User-friendly Internet Options for the Arts

Cover of User-friendly Internet Options for the Arts
David Smerdon: Duchamp's Opposition
Feature
Rex Butler and David Smerdon

Published 14 May 2020
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Nagesh's recipe for Biryani
Feature
Nagesh Seethiah

Published 01 December 2019
0.77
Geological pit stops: Kate Hill and Isadora Vaughan
Feature
Abbra Kotlarczyk

Published 01 March 2020
UNSW
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Duchamp and Australia: In opposition
Feature
Rex Butler and A.D.S. Donaldson

Published 01 March 2020
0.77
The Brazilian moment: A picture gallery in transformation
Feature
John Mateer

Published 01 March 2020
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Crafty prepping
Feature
Sera Waters

Published 01 March 2020
Artlink Promo
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2019: The year of our cyberpunk future
Feature
Darren Jorgensen

Published 01 March 2020
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Art in the time of the burning
Feature
Ian Milliss

Published 01 January 2020

Dynamic interactive web-sites are becoming increasingly the norm. Lists the types of functions that are available using particular technology.

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More from this Issue Full Issue Contents

Polemic: The End of Art Schools as we know them?
Feature
Ian Howard

Art and sport both attempt to construct value and meaning within our lives. For art this is a likely outcome. For media sport it is a contrived ingredient. Artists and art schools have perpetuated a myth about the importance and value of art objects. Suggests possible answers to the issues of teaching art in art and design schools.

Published June 1999
The Traditional and the New - Artists and Teachers Please Note
Feature
Dianne Longley

Explanation of the benefits to the artist and the environment of working with photopolymer plates (solar plates) in printmaking.

Published June 1999
Striking a Chord: David Keeling's Postcolonial Tasmania
Feature
Ian McLean

The measure of an artist's public success is the extent to which his or her art matters to a particular community. David Keeling aims to present a critical discourse that participates in existing social and political debates. His turning point was not completing his post-graduate degree, not moving to the big smoke or winning a grant or prize, or having a sell-out exhibition but a revelation.

Published June 1999
Virtual Futures for New Media Art: A Report on dLux Media Arts' Immersive Conditions Forum
Feature
Mitchell Whitelaw

New media art has developed a close if troubled relationship with the figure of the future. Discusses Troy Innocent's ICONICA, Mousetrap by Ian Haig, RAPT by Justine Cooper, OSMOSE and EPHEMERE by Char Davies and Immersive Conditions a forum held at the Powerhouse Museum Sydney. Examines concepts of virtual reality and apparent reality.

Published June 1999
Immediate
Review
Maria Kunda

Exhbition Review Immediate 31 March- 11 April 1999 Plimsoll Gallery, Hobart Tasmania
Curated by Leigh Hobba

Published June 1999
Forget the White Gloves: Plug-ins Rule OK ANAT National School for New Media Curation
Feature
Adele Hann

ANAT Australian Network for Art and Technology devised its 1999 National School, me.d.ia.te, to assist curators and arts workers in gaining a technical and theoretical understanding of new media art exhibition practice. It aimed to provide a 'world's best practice' model.

Published June 1999
The Rise and Rise of Michael Eather
Feature
Pat Hoffie

Examines the work of Michael Eather as art maker, gallery director, educator, project promoter and consultant. He established Campfire Consultancy with others. Also established the Fireworks Gallery: Aboriginal Art and other Burning Issues in Brisbane, Queensland.

Published June 1999
Unheard Voices: Asian Artists in Australia
Feature
Neil Manton

Discussion of the issues for artists of Asian descent in the Australian milieu, exploring issues of identity and displacement. Unheard voices could also characterise emerging artists as well as those from a multicultural background.

Published June 1999
One Pole Too Many? Learning to Speak the Language of a Successful Australian Arts Practitioner
Feature
Juliette Peers

Discusses the exhibition 'Diaphanous' at Span Galleries curated by Kirsten Rann, deconstructing and challenging the notion of multicultural artist.

Published June 1999
An Identity Crisis for Art Education?
Feature
Graeme Sullivan

Examines recent reports by the Department of Employment, Education, Training and Youth Affairs [DEETYA] and Strand 1998 'Research in the Creative Arts'. Should our retort be 'If you don't know much about art I don't care what you like.' ?

Published June 1999
Deschooling Art
Feature
Donald Brook

Education is the second most depressing non-subject in the entire catalogue of non-subjects, beginning with the Aardvark as Social Construct and ending with The Flagant Signifier in Finno-Ugric Zyrian,

Published June 1999
Polemic: Practice Makes Perfect: Art Museums, Audiences and the Future.
Feature
Trevor Smith

Examines how galleries, art spaces and arts infrastructure might evolve over the next 25 years to accommodate changes in interaction between artists and audiences. Focus is on the State Galleries and how we might present the multiplicity of view points from the last 30 + years. Resource issues are explored.

Published June 1999
 
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