Hossein Valamanesh Recent Work

Cover of Hossein Valamanesh Recent Work
1.126
Noriko Nakamura: The force that the warrior adopts during the evolution of the pale pink rose

CAVES

Review
Amelia Wallin

Published 11 July 2019
1.324
The Hidden Garden: Travis de Vries

Gallery Lane Cove

Review
Djon Mundine

Published 03 July 2019
1
Virginia Cuppaidge: The Nature of Abstraction

Newcastle Art Gallery

Review
Una Rey

Published 01 July 2019
Art Nocturne
1.124
58th International Art Exhibition

La Biennale di Venezia

Review
Marco Marcon

Published 26 June 2019
1.126
From the Inside [Tokuremoar]

Praxis Artspace

Review
Chris Reid

Published 05 June 2019
1.126
Tom Nicholson: Public Meeting

Australian Centre for Contemporary Art

Review
Ian McLean

Published 05 June 2019
UTS
1.22
Quilty

Art Gallery of South Australia

Review
Rebecca Freezer

Published 16 May 2019
1.124
The National 2019: New Australian Art
Review
Craig Judd

Published 15 May 2019

Exhibition review Hossein Valamanesh: Recent Work Greenaway Gallery Adelaide South Australia 3 May - 3 June 1992

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Why Craftwork Does Not Compute
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Alan Roberts

Will the computers, mobile or immobile, take over craft work in the near or medium future? Are craftspeople doomed to the fate of the Indian hand loom weavers of the last century-- will their bones bleach the plains? The answer is........

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Making a Living: The Jam Factory
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In May 1992, Stephanie Radok spoke to Frank McBride, Peter Tysoe, Stephen Bowers, David Adderton and Greg Healey about recent developments at the Jam Factory Craft and Design Centre in Adelaide, South Australia.

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Futurology...Crafts...
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Marion Marshall,craft practitioner from Victoria, and active in the Craft Council within her State, writes her prediction for the future of crafts in Australia.

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Yurundiali - Reasons for Optimism
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The predominant group in Moree (outback New South Wales) are the Gomilleroi people who are considered the most cohesive moiety group in Australia. Looks at the indigenous artists co-operative Yurundiali which is marketing its screen print designs.

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Anne Newmarch - Superimpositions
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Futurology...Crafts...
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Margaret Kirkwood, craft practitioner from NSW and active in the Craft Council within her State, writes her prediction for the future of crafts in Australia.

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Tim Burns - Paintings and Drawings
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Touching Things Lightly: The Furniture of Kevin Perkins
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Kevin Perkins and the Parish Church of St Thomas Acquinas, Charnwood ACT. A model for collaborative design. Consummate technical skills, the continuance of long-established traditions which focus on excellence and a fundamental reverence for the qualities of the materials are discussion points that are, at times, given minimal attention when the products of today's craftspeople and designer/makers are discussed.

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Toward a Typology of Small Objects
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With increasing anxiety, we face searching questions of the viability, the integrity, the destiny of craft. In themselves, the questions are salutory and point to an intellectual vitality in craft culture, a vigour and toughness which have not existed since the Arts and Crafts Movement. Responses to the challenge vary from relish in the contradictions of craft practice to the old-fashioned despair for any debate whatsoever.

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Helmut Lueckenhausen

Helmut Lueckenhausen, craft practitioner from NSW and active in the Craft Council within his State, writes his prediction for the future of crafts in Australia.

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4 Jewellery Co-operatives: On Staying in the Black: Fluxus
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Design Visions: International Exchange: Time for a Stocktake
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Design Visions; The second Australian International Crafts Triennial on show at the Art Gallery of Western Australia in August September 1992 provided a chance for local viewers, historians, critics, artists, designers and 'craftspeople' to discuss and possibly take stock of our place in the international arena.

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