The Lock-Up
Published 12 July 2021
ACE Open
Published 10 May 2021
Santos Museum of Economic Botany and The Deadhouse (Mortuary Building), Botanic Gardens of South Australia
Art Gallery of South Australia
Plimsoll Gallery, UTAS, Hobart
Published 14 April 2021
Samstag Museum of Art
National Gallery of Australia, Canberra
Published April 2021
Wagga Wagga Art Gallery
Published 12 March 2021
Exhibition review Hossein Valamanesh: Recent Work Greenaway Gallery Adelaide South Australia 3 May - 3 June 1992
Looks at the ceramic practice of Jill Smith. It often happens when people with different views and areas of expertise are brought together to solve a problem that something new emerges.
Published June 1992
Now as a much older woman with another career as an artist I have been reconsidering my experience in Museums, reconsidering the structures of archaeology which grid and measure the chaotic site.
Book review The Crafts Movement in Australia: a history University of NSW Press $79.95
Exhibition review Cape Bruny Winter 1990 - 1991 Paintings and Drawings by Tim Burns Dick Bett Gallery Hobart Tasmania 7 - 26 May 1992
Looks at the Jewellery Co-operative Fingers formed in 1976 in Auckland New Zealand. Fingers sells the work of 30 New Zealand jewellers with a managment partnership of 6 to 8 practising jewellers. The rest sell on consignment basis.
Exhibition review Greg Leong Launceston Country Club Tasmania
Exhibition review ...but never by chance (eroticism) editor/curator Linda Marie Walker Exhibitors Jennifer Hamilton, Melanie Howard, Bronia Iwanczak, Sheridan Kennedy, Rosemary Laing, Rosslund Piggott, Carol Rudyard Skin Curators Annette Bezor, Julianne Pierce, Exhibitors Maria Kozic, Jan Nelson, Sally Smart, Josie Starrs Contemporary Art Centre Adelaide South Australia May 1 - 31 1992 From Women Curator Vivonne Thwaites Exhibitors Maria Cruz, Michele Elliot, Nicole Page-Smith, Lucia Tancredi Artspace Adelaide Festival Centre 10 April - 23 May 1992
The predominant group in Moree (outback New South Wales) are the Gomilleroi people who are considered the most cohesive moiety group in Australia. Looks at the indigenous artists co-operative Yurundiali which is marketing its screen print designs.
I view my memories as a fragmented collage of life, constantly in review and abstracted through the shifting of time and place. Taking and putting together some of these fragments I recall how I became a taxidermist.
Will the computers, mobile or immobile, take over craft work in the near or medium future? Are craftspeople doomed to the fate of the Indian hand loom weavers of the last century-- will their bones bleach the plains? The answer is........
It is not accidentatl that amongst the Tiwis of Bathurst and Melville Islands, fabric printing has become such a significant craft form. Of all indigenous Australian cultures the Tiwis historically have perhaps the richest tradition of body painting.
Looks at the current issues in the art versus craft debate and the impact of post modern theories.
