Pity the Poor Director: Priorities Askew in Low Budget Film and Video

Cover of Pity the Poor Director: Priorities Askew in Low Budget Film and Video
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
NAVA
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
Churchie
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

Operating both as an industry training ground and as a space for creative experimentation, low budget film and video production must be thought of as an economic and a cultural investment.

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The Spirit of Collectivism: A Brief Guide to Melbourne's Artist-run Galleries
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Merran Ricketson

A brief guide to Melbourne's artist run galleries: Ether Ohnetitel, The Women's Gallery, Gallery Gecko, The COOP, A For Art Space, Making Sense Contemporary Art Space, The Basement Project, Argyle Street Studios, West Space, Arts Post, RedPlanet, Another Planet Posters, Red Letter Community Workshop, A.R.T. (artaroundtown), First Floor, Store 5, Room 4, ROAR Studio, Temple 29 and 41 Gold Street.

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The End of an Era? Artists' Week 1994 Adelaide Festival
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Melissa Cater

Artists were left out in the cold at the 1994 Festival of Arts. Examines issues facing organisers of events such as Artist's week in the context of the Adelaide Festival of Arts.

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Non-Metro Spaces
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Stephanie Britton

Artists collectives and access galleries do not just exist in big capital cities. It seems that wherever there is a community of artists and Artist Run Initiative will happen.

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Jemmy Caution
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Stephanie Radok

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Mehmet Adil, Craige Andrae, Johnnie Dadie, Simryn Gill, Richard Grayson, Linda Marie Walker, Paul Hewson, Shaun Kirby, David O'Halloran, Bronia Iwanczak, Andrew Petrusevics, Bronwyn Platten, George Popperwell, Jyanni Steffensen, Steve Wigg
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Ebenezer Studios Basement
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The Case of the Cigarette and the Egg
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Media Resource Centre
Adelaide South Australia
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Artists as Soul Agents in WA
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Robyn Taylor

During the 1990s a number of initiatives have been undertaken in Western Australia which aim to improve the lot of the State's artists. The article examines three particular initiatives.

Published June 1994
Festival of Perth: Visual Arts a Shadow of Their Former Selves
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Review A sad thing has happened to the once vibrant visual arts component of the Festival of Perth - the oldest arts festival in Australia. It has become tired if not downright tiresome. The whole event needs a good shake - up.

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Brisbane Offers Plenty of Space
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Christine Morrow

Brisbane has been and continues to be well served by artist run spaces and access galleries, particularly in the last 2 years 1993-1994. Can there ever be an over supply? Looks at Dogget Street Studios, QAA, Metro Arts, Inkahoots, Loading Bay, Isn't Studios and Fireworks Gallery.

Published June 1994
The Jeweller's Apprentice
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"As a practising artist/craftrsperson with an interest in education, teaching and learning, the potential of studio based training greatly appealed to me."

Published June 1994
Showing and Working Together in WA
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The Green and the Wild
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Dick Bett Gallery Hobart, Tasmania
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No Vacancy: The Art of 400 Artists
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Looks at the artist run space 'No Vacancy' located in Melbourne, Victoria.

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