Outsider Art: Flavour of the Month

Cover of Outsider Art: Flavour of the Month
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
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Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
The Japan Foundation
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
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Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
Sydney Opera House
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
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Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

Looks at the art market and the great beast of commercialism.

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More from this Issue Full Issue Contents

Self, Image and the Gaze: Anna Platten
Review
Jude Adams

Exhibition review Works by Anna Platten: Paintings and Studies 1982 -1992
University of South Australia Art Museum
30 July - 29 August 1992

Published December 1992
Nyungar Landscapes: Wetern Australia
Feature
John E Stanton

In a remote corner of the south west of Western Australia, a school teacher who had never trained in art, was the catalyst for a school of landscape painting reminiscent of the style of Namatjira. Everything about this story was remarkable, not least that this happened over 40 years ago and that the average age of the artists was 10. The place was a tiny settlement known as Carrolup, now known as Marribank near Katanning.

Published December 1992
Nothing if Not Innocent
Feature
Victoria Coles

Artists of the modern era have always been fascinated by the primitive, be it the obsession of the surrealists, futurists and modernists for the art of the Negro, the passion of a handful of British in the 60s for the work of the Cornish primitive Alfred Wallis or Jean Dubuffet's exploration of children's art and the art of the asylum which he termed Art Brut.

Published December 1992
Reflections on Being: Being and Nothingness
Review
Penny Mason

Exhibition review Being and Nothingness
Works by Bea Maddock
Queen Victoria Museum and Art Gallery
Launceston
August 1992

Published December 1992
The Dictionary of Australian Artists
Book Review
Daniel Thomas

Book review The Dictionary of Australian Artists: Painters, Sketchers, Photographers and Engravers to 1870
Edited by Joan Kerr
Oxford University Press Melbourne
RRP $200

Published December 1992
The World in Talc
Feature
Malcolm McKinnon

Looks at the works of Talc Alf working in Lyndhurst South Australia.

Published December 1992
Captain Oates' Last Words
Feature
David Hansen

Art institutions are beginning to welcome Outsiders in. But there seems to be a little uncertainty in the art world as to the specifics of the Other guest list: enterprises such as this Artlink special issue are a means of establishing the canon, of packaging the concept.

Published December 1992
I just had this Inkling...
Feature
Jackie Kerin

Interview with Tazz a tattoo artist in South Australia.

Published December 1992
Ciao from Canberra
Feature
Anne Virgo

Hidden in the neat suburban streets of Canberra are the sculptures of Giacomo Rampone. Superbly crafted from steel and cement, these sculptures adorn the front gardens of each of Rampone's homes past and present.

Published December 1992
Arcanum (Extracts from the Archives)
Review
Kerry Giles Kurwingie

Exhibition review Union Gallery
Adelaide University
South Australia
19 August - 4 September 1992

Published December 1992
Stage Sets for Suburban Dramas
Feature
Olga Sankey

Photographs by Dianne Longley of domestic dwellings in and around Adelaide South Australia.

Published December 1992
From Stone Henge to Post-Feminist Creatures
Feature
Lawrence Hall

Tattoo in Aotearoa/ New Zealand
Tattooing is not 'Outsider' or 'Other' art. To suggest this is to fall once more into the tiresome quagmire of Western art definitions. Looks at an exhibition 'Tattoo' 1993.

Published December 1992
 
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