User-friendly Internet Options for the Arts

Cover of User-friendly Internet Options for the Arts
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Hazelhurst
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.126
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
UTS
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Dynamic interactive web-sites are becoming increasingly the norm. Lists the types of functions that are available using particular technology.

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More from this Issue Full Issue Contents

Forget the White Gloves: Plug-ins Rule OK ANAT National School for New Media Curation
Feature
Adele Hann

ANAT Australian Network for Art and Technology devised its 1999 National School, me.d.ia.te, to assist curators and arts workers in gaining a technical and theoretical understanding of new media art exhibition practice. It aimed to provide a 'world's best practice' model.

Published June 1999
A Country Practice...
Feature
Peter Wynn-Moylan

The Northern Rivers Region of NSW has more practising artists per head of population than any other region of Australia. Issues such as surviving as a country artist, traditional art practice, commercial considerations, prescribed political and gender issues are raised. Critiques the project 'Beyond the Basin' funded by the NSW Ministry for the Arts and its resultant exhibition 'A Country Practice'.

Published June 1999
Immediate
Review
Maria Kunda

Exhbition Review Immediate 31 March- 11 April 1999 Plimsoll Gallery, Hobart Tasmania
Curated by Leigh Hobba

Published June 1999
New Geographies of Knowledge
Feature
Stephanie Radok

Explores the relationship between art making in the city and the regional areas. How much do curatorial strategies or templates order and determine what we see in State galleries and large exhibitions? Looks at the exhibition 'Palimpsest #2' to raise questions of curatorial control or whether it should continue without such controls.

Published June 1999
The Artist and the Critic
Feature
Joanna Mendelssohn

Fortunately not all critics are so urgently in need of friends that they write hymns of praise after every long lunch. Some even relish being labelled 'ungrateful'. I would argue that the only critic worth reading is an ungrateful critic. Looks at the role of visual art criticism in the newspaper columns of the daily press.

Published June 1999
Unheard Voices: Asian Artists in Australia
Feature
Neil Manton

Discussion of the issues for artists of Asian descent in the Australian milieu, exploring issues of identity and displacement. Unheard voices could also characterise emerging artists as well as those from a multicultural background.

Published June 1999
Upping the Ante: SALA'99.Leter to the Editor
Feature
Paul Greenaway

Describes the nature of SALA South Australian Living Artists Week to celebrate the talent and imagination of SA artists and aims to promote widespread recognition of their achievements by exposing their work to new audiences. There were 50 venues, 28 of which were outside the metropolitan area.

Published June 1999
Polemic: Practice Makes Perfect: Art Museums, Audiences and the Future.
Feature
Trevor Smith

Examines how galleries, art spaces and arts infrastructure might evolve over the next 25 years to accommodate changes in interaction between artists and audiences. Focus is on the State Galleries and how we might present the multiplicity of view points from the last 30 + years. Resource issues are explored.

Published June 1999
An Identity Crisis for Art Education?
Feature
Graeme Sullivan

Examines recent reports by the Department of Employment, Education, Training and Youth Affairs [DEETYA] and Strand 1998 'Research in the Creative Arts'. Should our retort be 'If you don't know much about art I don't care what you like.' ?

Published June 1999
Deschooling Art
Feature
Donald Brook

Education is the second most depressing non-subject in the entire catalogue of non-subjects, beginning with the Aardvark as Social Construct and ending with The Flagant Signifier in Finno-Ugric Zyrian,

Published June 1999
One Pole Too Many? Learning to Speak the Language of a Successful Australian Arts Practitioner
Feature
Juliette Peers

Discusses the exhibition 'Diaphanous' at Span Galleries curated by Kirsten Rann, deconstructing and challenging the notion of multicultural artist.

Published June 1999
Riding on the Edge: Art, Identity and the Motorcycle
Review
Robert Nelson

Exhibition review Riding on the edge: Art Identity and the Motorcycle
7 February- 11 April 1999
Waverley City Gallery
Curated by John Pigot

Published June 1999
 
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