Hossein Valamanesh Recent Work

Cover of Hossein Valamanesh Recent Work
1.272
OzAsia Festival Visual Arts Program

Various venues, Adelaide

Review
Margot Osborne

Published 12 November 2018
1.262
Then and Now | Making : Memory

Articulate project space

Review
Craig Judd

Published 09 November 2018
1.124
Void

UTS Gallery, Sydney

Review
Larissa Behrendt

Published 24 October 2018
Axolotl
1.126
Limestone Coast Video Art Festival

Riddoch Art Gallery

Review
Eve Sullivan

Published 12 October 2018
1.126
TarraWarra Biennial: From Will to Form

TarraWarra Museum of Art

Review
Zara Sigglekow

Published 10 October 2018
1.126
Systematic

Plimsoll Gallery, Hobart

Review
Seán Kelly

 

Published 08 October 2018
Joondalup
1.128
Desert Mob 2018

Araluen Arts Centre

Review
Kieran Finnane

Published 27 September 2018
1.25
SALA Festival: Gerry Wedd, Julia McInerney, Aldo Iacobelli
Review
Eve Sullivan

Published 11 September 2018

Exhibition review Hossein Valamanesh: Recent Work Greenaway Gallery Adelaide South Australia 3 May - 3 June 1992

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More from this Issue Full Issue Contents

Two Countries, One Weave?
Feature
Kerry Giles Kurwingie

Written with Phillip (Piri) Everett Over the last year Tandanya (National Aboriginal Cutural Institute) has received much bad publicity but is carrying on and slowly and steadily making history. It opened in 1989 with celebrations featuring Ernabella Inma and Yothu Yindi. Includes photographs of indigenous women at weaving workshops in the South East of South Australia at Camp Coorong Cultural Centre.

Published June 1992
Semiotically Speaking: A Craftperson's View
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Jenni Dudley

One need not restrict this semiotic approach to an analysis of the objects of fashion given that the major role adopted by craftspeople in contemporary times is that of drawing attention to otherwise ordinary objects and processes by remaking them in a mode other than mass production.

Published June 1992
The Western Way - Linney's, Argenta and Others
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Dorothy Erickson

Western Australia has a tradition of artist/craftspeople with studio - gallery -shops.

Published June 1992
The Problem of Orthodoxy in Contemporary Glass
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In her introductory notes to the exhibition 'Glass: Material in the service of meaning' the artist Ginny Ruffner comments on the current field of glass art as "being awash in objects, some beautiful, some ugly, most about glass itself - material as content."

Published June 1992
The Watch, the Pen and the Biro
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To demonstrate the extent to which our relationship to the objects we possess has changed, Kevin Murray recently gave a short impromptu performance during a recent lecture, systematically removing a number of possessions and apparel from his person.

Published June 1992
Why Craftwork Does Not Compute
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Will the computers, mobile or immobile, take over craft work in the near or medium future? Are craftspeople doomed to the fate of the Indian hand loom weavers of the last century-- will their bones bleach the plains? The answer is........

Published June 1992
Futurology...Crafts...
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Marion Marshall,craft practitioner from Victoria, and active in the Craft Council within her State, writes her prediction for the future of crafts in Australia.

Published June 1992
Design Visions: International Exchange: Time for a Stocktake
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Dorothy Erickson

Design Visions; The second Australian International Crafts Triennial on show at the Art Gallery of Western Australia in August September 1992 provided a chance for local viewers, historians, critics, artists, designers and 'craftspeople' to discuss and possibly take stock of our place in the international arena.

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4 Jewellery Co-operatives: Ipso Factory Company
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Carolyn Meloy

Ipso Facto Company formed in 1984 by 5 ex-students from the Sydney College of the Arts.

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Parables of Criticism
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Sue Rowley

Looks at the current issues in the art versus craft debate and the impact of post modern theories.

Published June 1992
...But Never by Chance..., Skin and From Women
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Jude Adams

Exhibition review ...but never by chance
(eroticism) editor/curator Linda Marie Walker Exhibitors Jennifer Hamilton, Melanie Howard, Bronia Iwanczak, Sheridan Kennedy, Rosemary Laing, Rosslund Piggott, Carol Rudyard
Skin
Curators Annette Bezor, Julianne Pierce, Exhibitors Maria Kozic, Jan Nelson, Sally Smart, Josie Starrs
Contemporary Art Centre Adelaide South Australia
May 1 - 31 1992
From Women
Curator Vivonne Thwaites
Exhibitors Maria Cruz, Michele Elliot, Nicole Page-Smith, Lucia Tancredi
Artspace Adelaide Festival Centre
10 April - 23 May 1992

Published June 1992
Screenprinting the Tiwi Way: An Element of Spontaneity
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It is not accidentatl that amongst the Tiwis of Bathurst and Melville Islands, fabric printing has become such a significant craft form. Of all indigenous Australian cultures the Tiwis historically have perhaps the richest tradition of body painting.

Published June 1992
 
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