published December 1991
Reading the Land
Feature
Stephanie Britton

The idea for a 7 day 'Reading the Land' Festival came to Wimmera River Catchment Group Chairperson, farmer, artist and environmentalist Barry Clugston during a series of salinity flights.

Published December 1991
The Art of Living
Feature
Paul Downton

The place Ecopolis 2, the world's first ecocity. The time -- mid-afternoon 3rd November 2007.

Published December 1991
Subject/ Object
Review
Ian McLean

Exhibition review Subject/Object Arthouse
Tasmania
October 1991

Published December 1991
 
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