Fania

Cover of Fania
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Bodies of Work Online Program

Bus Projects

Review
Amelia Wallin

Published 12 October 2020
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If the future is to be worth anything: 2020 South Australian Artist Survey

ACE Open

Review
Suzanne Close

Published 09 October 2020
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Older Than Language

Salamanca Arts Centre

Review
Seán Kelly

Published 07 September 2020
UNSW
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Cognitive Dissidents: Reasons to be Cheerful

Griffith University Art Museum

Review
Louise R. Mayhew

Published 04 September 2020
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Connected online: New art for new times
Review
Julianne Pierce

Published 14 August 2020
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The virtual world of the Aboriginal art market in 2020
Review
Kieran Finnane

Published 12 August 2020
Amended 2020
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The Stranger Artist: Life at the edge of Kimberley painting
Review
John Kean

Quentin Sprague
Hardie Grant, Melbourne, 2020

 

Published 29 June 2020
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Desert Aboriginal art centres adapt to the pandemic
Review
Kieran Finnane

Published 14 May 2020

Exhibition review Fania Curated by Erica Green University of South Australia Art Museum 28 July - 27 August 1994

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More from this Issue Full Issue Contents

Death's Artefact... Recent Art and War
Feature
Elena Taylor

Although one would expect the field of war art to be generously littered with dead bodies, this is not the case. Instead death has been presented circumspectly, through the rituals surrounding it or through metaphor.

Published December 1994
Chris Hopewell
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Maggie Baxter

Exhibition review Chris Hopewell: New works
Lawrence Wilson Art Gallery at the University of Western Australia
2 September - 16 October 1994

Published December 1994
Crossovers - Site Works and Symposium
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Ian McLean

Exhibition review Crossovers: Site works and symposium
Tasmanian School of Art and various locations, Launceston, Tasmania 26 September - 2 October 1994

Published December 1994
Guide to...Image Bank
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Stephanie Britton

Exploration of images and statements by artists on the theme of death. Artists include William Kelly, Ross Moore, Bette Mifsud and Dennis Del Favero.

Published December 1994
A Cemetery for the Community: Enfield Memorial Park, South Australia
Feature
Hilary Hamnett

Thus we come full circle to view the cemetery not as a necessary inconvenience to be isolated on the edge of town and visited once every few years but as a resource that can make a positive contribution to the community.

Published December 1994
Australasian Artists' Responses to Death
Editorial
Peter Bishop

Postmodern culture has proclaimed the death of meaning, of the real, of metanarrative. Identity, memory, the body, nature, culture, power and the sacred - those fundamental ingredients of death's imagination - have undergone profound transformations over the last three decades. The contributions in this issue of Artlink address various parts of this new vision of death.

Published December 1994
Images of Death 600,000 HOURS (Mortality) Experimental Art Foundation
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John Neylon

Images of death explored in the context of the exhibition 600,000 hours (mortality) held at the Experimental Art Foundation, Adelaide South Australia October 1994.

Published December 1994
Learning to Understand: Art Helps to Dispel Ignorance
Feature
Bronwyn Bancroft

The artist looks at the paintings which were developed for the Health Commission on education, prevention and caring in the AIDS environment. Using an Aboriginal perspective these paintings were produced as a powerful series of posters.

Published December 1994
No Drop City: Contemporary Australian Architecture
Book Review
Deborah White

Book review Contemporary Australian Architecture
Graham Jahn
Photography by Scott Frances
Basel/East Roseville: Gordon and Breach International/Craftsman House 1994 241 pp

Published December 1994
Symmetry: Craft Meets Kindred Trades and Professions
Review
Janene Pellarin

Exhibition review Symmetry: Crafts and Kindred Trades and Professions Curated by Kevin Murray
University of South Australian Art Museum
8 September - 8 October 1994

Published December 1994
Death, Pleasure and Gender in Film
Feature
Barbara Creed

The cinema's ability to represent death - the act of dying, bodily transformations, decay, the corpse - in astonishing realistic terms helps to explain why film, the moving rather than the static image, has become the central depository of death narratives (ancient and modern) in contemporary culture.

Published December 1994
Death in Excess: Nuclear Imagery
Feature
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Nuclear conflagration - whether real or imagined - captivated the post war psyche. Endist images of one form or another were developed in response to what many foresaw as the likely outcome of a third world war.

Published December 1994
 
ACE Open
Guildhouse
CAT
NAVA
MGNSW