Images from the Esperanto Suite

Cover of Images from the Esperanto Suite
1.124
Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
1.126
MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
1.124
Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
Riddoch
1.126
Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
1.126
Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
1.126
Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
NAVA
1.126
Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
1.126
Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

During the process of producing his artworks, George looks for ways of translating different philosophical ideas into marks and images.

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More from this Issue Full Issue Contents

Failsafe Opera
Review
Mary-Anne Haddad

Exhibition Review: Performance Installation by Andrew Petrusevics and Chris Gaston
Adelaide Univsersity Union Art Gallery
7 - 21 March 1991

Published June 1991
People's Cultural Action in Australia: The PACIN Experience
Feature
Christian Ramillo

Looks at workshops organised by PACIN - the Philippines-Australia Cultural Interaction Network for Asian and Pacific communities in Sydney.

Published June 1991
A Matter of Representation
Feature
Monica Pellizarri

Since the birth of Australian television, non-anglo Australians have suffered from an acute case of foreign accent syndrome. Unfortunately 35 years on they are still suffering, not only from bad accents usually spoken by Anglo actors playing NESBs, but from the dearth of authentic storylines and subsequently the lack of accurate representation of NESBs on our TV and screens.

Published June 1991
Visions in the South Pacific: The Immigrant Artist: A Twice Told Tale
Feature
Elizabeth Gertsakis

Colonial Ghettoes: the possibilities and limitations of new identity as vision.

Published June 1991
4 Artists from WA
Feature
Julian Goddard

Looks at the art practice of four artists in Western Australia - Patrizia Tonello, Alex Spremberg, Cathy Cinanni and Karl Wiebke. Illustrations of their independent works included.

Published June 1991
Milan Milojevic
Feature
Milan Milojevic

The artist writes about his art practice. Good colour photographs.

Published June 1991
Cultural Diversity and Public Galleries
Feature
Janis Wilton

Written with Joseph Eisenberg. The National Association for the Visual Arts [NAVA] is currently sponsoring a project on 'Multiculturalism and the immigrant artist in Australian visual culture'. Part of the study focuses on the role of public galleries in appreciating, exhibiting, and acquiring the work of Australian artists from non- English speaking backgrounds [NESB].

Published June 1991
Ginger Riley Munduwalawala: Working on a Heroic Scale
Feature
Anthony Knight

Looks at the art practice of Ginger Riley Munduwalawala, born in 1937 at Ngukurr in the Northern Territory. Good colour photos of the artist and some works.

Published June 1991
Cultural Iconographies
Feature
Stephanie Britton

Cultural Iconographies is an exhibition of work by migrant and refugee artists who have been in Australia for a relatively short time. To take place in the Bondi Pavilion, Sydney during Carnivale October 1991.

Published June 1991
Art and Racism: Inter-National Issues
Feature
Alison Carroll

The way that I want to convey that meaning [racism] here is to use a small number of relatively random examples of current art/race = art/power debates from around the world. They give a flavour of the issues. They have obvious relevance to Australia's relationship to the rest of the world, as well as to relationships within Australia.

Published June 1991
Julia Ciccarone
Artist Profile
Julia Ciccarone

The artist writes about her art practice, in particular her preoccupation with the Australian landscape and how people perceive it. Two images are included: 'Secret Self' and 'Blanket' both from 1990.

Published June 1991
Alike/Unalike: Cultural Diversity in Australian Independent Film
Feature
Bill Mousoulis

Cultural diversity is crucial. Film makers may be unlike (in terms of cultural background) but they are also alike (in terms of their value.) In the area of independent film, there are a number of films which deal with multicultural themes and/or give non Anglo film-makers the opportunity to express themselves. One hopes that mainstream film can take up on this lead, because, from all apparent evidence, it remains sorely imbalanced.

Published June 1991
 
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