Masterminded Masterpieces: Legendary Art

Cover of Masterminded Masterpieces: Legendary Art
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We Don't Fabricate, We Weave: Kumarangk (Hindmarsh Island) and Ngarrindjeri women’s resistance
Feature
Dominic Guerrera

Published 15 December 2021
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Reclaiming the Rock in Project Banaba: Creativity, survival and agricultural colonialism in the Pacific
Feature
Katerina Teaiwa

Published 15 December 2021
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Lipstick and Land Rights: A poetic response
Feature
Lorna Munro

Published 15 December 2021
Gallery Lane Cove
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Woven Selves, Entangled Countries: Weaving across borders
Feature
Dameeli Coates

Published 15 December 2021
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Sovereign city, sovereign self and Warrior Woman Lane
Feature
Timmah Ball

Published 15 December 2021
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Miyurr Mi:wi: Working from home in the spirit of Country
Feature
Tracey Rigney

Published 15 December 2021
Gallipoli Art Prize
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My Sovereign Mind: A practice in two parts
Feature
Hayley Millar Baker

Published 15 December 2021
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Sovereign Sight: Intersections of the historical archive and artistic practice—a curatorial perspective
Feature
Kimberley Moulton

Published 15 December 2021

Mrs Iris Frame is going to be bigger than Elvis Presley. She told the author so herself. Her dream is to establish a museum of her life's work on her property just like Gracelands.

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More from this Issue Full Issue Contents

A Living Treasure: The Topiary of Jack Cashion
Feature
Audrey Hutchison

As a sculptor working in metal I have been interested for some time in combining plants with the hard surfaces of copper and steel. The issues involved in using shrubs and trees are many, including that the work isn't trivialised or lacking in credibility, transport and of course storage.

Published December 1992
The Chronic Population
Feature
Anthony Mannix

Art Brut is that manner of making something whereby all of the individual is.

Published December 1992
Tut's Whittle Wonders
Feature
Joanna Lawton

Written with David Wood. Explores the work of Tut Ludby who whittles wood in the small town of Strahan in Tasmania.

Published December 1992
Naive Archive
Feature
Stephanie Britton

A national survey of Australian Naives - short biographies by various contributors as well as the artists themselves and images many in colour. Artists include Bernard Jeffery, Hugh Schulz, Bill Yaxley, Sam Byrne, Maitreyi Ray, Pam Bartley, Roma Higgins, Phyl Delves, Alison Vodic, Gwen Mason, Reny Mia Slay, Stella Dilger, Del Luke, Muriel Smith, Elfrun Lach, Susan Wanji Wanji, Miriam Naughton, Gwen Clarke, Selby Warren, Malcolm Otton, Harold Kangaroo Thornton, Ivy Robson, Lorna Chick and George Deurden.

Published December 1992
I just had this Inkling...
Feature
Jackie Kerin

Interview with Tazz a tattoo artist in South Australia.

Published December 1992
Tivaevae
Book Review
Susan Cochrane

Book review Tivaevae: Portraits of Cook Island Quilting
By Lynnsay Rongokea
Photographs John Daley
Published Daphne Brussell Assocs Press Wellington New Zealand

Published December 1992
Self, Image and the Gaze: Anna Platten
Review
Jude Adams

Exhibition review Works by Anna Platten: Paintings and Studies 1982 -1992
University of South Australia Art Museum
30 July - 29 August 1992

Published December 1992
How to Hold a Festival in the Cook Islands
Feature
Susan Cochrane

Make your moment in Pacific history and hang the cost. On 15 October 1992 Raratongans waited expectantly for their 2000 guests from 23 other Pacific countries to arrive for the 6th Pacific Festival of Arts.

Published December 1992
Outsider Art: Flavour of the Month
Feature
Philip Hammial

Looks at the art market and the great beast of commercialism.

Published December 1992
From Stone Henge to Post-Feminist Creatures
Feature
Lawrence Hall

Tattoo in Aotearoa/ New Zealand
Tattooing is not 'Outsider' or 'Other' art. To suggest this is to fall once more into the tiresome quagmire of Western art definitions. Looks at an exhibition 'Tattoo' 1993.

Published December 1992
Foils for the Silver City
Feature
Matthew Simon

Disillusioned with the contemptible familiarity of our environment in the South Australian School of Art a group of fellow students and I decided to take our art somewhere else. So, displaced and gung-ho, our controversial creations in tow, we set off to Broken Hill, the self proclaimed art capital of Australia.

Published December 1992
The O/S Experience
Review
Jonathan Holmes

Rediscovery: Australian Artists in Europe 1982-1992 Universal Expo Seville
June/July 1992
Curator Jonathon Holmes

Published December 1992