Outsider Art: Flavour of the Month

Cover of Outsider Art: Flavour of the Month
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
NAVA
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.124
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
UTS
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Looks at the art market and the great beast of commercialism.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

I just had this Inkling...
Feature
Jackie Kerin

Interview with Tazz a tattoo artist in South Australia.

Published December 1992
The Australian Collection of Outsider Art
Feature
Philip Hammial

Outsider Artists in Australia? Of course. The phenomenon is universal.

Published December 1992
Reflections on Being: Being and Nothingness
Review
Penny Mason

Exhibition review Being and Nothingness
Works by Bea Maddock
Queen Victoria Museum and Art Gallery
Launceston
August 1992

Published December 1992
Anthony Hopkins
Artist Profile
Julie Green

Looks at the works of Anthony Hopkins.

Published December 1992
Tivaevae
Book Review
Susan Cochrane

Book review Tivaevae: Portraits of Cook Island Quilting
By Lynnsay Rongokea
Photographs John Daley
Published Daphne Brussell Assocs Press Wellington New Zealand

Published December 1992
Bill Sorrell
Feature
Julian Goddard

Looks at the environment of Bill Sorrell working in the small farming town of Toodyay in the Avon Valley about 80 kilometres from Perth Western Australia.

Published December 1992
A Room of Their Own
Review
Louise Dauth

Exhibition review Contemporary jewellery at the Jam Factory
Leslie Matthews "Inner Vane"
13 August - 13 September 1992
Cecelia Cmielewski 15 May - 5 June 1992
Jam Factory Adelaide South Australia

Published December 1992
Eccentric Gardens of Australia
Feature
Jennifer Isaacs

In country towns, suburban lanes and backstreets, tucked behind barricades and fences or alternatively displayed for all to see, are the gardens and decorated outdoor spaces of many 'other' artists. These gardens or 'exhibitions' could generally be called quirky. Many coloured photographs.

Published December 1992
Desire Caught by the Tail: Jyanni Steffenson
Review
Leon Marvell

Exhibition review it (ca) speaks...it (ca) sucks. "i(t) too was drag(g)ed into this sub-plot"
Installation by Jyanni Steffensen
Experimental Art Foundation
Adelaide South Australia
6 August - 6 September 1992

Published December 1992
Tut's Whittle Wonders
Feature
Joanna Lawton

Written with David Wood. Explores the work of Tut Ludby who whittles wood in the small town of Strahan in Tasmania.

Published December 1992
Nyungar Landscapes: Wetern Australia
Feature
John E Stanton

In a remote corner of the south west of Western Australia, a school teacher who had never trained in art, was the catalyst for a school of landscape painting reminiscent of the style of Namatjira. Everything about this story was remarkable, not least that this happened over 40 years ago and that the average age of the artists was 10. The place was a tiny settlement known as Carrolup, now known as Marribank near Katanning.

Published December 1992
The Boundary Riders: The Art of Everyday Life
Feature
Sylvia Kleinert

The diversity of work found in the art of everyday life transgresses many of the implicit boundaries about art practice laid down by the art world. Other art meets all the criteria by which we usually evaluate art works such as skill, commitment and self-expression yet is rarely seen in a gallery context. In order to recover meaning and value for the art of everyday life the question must be asked: why have these artists been marginalised by the art world?

Published December 1992
 
Hazelhurst
Axolotl
Joondalup
PICA 2