Hossein Valamanesh Recent Work

Cover of Hossein Valamanesh Recent Work
0.786
The virtual world of the Aboriginal art market in 2020
Review
Kieran Finnane

Published 12 August 2020
0.768
The Stranger Artist: Life at the edge of Kimberley painting
Review
John Kean

Quentin Sprague
Hardie Grant, Melbourne, 2020

 

Published 29 June 2020
0.786
Desert Aboriginal art centres adapt to the pandemic
Review
Kieran Finnane

Published 14 May 2020
CIAF
0.77
2020 Adelaide Biennial of Australian Art: Monster Theatres

Art Gallery of South Australia | Adelaide Botanic Garden

Review
Gemma Weston

Published 05 April 2020
0.776
2020 Adelaide//International

Samstag Museum of Art

Review
Chloé Wolifson

Published 29 March 2020
0.77
Cementa19

Kandos, New South Wales

Review
Marco Marcon

Published 05 February 2020
NAVA
0.774
Therese Ritchie: Burning Hearts

Museum and Art Gallery of the Northern Territory

Review
Chips Mackinolty

Published 05 February 2020
0.69
Kulinmaya! Keep Listening Everybody!

Mumu Mike Williams

Review
Kieran Finnane

Published 01 December 2019

Exhibition review Hossein Valamanesh: Recent Work Greenaway Gallery Adelaide South Australia 3 May - 3 June 1992

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More from this Issue Full Issue Contents

4 Jewellery Co-operatives: Ipso Factory Company
Feature
Carolyn Meloy

Ipso Facto Company formed in 1984 by 5 ex-students from the Sydney College of the Arts.

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Yurundiali - Reasons for Optimism
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Janelle Boyd

The predominant group in Moree (outback New South Wales) are the Gomilleroi people who are considered the most cohesive moiety group in Australia. Looks at the indigenous artists co-operative Yurundiali which is marketing its screen print designs.

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Tim Burns - Paintings and Drawings
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Peter Hill

Exhibition review Cape Bruny Winter 1990 - 1991
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7 - 26 May 1992

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Craft, Science and the Natural: An Introduction
Feature
Jim Falk

There seems to be a consensus that craft is in a state of crisis. But consensus or not, the observation of this alleged crisis is sterile if we do not place it against its background. Is this crisis unique to craft, or is it a manifestation of a more general crisis which extends across other cognate areas? If it is more general, does it nevertheless have special implications for craft?

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Toward a Typology of Small Objects
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Robert Nelson

With increasing anxiety, we face searching questions of the viability, the integrity, the destiny of craft. In themselves, the questions are salutory and point to an intellectual vitality in craft culture, a vigour and toughness which have not existed since the Arts and Crafts Movement. Responses to the challenge vary from relish in the contradictions of craft practice to the old-fashioned despair for any debate whatsoever.

Published June 1992
4 Jewellery Co-operatives: On Staying in the Black: Fluxus
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Stephanie Britton

Looks at the workshop Fluxus in Dunedin in New Zealand, formed by Kobi Bosshard and Stephen Mulqueen in 1983.

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Futurology...Crafts...
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Helmut Lueckenhausen

Helmut Lueckenhausen, craft practitioner from NSW and active in the Craft Council within his State, writes his prediction for the future of crafts in Australia.

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Marketing from the Top End
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Felicity Wright

Representatives from seven screenprint workshops in remote and indigenous Australia came together in March 1992 to attend a textile marketing forum in Darwin organised by Steve Anderson, co-ordinator of ANCAA (Association of Northern and Central Australian Aboriginal Artists).

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The Archaeological Metaphor: A Personal Excavation
Feature
Diana Wood Conroy

Now as a much older woman with another career as an artist I have been reconsidering my experience in Museums, reconsidering the structures of archaeology which grid and measure the chaotic site.

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The Western Way - Linney's, Argenta and Others
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Dorothy Erickson

Western Australia has a tradition of artist/craftspeople with studio - gallery -shops.

Published June 1992
The Watch, the Pen and the Biro
Feature
Pat Hoffie

To demonstrate the extent to which our relationship to the objects we possess has changed, Kevin Murray recently gave a short impromptu performance during a recent lecture, systematically removing a number of possessions and apparel from his person.

Published June 1992
Screenprinting the Tiwi Way: An Element of Spontaneity
Feature
James Bennett

It is not accidentatl that amongst the Tiwis of Bathurst and Melville Islands, fabric printing has become such a significant craft form. Of all indigenous Australian cultures the Tiwis historically have perhaps the richest tradition of body painting.

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Curiocity Brisbane (Mulberry Seed Comms)
SALA
Darwin Aboriginal Art Fair
Artlink Subs Promo
MGNSW