Foils for the Silver City

Disillusioned with the contemptible familiarity of our environment in the South Australian School of Art a group of fellow students and I decided to take our art somewhere else. So, displaced and gung-ho, our controversial creations in tow, we set off to Broken Hill, the self proclaimed art capital of Australia.

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The Boundary Riders: The Art of Everyday Life

The diversity of work found in the art of everyday life transgresses many of the implicit boundaries about art practice laid down by the art world. Other art meets all the criteria by which we usually evaluate art works such as skill, commitment and self-expression yet is rarely seen in a gallery context. In order to recover meaning and value for the art of everyday life the question must be asked: why have these artists been marginalised by the art world?

Sylvia Kleinert

Mental Disturbance and Artistic Production

The popular understanding of the so-called 'insane' artist cannot be summarised better than in the schmaltzy lyrics of 'Vincent' written and sung by Don McLean in the 1970s. He plaintively chides those who misunderstood the living Van Gogh and charges them with the responsibility for his suicide.

Traudi Allen

Disposable Icons

Tattoos

Ex de Medici

Arts Project Australia: Creativity, marginality and the politics of difference

Chris McAuliffe

Naive Archive

A national survey of Australian Naives - short biographies by various contributors as well as the artists themselves and images many in colour. Artists include Bernard Jeffery, Hugh Schulz, Bill Yaxley, Sam Byrne, Maitreyi Ray, Pam Bartley, Roma Higgins, Phyl Delves, Alison Vodic, Gwen Mason, Reny Mia Slay, Stella Dilger, Del Luke, Muriel Smith, Elfrun Lach, Susan Wanji Wanji, Miriam Naughton, Gwen Clarke, Selby Warren, Malcolm Otton, Harold Kangaroo Thornton, Ivy Robson, Lorna Chick and George Deurden.

Stephanie Britton

MFG: A Report on the First Eight Months of Greenaway Art Gallery

Review MFG: A report on the first eight months of Greenaway Art Gallery Opened in March 1992

Stephanie Radok

Nothing if Not Innocent

Artists of the modern era have always been fascinated by the primitive, be it the obsession of the surrealists, futurists and modernists for the art of the Negro, the passion of a handful of British in the 60s for the work of the Cornish primitive Alfred Wallis or Jean Dubuffet's exploration of children's art and the art of the asylum which he termed Art Brut.

Victoria Coles

A Room of Their Own

Exhibition review Contemporary jewellery at the Jam Factory Leslie Matthews "Inner Vane" 13 August - 13 September 1992 Cecelia Cmielewski 15 May - 5 June 1992 Jam Factory Adelaide South Australia

Louise Dauth

Eccentric Gardens of Australia

In country towns, suburban lanes and backstreets, tucked behind barricades and fences or alternatively displayed for all to see, are the gardens and decorated outdoor spaces of many 'other' artists. These gardens or 'exhibitions' could generally be called quirky. Many coloured photographs.

Jennifer Isaacs

A Living Treasure: The Topiary of Jack Cashion

As a sculptor working in metal I have been interested for some time in combining plants with the hard surfaces of copper and steel. The issues involved in using shrubs and trees are many, including that the work isn't trivialised or lacking in credibility, transport and of course storage.

Audrey Hutchison

Anthony Hopkins

Looks at the works of Anthony Hopkins.

Julie Green

Outsider Art: Flavour of the Month

Looks at the art market and the great beast of commercialism.

Philip Hammial

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