Hossein Valamanesh Recent Work

Cover of Hossein Valamanesh Recent Work
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Bodies of Work Online Program

Bus Projects

Review
Amelia Wallin

Published 12 October 2020
0.758
If the future is to be worth anything: 2020 South Australian Artist Survey

ACE Open

Review
Suzanne Close

Published 09 October 2020
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Older Than Language

Salamanca Arts Centre

Review
Seán Kelly

Published 07 September 2020
Guildhouse
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Cognitive Dissidents: Reasons to be Cheerful

Griffith University Art Museum

Review
Louise R. Mayhew

Published 04 September 2020
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Connected online: New art for new times
Review
Julianne Pierce

Published 14 August 2020
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The virtual world of the Aboriginal art market in 2020
Review
Kieran Finnane

Published 12 August 2020
Amended 2020
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The Stranger Artist: Life at the edge of Kimberley painting
Review
John Kean

Quentin Sprague
Hardie Grant, Melbourne, 2020

 

Published 29 June 2020
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Desert Aboriginal art centres adapt to the pandemic
Review
Kieran Finnane

Published 14 May 2020

Exhibition review Hossein Valamanesh: Recent Work Greenaway Gallery Adelaide South Australia 3 May - 3 June 1992

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More from this Issue Full Issue Contents

Screenprinting the Tiwi Way: An Element of Spontaneity
Feature
James Bennett

It is not accidentatl that amongst the Tiwis of Bathurst and Melville Islands, fabric printing has become such a significant craft form. Of all indigenous Australian cultures the Tiwis historically have perhaps the richest tradition of body painting.

Published June 1992
The Western Way - Linney's, Argenta and Others
Feature
Dorothy Erickson

Western Australia has a tradition of artist/craftspeople with studio - gallery -shops.

Published June 1992
Touching Things Lightly: The Furniture of Kevin Perkins
Feature
Glenda King

Kevin Perkins and the Parish Church of St Thomas Acquinas, Charnwood ACT. A model for collaborative design. Consummate technical skills, the continuance of long-established traditions which focus on excellence and a fundamental reverence for the qualities of the materials are discussion points that are, at times, given minimal attention when the products of today's craftspeople and designer/makers are discussed.

Published June 1992
Toward a Typology of Small Objects
Feature
Robert Nelson

With increasing anxiety, we face searching questions of the viability, the integrity, the destiny of craft. In themselves, the questions are salutory and point to an intellectual vitality in craft culture, a vigour and toughness which have not existed since the Arts and Crafts Movement. Responses to the challenge vary from relish in the contradictions of craft practice to the old-fashioned despair for any debate whatsoever.

Published June 1992
The Watch, the Pen and the Biro
Feature
Pat Hoffie

To demonstrate the extent to which our relationship to the objects we possess has changed, Kevin Murray recently gave a short impromptu performance during a recent lecture, systematically removing a number of possessions and apparel from his person.

Published June 1992
Parables of Criticism
Feature
Sue Rowley

Looks at the current issues in the art versus craft debate and the impact of post modern theories.

Published June 1992
Marketing from the Top End
Feature
Felicity Wright

Representatives from seven screenprint workshops in remote and indigenous Australia came together in March 1992 to attend a textile marketing forum in Darwin organised by Steve Anderson, co-ordinator of ANCAA (Association of Northern and Central Australian Aboriginal Artists).

Published June 1992
4 Jewellery Co-operatives: On Staying in the Black: Fluxus
Feature
Stephanie Britton

Looks at the workshop Fluxus in Dunedin in New Zealand, formed by Kobi Bosshard and Stephen Mulqueen in 1983.

Published June 1992
Why Craftwork Does Not Compute
Feature
Alan Roberts

Will the computers, mobile or immobile, take over craft work in the near or medium future? Are craftspeople doomed to the fate of the Indian hand loom weavers of the last century-- will their bones bleach the plains? The answer is........

Published June 1992
The Crafts Come of Age
Book Review
Sylvia Kleinert

Book review The Crafts Movement in Australia: a history University of NSW Press $79.95

Published June 1992
4 Jewellery Co-operatives: Ipso Factory Company
Feature
Carolyn Meloy

Ipso Facto Company formed in 1984 by 5 ex-students from the Sydney College of the Arts.

Published June 1992
4 Jewellery Co-operatives: On Staying in the Black: Fingers
Feature
Stephanie Britton

Looks at the Jewellery Co-operative Fingers formed in 1976 in Auckland New Zealand. Fingers sells the work of 30 New Zealand jewellers with a managment partnership of 6 to 8 practising jewellers. The rest sell on consignment basis.

Published June 1992
 
ACE Open
Bill Morrow
MGNSW
Desert Mob
NAVA