The Chronic Population

Cover of The Chronic Population
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
Artlink Subs Promo
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
Churchie
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

Art Brut is that manner of making something whereby all of the individual is.

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More from this Issue Full Issue Contents

The Australian Collection of Outsider Art
Feature
Philip Hammial

Outsider Artists in Australia? Of course. The phenomenon is universal.

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The O/S Experience
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A Room of Their Own
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Cecelia Cmielewski 15 May - 5 June 1992
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Arcanum (Extracts from the Archives)
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Disposable Icons
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Ex de Medici

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Arts Project Australia: Creativity, Marginality and the Politics of Difference
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Arts Project Australia was formed in Melbourne in 1974 as an advocacy group for artists with an intellectual disability. The initial aim of the organisationwas to gather a comprehensive collections of artworks from centres in Victoria working with people with an intellectual disability.

Published December 1992
Blue Bush, Blue Sky and Silver
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Masterminded Masterpieces: Legendary Art
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Mrs Iris Frame is going to be bigger than Elvis Presley. She told the author so herself. Her dream is to establish a museum of her life's work on her property just like Gracelands.

Published December 1992
From Stone Henge to Post-Feminist Creatures
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Lawrence Hall

Tattoo in Aotearoa/ New Zealand
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Now Who is Being Naive?
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Naive is a tag used to describe the style of a particular artist and by inference the content of their work. In this examination of 4 contemporary artists working in what can be characterised as a naive style. the author illustrates that they are being anything but naive in the analysis of events, issues and stereotypes.

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Self, Image and the Gaze: Anna Platten
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Published December 1992
 
NAVA
Riddoch
ACE Open
Crown Resorts
Sydney Opera House