User-friendly Internet Options for the Arts

Cover of User-friendly Internet Options for the Arts
1.124
Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
1.126
MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
1.124
Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
ACE Open
1.126
Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
1.126
Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
1.126
Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
Artlink Subs Promo
1.126
Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
1.126
Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

Dynamic interactive web-sites are becoming increasingly the norm. Lists the types of functions that are available using particular technology.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Hypothetical Product
Feature
Peter Anderson

Critics rarely talk about money and art. How to price a work of art and how to make a living of about $35,000 per annum are discussed. Artist need to work out how to make a name for themselves to increase the base price of their artworks. And anyway if you have to think about the price, chances are you can't afford it.

Published June 1999
Upping the Ante: SALA'99.Leter to the Editor
Feature
Paul Greenaway

Describes the nature of SALA South Australian Living Artists Week to celebrate the talent and imagination of SA artists and aims to promote widespread recognition of their achievements by exposing their work to new audiences. There were 50 venues, 28 of which were outside the metropolitan area.

Published June 1999
The Rise and Rise of Michael Eather
Feature
Pat Hoffie

Examines the work of Michael Eather as art maker, gallery director, educator, project promoter and consultant. He established Campfire Consultancy with others. Also established the Fireworks Gallery: Aboriginal Art and other Burning Issues in Brisbane, Queensland.

Published June 1999
One Pole Too Many? Learning to Speak the Language of a Successful Australian Arts Practitioner
Feature
Juliette Peers

Discusses the exhibition 'Diaphanous' at Span Galleries curated by Kirsten Rann, deconstructing and challenging the notion of multicultural artist.

Published June 1999
Blak Beauty and Images from the Sea
Review
Ilaria Vanni

Exhibition reviews Blak Beauty February 6- May 2 1999
Curated by Brook Andrew
Images from the Sea December 5 1998- June 27 1999
Djamu Gallery:
Australian Museum at Customs House,
Sydney NSW

Published June 1999
Hossein Valamanesh: Taking the Intuitive Path
Feature
Chris Reid

Valamanesh has developed a unique and characteristic art vocabulary and his eloquent work occupies a distinct and prominent position in Australian art. Looks at 'the Untouchable' 1984, 'Pyramids with Light - Inside/Outside' 1980, 'Change of Seasons'.

Published June 1999
The Artist and the Critic
Feature
Joanna Mendelssohn

Fortunately not all critics are so urgently in need of friends that they write hymns of praise after every long lunch. Some even relish being labelled 'ungrateful'. I would argue that the only critic worth reading is an ungrateful critic. Looks at the role of visual art criticism in the newspaper columns of the daily press.

Published June 1999
Emblematic
Review
Cameron Stelzer

Exhibition review Emblematic 12-31 March 1999 Smith+Stonely, Queensland
Curated by Amelia Gundelach

Published June 1999
Immediate
Review
Maria Kunda

Exhbition Review Immediate 31 March- 11 April 1999 Plimsoll Gallery, Hobart Tasmania
Curated by Leigh Hobba

Published June 1999
A Worthwhile Investment: The Ceramics of Pippin Drysdale
Feature
Dorothy Erickson

Examination of the ceramic works of Pippin Drysdale of Western Australia from her early years through to the 1999 Festival of Perth. Looks at her national and international successes.

Published June 1999
Forget the White Gloves: Plug-ins Rule OK ANAT National School for New Media Curation
Feature
Adele Hann

ANAT Australian Network for Art and Technology devised its 1999 National School, me.d.ia.te, to assist curators and arts workers in gaining a technical and theoretical understanding of new media art exhibition practice. It aimed to provide a 'world's best practice' model.

Published June 1999
Striking a Chord: David Keeling's Postcolonial Tasmania
Feature
Ian McLean

The measure of an artist's public success is the extent to which his or her art matters to a particular community. David Keeling aims to present a critical discourse that participates in existing social and political debates. His turning point was not completing his post-graduate degree, not moving to the big smoke or winning a grant or prize, or having a sell-out exhibition but a revelation.

Published June 1999
 
Riddoch
Desert Mob
UTS2
Adelaide Festival Centre
PICA