The Chronic Population

Cover of The Chronic Population
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.126
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
Hazelhurst
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own wa
Feature
Claire L. Evans

Published 01 December 2018
1.128
The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
1.126
Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
Artlink Subs Promo
1.094
The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
1.126
Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

Art Brut is that manner of making something whereby all of the individual is.

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More from this Issue Full Issue Contents

Bill Sorrell
Feature
Julian Goddard

Looks at the environment of Bill Sorrell working in the small farming town of Toodyay in the Avon Valley about 80 kilometres from Perth Western Australia.

Published December 1992
The O/S Experience
Review
Jonathan Holmes

Rediscovery: Australian Artists in Europe 1982-1992 Universal Expo Seville
June/July 1992
Curator Jonathon Holmes

Published December 1992
How to Hold a Festival in the Cook Islands
Feature
Susan Cochrane

Make your moment in Pacific history and hang the cost. On 15 October 1992 Raratongans waited expectantly for their 2000 guests from 23 other Pacific countries to arrive for the 6th Pacific Festival of Arts.

Published December 1992
A Living Treasure: The Topiary of Jack Cashion
Feature
Audrey Hutchison

As a sculptor working in metal I have been interested for some time in combining plants with the hard surfaces of copper and steel. The issues involved in using shrubs and trees are many, including that the work isn't trivialised or lacking in credibility, transport and of course storage.

Published December 1992
Reflections on Being: Being and Nothingness
Review
Penny Mason

Exhibition review Being and Nothingness
Works by Bea Maddock
Queen Victoria Museum and Art Gallery
Launceston
August 1992

Published December 1992
Maria
Feature
Julian Goddard

Looks at the environment of Maria "Mad Mary" Hermann at her house in Leederville Western Australia.

Published December 1992
Desire Caught by the Tail: Jyanni Steffenson
Review
Leon Marvell

Exhibition review it (ca) speaks...it (ca) sucks. "i(t) too was drag(g)ed into this sub-plot"
Installation by Jyanni Steffensen
Experimental Art Foundation
Adelaide South Australia
6 August - 6 September 1992

Published December 1992
Blue Bush, Blue Sky and Silver
Book Review
Paul Greenaway

Book review Blue Bush, Blue Sky and Silver Guide to artists and galleries of Broken Hill.

Published December 1992
The Australian Collection of Outsider Art
Feature
Philip Hammial

Outsider Artists in Australia? Of course. The phenomenon is universal.

Published December 1992
Naive Archive
Feature
Stephanie Britton

A national survey of Australian Naives - short biographies by various contributors as well as the artists themselves and images many in colour. Artists include Bernard Jeffery, Hugh Schulz, Bill Yaxley, Sam Byrne, Maitreyi Ray, Pam Bartley, Roma Higgins, Phyl Delves, Alison Vodic, Gwen Mason, Reny Mia Slay, Stella Dilger, Del Luke, Muriel Smith, Elfrun Lach, Susan Wanji Wanji, Miriam Naughton, Gwen Clarke, Selby Warren, Malcolm Otton, Harold Kangaroo Thornton, Ivy Robson, Lorna Chick and George Deurden.

Published December 1992
Disposable Icons
Feature
Ex de Medici

Tattoos

Published December 1992
The Boundary Riders: The Art of Everyday Life
Feature
Sylvia Kleinert

The diversity of work found in the art of everyday life transgresses many of the implicit boundaries about art practice laid down by the art world. Other art meets all the criteria by which we usually evaluate art works such as skill, commitment and self-expression yet is rarely seen in a gallery context. In order to recover meaning and value for the art of everyday life the question must be asked: why have these artists been marginalised by the art world?

Published December 1992
 
Axolotl
ACMI
NAVA