Published 01 December 2018
Looks at the art market and the great beast of commercialism.
Arts Project Australia was formed in Melbourne in 1974 as an advocacy group for artists with an intellectual disability. The initial aim of the organisationwas to gather a comprehensive collections of artworks from centres in Victoria working with people with an intellectual disability.
Published December 1992
Exhibition review Contemporary jewellery at the Jam Factory
Leslie Matthews "Inner Vane"
13 August - 13 September 1992
Cecelia Cmielewski 15 May - 5 June 1992
Jam Factory Adelaide South Australia
In country towns, suburban lanes and backstreets, tucked behind barricades and fences or alternatively displayed for all to see, are the gardens and decorated outdoor spaces of many 'other' artists. These gardens or 'exhibitions' could generally be called quirky. Many coloured photographs.
Mrs Iris Frame is going to be bigger than Elvis Presley. She told the author so herself. Her dream is to establish a museum of her life's work on her property just like Gracelands.
The popular understanding of the so-called 'insane' artist cannot be summarised better than in the schmaltzy lyrics of 'Vincent' written and sung by Don McLean in the 1970s. He plaintively chides those who misunderstood the living Van Gogh and charges them with the responsibility for his suicide.
Looks at the works of Anthony Hopkins.
Review MFG: A report on the first eight months of Greenaway Art Gallery Opened in March 1992
The diversity of work found in the art of everyday life transgresses many of the implicit boundaries about art practice laid down by the art world. Other art meets all the criteria by which we usually evaluate art works such as skill, commitment and self-expression yet is rarely seen in a gallery context. In order to recover meaning and value for the art of everyday life the question must be asked: why have these artists been marginalised by the art world?
Exhibition review it (ca) speaks...it (ca) sucks. "i(t) too was drag(g)ed into this sub-plot"
Installation by Jyanni Steffensen
Experimental Art Foundation
Adelaide South Australia
6 August - 6 September 1992
Make your moment in Pacific history and hang the cost. On 15 October 1992 Raratongans waited expectantly for their 2000 guests from 23 other Pacific countries to arrive for the 6th Pacific Festival of Arts.
Artists of the modern era have always been fascinated by the primitive, be it the obsession of the surrealists, futurists and modernists for the art of the Negro, the passion of a handful of British in the 60s for the work of the Cornish primitive Alfred Wallis or Jean Dubuffet's exploration of children's art and the art of the asylum which he termed Art Brut.