Tasdance in Silk

Cover of Tasdance in Silk
1.25
SALA Festival: Gerry Wedd, Julia McInerney, Aldo Iacobelli
Review
Eve Sullivan

Published 11 September 2018
1.126
Brenda L. Croft: Heart-in-Hand | Amala Groom: Does She Know the Revolution is Coming?

Canberra Contemporary Art Space

Review
Virginia Rigney

Published 01 September 2018
1.3
My Monster: The Human-Animal Hybrid

RMIT Gallery

Review
Djoymi Baker

Published 21 August 2018
Artlink Subs Promo
1.238
No Common Ground

Victoria University of Wellington

Review
Bruce E. Phillips

Published 31 August 2018
1.124
John Mawurndjul: I Am the Old and the New

Museum of Contemporary Art | Art Gallery of South Australia

Review
Ian McLean

Published 20 August 2018
1.128
Khaled Sabsabi: A Self Portrait

Perth Institute of Contemporary Arts

Review
John Mateer

Published 20 August 2018
Artlink Promo
1.126
Imants Tillers: Journey to Nowhere

Latvian National Museum of Art

Review
Ian McLean

Published 13 August 2018
1.126
From Here to There: Australian Art and Walking

Lismore Regional Gallery

Review
Wes Hill

Published 06 August 2018

Exhibition review Greg Leong Launceston Country Club Tasmania

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From Italowie to Chambers Gorge - A New Tapestry
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When travelling by car over long distances the landscape outside the window endlessly unfolds as a field of subtly carying colour and texture punctuated by the irregular rhythm of straggling trees and bushes.

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4 Jewellery Co-operatives: On Staying in the Black: Fingers
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Craft, Science and the Natural: An Introduction
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There seems to be a consensus that craft is in a state of crisis. But consensus or not, the observation of this alleged crisis is sterile if we do not place it against its background. Is this crisis unique to craft, or is it a manifestation of a more general crisis which extends across other cognate areas? If it is more general, does it nevertheless have special implications for craft?

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The Problem of Orthodoxy in Contemporary Glass
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In her introductory notes to the exhibition 'Glass: Material in the service of meaning' the artist Ginny Ruffner comments on the current field of glass art as "being awash in objects, some beautiful, some ugly, most about glass itself - material as content."

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...But Never by Chance..., Skin and From Women
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Tim Burns - Paintings and Drawings
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PICA
Axolotl
NAVA