User-friendly Internet Options for the Arts

Cover of User-friendly Internet Options for the Arts
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Artlink Promo
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.124
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Artlink Subs Promo
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
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Katie West: Living well
Feature
Katie West

Published 01 June 2018

Dynamic interactive web-sites are becoming increasingly the norm. Lists the types of functions that are available using particular technology.

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More from this Issue Full Issue Contents

Hossein Valamanesh: Taking the Intuitive Path
Feature
Chris Reid

Valamanesh has developed a unique and characteristic art vocabulary and his eloquent work occupies a distinct and prominent position in Australian art. Looks at 'the Untouchable' 1984, 'Pyramids with Light - Inside/Outside' 1980, 'Change of Seasons'.

Published June 1999
Blak Beauty and Images from the Sea
Review
Ilaria Vanni

Exhibition reviews Blak Beauty February 6- May 2 1999
Curated by Brook Andrew
Images from the Sea December 5 1998- June 27 1999
Djamu Gallery:
Australian Museum at Customs House,
Sydney NSW

Published June 1999
Immediate
Review
Maria Kunda

Exhbition Review Immediate 31 March- 11 April 1999 Plimsoll Gallery, Hobart Tasmania
Curated by Leigh Hobba

Published June 1999
How the Tail Now Wags the Dog
Feature
Rodney Crackers

One would have to be a marketing executive, or just extremely sanguine, to see much that is good in the current system for funding teaching and research in our universities. This is not to claim that the Dawkins reforms replaced something wonderful or fair. But we now have a system that is actively promoting mediocrity ona a national, even international scale. Let me explain, for the uninitiated how it works.

Published June 1999
Unheard Voices: Asian Artists in Australia
Feature
Neil Manton

Discussion of the issues for artists of Asian descent in the Australian milieu, exploring issues of identity and displacement. Unheard voices could also characterise emerging artists as well as those from a multicultural background.

Published June 1999
Emblematic
Review
Cameron Stelzer

Exhibition review Emblematic 12-31 March 1999 Smith+Stonely, Queensland
Curated by Amelia Gundelach

Published June 1999
Upping the Ante: SALA'99.Leter to the Editor
Feature
Paul Greenaway

Describes the nature of SALA South Australian Living Artists Week to celebrate the talent and imagination of SA artists and aims to promote widespread recognition of their achievements by exposing their work to new audiences. There were 50 venues, 28 of which were outside the metropolitan area.

Published June 1999
A Country Practice...
Feature
Peter Wynn-Moylan

The Northern Rivers Region of NSW has more practising artists per head of population than any other region of Australia. Issues such as surviving as a country artist, traditional art practice, commercial considerations, prescribed political and gender issues are raised. Critiques the project 'Beyond the Basin' funded by the NSW Ministry for the Arts and its resultant exhibition 'A Country Practice'.

Published June 1999
Deschooling Art
Feature
Donald Brook

Education is the second most depressing non-subject in the entire catalogue of non-subjects, beginning with the Aardvark as Social Construct and ending with The Flagant Signifier in Finno-Ugric Zyrian,

Published June 1999
A Worthwhile Investment: The Ceramics of Pippin Drysdale
Feature
Dorothy Erickson

Examination of the ceramic works of Pippin Drysdale of Western Australia from her early years through to the 1999 Festival of Perth. Looks at her national and international successes.

Published June 1999
Thin Red Pocket Lining: A Note on the Value of University Art Schools
Feature
Ian North

As it rushes headlong towards the stock exchange, lining its tattered pockets by devilishly offering students the educational stock of the deepest desire, university art schools shed its role under modernity of defining and transmitting cultural value. Mammon replaces machismo in the squeezing of art. And yet....?

Published June 1999
Forget the White Gloves: Plug-ins Rule OK ANAT National School for New Media Curation
Feature
Adele Hann

ANAT Australian Network for Art and Technology devised its 1999 National School, me.d.ia.te, to assist curators and arts workers in gaining a technical and theoretical understanding of new media art exhibition practice. It aimed to provide a 'world's best practice' model.

Published June 1999
 
Joondalup
PICA
NAVA
Pilbara Creative Forum
UTS