Who's Afraid of the Prosthetic?

Explores relationships between human participants and the machine. Describes two projects Fuzzylove Dating Data Base and The Brain Project which use their location in a technological matrix as a means of exploring inter-relationships between the user and the their sources of energy and fear, Discusses formulation of information --the computer and related technologies -- as an industry.

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The Future Breed: Creatures and Mad Science

Explores the links between film and computer generated games which emulate life. With the creation of artificial intelligence on the computer, complex questions of the nature of human behaviour are raised. Science fiction confronts issues of intelligence and sentience.

Angela Ndalianis

Red Contemporary Art Events

National Gallery of Victoria 28 May - 30 June 1999

Juliette Peers

Laughing and Killing: The Guilty Pleasures of Anime

Anime (Japanese animation) is increasingly violent and yet the Japanese level of violence is much lower than in America. Viewed as an escapist form of entertainment with female characters idealised and existing in a male fantasy land runs counter to the Wests view of feminism. This form of popular culture is a useful vehicle to examine the country's psyche.

Fiona Hann

Decrepitude in Venice

Report about the 48th Venice Biennale 1999. Discusses works by various artists as the Millennium approaches: Sergei Bugarev, Thomas Hirschorn, Jean-Pierre Bertrand, Federica Thiene, Stephanie Mantovani, Dieter Roth and Louise Bourgeois. Focus on disintegration in the city of Venice.

Anna Ward

Living out the Abject/Subject

Larry Clark is a well known American photographer and film maker. The Experimental Art Foundation mounted an exhibiton of photographs from the 1960s through to the 1980s as well as a series from the film Kids. Clark's trademark is gritty realism and under age sexuality. Discussion of the boundaries of eroticism and pornography.

Adele Hann

piVot

1 July - 8 August 1999 Nexus Gallery, Adelaide curated by Elizabeth Fotiadis

Lisa Harms

TV Docos and Realpolitik

The author Des Kootji Raymond as the director discusses with Jeffrey Bruer, co-writer, editor and associate producer, the production of a controversial television documentary ÒWrap me up in PaperbarkÓ. The documentary is about indigenous peoples right to reclaim the remains of their elders who were forcibly removed from their homelands as children. Discusses the repatriation of remains of Aboriginal people from museums.

Des Kootji Raymond

Marginalia: Photography of the Here, Now

Examination of the issues raised when documentary photographers represent the alienated margins of our society despite an openly dismissive and hostile critical environment. Examines the works of photographers working in Australia who use various strategies and methodologies to document the margins. Explores the difference between photojournalism and documentary.

Peter Milne

Transit Lounge

Keith Armstrong Metro Arts, Brisbane 26 May - 19 June 1999

Edwina Bartleme

Signs of Life

Melbourne International Biennial 1999 Telecom Building Russell St and other venues in Melbourne 11 May - 27 June

Robert Nelson

Bored with Polite Language: Dissidents and Reformasi

Currently in Indonesia there is a remarkable tendency to speak, write and create art works using critical, open, and sometimes vulgar language. The contemporary art scene is full of social and political intent. Describes works by Juni Wulandari, Iwan P Wijono, Toni Volunteero and Mella Jaarsma.

Dwi Marianto

Jam Factory Biennial 1999

JamFactory, Adelaide 17 July - 29 August 1999

Gail Fairlamb

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