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Contributors
Adam Geczy
Allison Archer
Anna Herriman
Catherine Speck
Daniel Grafton
Dominic Chang
George Alexander
Helen Moyes
Jad McAdam
Jane Deeth
John Grech
John Pigot
John Tebbutt
Kay Schaffer
Kurt Brereton
Llewellyn Negrin
Mark Thomson
Martyn Jolly
Neil Roberts
Noel Sanders
Paul Allatson
Petrina Moore
Ray Spiteri
Robert Crocker
Robert Nelson
Stephanie Radok
Tony McGowan
Issues
Men's Business: Masculinities Reflected
Issue 16:1 | March 1996
Articles
Men
What boys give up to become men is all contained in this photograph...
Men's Business: Masculinities Reflected
Masculinities Reflected
Guest editors of 'Masculinities Reflected' Noel Sanders and Kurt Brereton reflect on the nature of masculinity.
Men's Business: Masculinities Reflected
Observing Father's Day in a Good Weekend
Analysis of maleness from a semiotic approach in the context of the lifestyle magazine 'Good Weekend' published as a supplement to both The Age in Melbourne and The Sydney Morning Herald.
Men's Business: Masculinities Reflected
Fathers and/or Sons
Musings on the man who was the author's father from a multicultural perspective.
Men's Business: Masculinities Reflected
I've Written a Letter to Daddy
Social documenter Maxx Image is obsessed with the colour purple. Black leather is the costume of rebellion and the thrill and valour expounded by such an ideal could be seen as enticing accessories to the passion and zeal of leather sexuality.
Men's Business: Masculinities Reflected
Art and Masculinity after Auschwitz after Bosnia: The work of Dennis Del Favero, 1995
Masculinity continues its argument with itself, quizzical at its self-propelled self-assertion. But in asserting aggression the pain is not just experienced in the victim. For even in the crudest acts of coitus, for a moment, the raper becomes the raped, he is tied by his penis and his balls into an abomination.
Men's Business: Masculinities Reflected
Men and Mettle: Recent Portraits by Rox De Luca
Rox de Luca's exhibition of 19 men portrayed in 'All Meat No Veg' were all of men known to her. What did the portraits reveal about the sitters?
Men's Business: Masculinities Reflected
Demystifying Masculinity: The Photography of Krystyna Petryk
Polish born Krystyna Petryk has long been fascinated with portraiture and representations of the nude in photography. Her own investigations began in Warsaw by photographing her pregnant friends and continued after her arrival in Western Australia in 1982. Once here she broadened her explorations to include both male and female subjects before shifting to photograph and research representations of men exclusively.
Men's Business: Masculinities Reflected
Exquisite Corpses
We collage, genderbend, cross dress and polymorph exquisite corpses out of media and advertising personalities, then use them as fantasy aids in the cause of our mundane desires.
Men's Business: Masculinities Reflected
Image Bank: Works by Various Artists
Series of works by Tyrone Townsend, Victoria Straub, Polixeni Papapetrou, Phil George and Simon Cardwell. Large format and mainly colour images.
Men's Business: Masculinities Reflected
They Are Not Photographs: Natalie Lowrie
The images are selections from a body of work called flamingharlots@trashed, created by Sydney based photographer Natalie Lowrie. The images, digitally retouched photos of Natalie's circle of friends and acquaintances were exhibited at the Polymorph Gallery at Newtown.
Men's Business: Masculinities Reflected
Figures of Elongation
Using illustrations from a technical manual of the 1940s `the author examines the working male figure in popular iconography focusing on masculine representation in the visual arts and its link to the means of production.
Men's Business: Masculinities Reflected
Saviour and Sportsman
Vigilantly looking out to sea, the two manifestations of the life saver, the saviour and the sportsman, are combined in this 'gay greeting card' in such a way as to draw on the history of surf club masculinity and create an erotic pose.
Men's Business: Masculinities Reflected
Symbolic Identities: Masculinity and the Motor Cycle
Since 1927, the idea that the motor cycle is synonymous with assertive and unmediated masculinity has been enlarged and expanded through a broad range of visual, literal and cinematic imagery to the point where a machine which was once acclaimed as a means of transport has been transformed into a gendered cultural icon, an object of and for masculine display.
Men's Business: Masculinities Reflected
Sorely Tried Men: The Male Body in World War Two Australia
During World War Two, the Australian government's Department of Information represented the male body in at least two distinct ways. The photographer Edward Cranstone photographed a heroically active, phallicised body and the cameraman Damien Parer filmed a heroically suffering abject body.
Men's Business: Masculinities Reflected
Unwanted Shadow Man
Photos and essay by the author on a relationship between men.
Men's Business: Masculinities Reflected
Public Objects and Private Parts in Harry Hummerston's Recent Assemblages
Harry's work immediately identifies the object as a site of meaning. It is fair to say that Harry is strongly opposed to any restriction or taboo upon what he may represent, particularly from the arena of representing the female object or gender.
Men's Business: Masculinities Reflected
Men Without Toilets
Let's speak about nomads and farmers... The acrid vapours that fill the cast iron nooks and crannies by day: the trickles on metal that appear in my black and white slides each night like blood from a more visible crime: this evidence of the distillation of men: these signs are signs enough of the collapsing consequences of 'farming'.
Men's Business: Masculinities Reflected
Soap: A Letter to Sam Schoenbaum on Not Writing an Essay on a Show Called Phallus and its Funtions
What is the phallus?
Men's Business: Masculinities Reflected
Blokes and Sheds
Images and text by Mark Thomson from his recent book 'Blokes and Sheds'.
Men's Business: Masculinities Reflected
The Back Yard Shed
In 1992, Helen Moyes made a documentary 'The Back Yard Shed' which set out to look at the lives of a cross-section of Australian households through the phenomenon of the back-yard shed.
Men's Business: Masculinities Reflected
Like a Chant
Exhibition review Recent Work: Hossein Valamanesh
4-29 October 1995,
Greenaway Gallery, Adelaide SA
Men's Business: Masculinities Reflected
Perverse Desire?
Exhibition review Mail Order (for Women): Di Barrett
14 Sept - 8 October 1995,
EAF [Experimental Art Foundation]
Adelaide, South Australia
Men's Business: Masculinities Reflected
Light Works
Exhibition review Some Pictures from a Somniloquist's Diary
Tony Trembath
1 November - 26 November 1995
Greenaway Gallery Adelaide SA
Men's Business: Masculinities Reflected
The Virtual in Hand
Exhibition review Armorial: Dianne Longley
8 September - 3 October 1995
Adelaide Central Gallery, SA
Men's Business: Masculinities Reflected
Obsession
Exhibition review Emergence: Arthur Russell
15 October - 12 November 1995
Greenhill Galleries, Perth, WA
Men's Business: Masculinities Reflected
Distilling Poetry
Exhibition review Fremantle Print Awards
8 September - 15 October 1995
Fremantle Arts Centre, WA
Men's Business: Masculinities Reflected
Everchanging Vindication
Exhibition review I won't wish I will: Pippin Drysdale
28 September - 8 October 1995
The Door Exhibition Space Fremantle, WA
Men's Business: Masculinities Reflected
When You Get Behind Closed Doors
Exhibition review Home: Body
Pat Brassington, Kathryn Faludi, Mary Scott, Heather B Swann, Jennifer Spinks
21 September - 13 October 1995
Carnegie Room Town Hall Hobart, Tasmania
Men's Business: Masculinities Reflected
The Many Tongues of Textiles
Exhibition review Tradition, Cloth, Meaning: Contemporary Textiles Curated by Sara Lindsay
17 September - 7 October 1995
Long Gallery Salamanca Arts Centre, Hobart, Tasmania
Men's Business: Masculinities Reflected