Published 30 March 2022
Ian North has the last word. A response to the challenging article by Donald Brook 'The Artist and the Industry' in Artlink Volume 15 No 2 & 3.
Exhibtion review Old Dust and Medical Gas Installation by Shaun Kirby Sym Choon Gallery, Adelaide SA 19 May - 12 June 1995
Published September 1995
Book reviews Vision and Idea - Relooking Modern Malaysian Art by the National Gallery of Malaysia Modern Artists of Malaysia by Piyadasa and Sabapathy Ismail Zain, Retrospective exhibition Skin Trilogy a visual performance event on a futuristic Malaysia Cultural organisations in Southeast Asia by Jenny Lindsay
Ann Newmarch has recently confronted and embraced the problems of ageing ...in a project she calls 'Anti Medusa/Risking Fifty'.
The artist talks about his work and responses.
Exhibition review Stripped Bare: Nicole Ellis Greenaway Art Gallery, Adelaide SA 22 March - 16 April 1995
Book review Bad Aboriginal Art: Tradition, Media and Technological Horizons by Eric Michaels Allen and Unwin RRP $29.95
Review of the 'About Face' exhibition: Angela Stewart and Jenny Loverock. The last 15 years has seen portraiture rise to particular importance in relation to the politics of representation, particularly self representation by women.
Exhibition review Sculpture Survey 1995 Gomboc Gallery Middle Swan One Hundred Years of Sculpture 1895-1995 Art Gallery of Western Australia, Perth, WA
Although the Centenary Venice Biennale has a number of faces, the primary one is to represent the face of contemporary art through international participation of 43 countries at their official pavilions.
Australia now has an embryonic National Portrait Gallery in five small rooms, one larger room and three corridors in Old Parliament House, Canberra. Photos of the opening and the inaugural exhibition 'About Face'.
Exhibition review Dangerous Liaisons Plimsoll Gallery, Centre for the Arts, Hobart Tasmania 7 April - 30 April 1995
A response to the challenging article by Donald Brook 'The Artist and the Industry' in Artlink Volume 15 No 2 & 3.
