Published 01 September 2018
Published 01 December 2016
Contemplating the work of Lin Onus the artist, the arts administrator and the panel beating mechanic.
The broad aims of the Aboriginal Community College in Port Adelaide, South Australia, are to provide time, space, and resources to Aboriginal people that will allow them to make discoveries about themselves, their heritage and their environment, and to move in directions that they establish as relevant to themselves and/or their community.
Published June 1990
Painting movement at Papunya 1971-75 one of the few positive offshoots of the Government's Assimilation Policy. Senior men began to paint on boards and made murals for the school, initially showing sacred secret material, later self-censored. Paintings use complex patterning and dotting to describe formation of land by Ancestors, natural features and travel.
Looks at a family history project beginning with the Koonibba Mission in South Australia.
Located in an old terrace house in Cope Street Redfern, is the voice of the Aboriginal Community in Sydney. The terrace house is not unlike any other in the inner city. However with the Koori colours on one wall and the music of Koori bands blasting out from its speakers up on the balcony the house is fairly outstanding.
The period of 1986 - 1989 has been epoch making for Aboriginal printmaking, not necessarily because of an improvement in the quality of the prints produced during that time but because Aboriginal prints in forums broadly motivated by the centenary has allowed them to receive the recognition they deserve.
Gordon Bennett interviewed on the development of his work.
"In January 1989, I attended the second national Black Playwrights conference. I arrived at this conference feeling very unsure and insecure with nine small scenes which I had hoped would turn in to a play."
Looks at her art practice and design issues, copyright and textiles.
Looks at the art practice of two artists from the Cairns College of TAFE and the Associate Diploma of Art.
The artist speaks about her art practice.
This is a critical time in the history of the wider region of Cape York Peninsula.
Narrangunnawali was an exhibition by Aboriginal artists from Canberra and the surrounding region mounted by the Canberra Contemporary Art Space 31 August - 23 September 1989.