In Tasmania particularly it can be difficult to be vocal about political issues. Here is a chance to be uncompromising, a chance to take risks, a chance to raise community cultural awarenes. And who says art needs to be permanent? Heres a chance to make something and then release it, to allow visual art to metamorphose into performance art. Intrigued? then follow up the article!
..the response to a site was very much tied up with the way humans had mediated the experience. Yes trees and forests were sacred but that didn't mean that you couldn't touch them. Our mediation of course must be sensitive - be fearless yet thoughtful... Series of black and white photographs accompany the article.
Exhibition review Possessed: Virginia Barratt, Simryn Gill, Richard Grayson, Michele Luke, Julienne Pierce, Steve Wigg
Bullring Jam Factory
South Australia
6 October - 3 November 1991
The headbutting syndrome which is normally associated with the oppositional mental locations of the engineering versus the environmental are here reconciled in the combined communities' new park. It should become their most treasured recreational amenity. Located two hours south of Perth, Western Australia.
British artist Andy Goldsworthy came to Australia for three weeks in July to work on site at Mount Victor Station east of the Flinders Ranges. During the 1992 Festival of Arts photographs of the works made at Mount Victor and an installation was shown at the Artspace at the Adelaide Festival Centre, a survey of past works was on show at Yarrabee and Goldsworthy produced a permanent work for the Adelaide Botanic Gardens.
Change, and how it effects the evironment and the quality of life, is a recurring theme and metaphor in the work of artist Jeannie Baker. While celebrating the beauty and fragility of the environment she delivers a provocative and powerful message about our responsibilities towards the natural world.