Fania

Cover of Fania
1.27
Sheer Fantasy

Campbelltown Arts Centre

Review
Craig Judd

Published 15 May 2018
0.964
Parekowhai: Détour | Pacific Sisters

Toi Art, Museum of New Zealand Te Papa Tongarewa, Wellington 

Review
Bruce E. Phillips

Published 15 May 2018
1.286
Archie Moore: 1970-2018

Griffith University Art Museum, Brisbane

Review
Djon Mundine

Published 20 April 2018
Axolotl
1.278
Manila Biennale

Intramuros, Manila

Review
Eileen Legaspi-Ramirez

Published 15 April 2018
1.22
Colony

National Gallery of Victoria, Melbourne 

Review
Ian McLean

Published 13 April 2018
1.272
2018 Adelaide Biennial of Australian Art: Divided Worlds

Art Gallery of South Australia and other venues

Review
Wendy Walker

Published 12 April 2018
ACCA
1.412
Soda_Jerk: TERROR NULLIUS

ACMI, Melbourne

Review
Alexandra Heller-Nicholas

Published 12 April 2018
1.49
In the Light of Shadows: Ways of Seeing

10 February – 7 July 2018

Review
Krishna Sen

Published 30 March 2018

Exhibition review Fania Curated by Erica Green University of South Australia Art Museum 28 July - 27 August 1994

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More from this Issue Full Issue Contents

Mourning: Traditions, Symbols and Meaning
Feature
Judith Heaven

Traditions and rituals of mourning for the dead are common to most cultural groups and societies; mourning of the dead is even seen in some animal species.

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No Drop City: Contemporary Australian Architecture
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Basel/East Roseville: Gordon and Breach International/Craftsman House 1994 241 pp

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Death in Excess: Nuclear Imagery
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Nuclear conflagration - whether real or imagined - captivated the post war psyche. Endist images of one form or another were developed in response to what many foresaw as the likely outcome of a third world war.

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And Love a Fantasy: Breastfeeding our Sexuality
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Fay Brauer

On 17 March 1993, the body of photographer Angelo Campana was discovered in the burnt out remains of the newly opened IEG Waste Recycling Plant in Corrimal. According to the coroner's report, his death had not been caused by this fire, but from fatal head injuries incurred by the deceased's head being repeatedly bashed with a theodolite. This is the immediate crime which is appears to be investigated in Dennis Del Favero's sleuthian compilation of words and images, objects and installations called 'Prima Facie'.

Published December 1994
Animal Death and an Artist's Culture: Brian Blanchflower's Tursiops Installation
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Examination of the installation Tursiops by Brian Blanchflower which refers to the brutal heritage of Western Australia's first settlement at Albany which had a large whaling station until the late 1970s.

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Familiarity? Re-Examining Australian Suburbia
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Mikala Dwyer, Michele Beevors, Glen Clarke, Elizabeth Woods, Tony Schwenson and Aleks Danko
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Published December 1994
Chris Hopewell
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Lawrence Wilson Art Gallery at the University of Western Australia
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Published December 1994
In the Coil of Life's Hunger
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Ian North

Looks at the work of James K Baxter 1926 - 1972 (poet) Colin McCahon 1919 - 1987 (artist) both of whom found in travel through New Zealand recurrent metaphor's for life's journey. The principle referent in their work was death.

Published December 1994
Death, Pleasure and Gender in Film
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Barbara Creed

The cinema's ability to represent death - the act of dying, bodily transformations, decay, the corpse - in astonishing realistic terms helps to explain why film, the moving rather than the static image, has become the central depository of death narratives (ancient and modern) in contemporary culture.

Published December 1994
Kumantji and the Contemporary Curator
Feature
John Kean

Across much of Aboriginal Australia the announcement of a death is followed by profound communal mourning, the removal or destruction of the deceased's belongings and most significantly a prohibition on the use of the deceased's name.

Published December 1994
Australasian Artists' Responses to Death
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Peter Bishop

Postmodern culture has proclaimed the death of meaning, of the real, of metanarrative. Identity, memory, the body, nature, culture, power and the sacred - those fundamental ingredients of death's imagination - have undergone profound transformations over the last three decades. The contributions in this issue of Artlink address various parts of this new vision of death.

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A Cemetery for the Community: Enfield Memorial Park, South Australia
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Hilary Hamnett

Thus we come full circle to view the cemetery not as a necessary inconvenience to be isolated on the edge of town and visited once every few years but as a resource that can make a positive contribution to the community.

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Darwin Aboriginal Art Fair
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