Published 30 March 2022
Ian North has the last word. A response to the challenging article by Donald Brook 'The Artist and the Industry' in Artlink Volume 15 No 2 & 3.
Each age has apparently had some theory of the face. Article links to the exhibition 'Faciality' curated by Zara Stanhope at the Monash University Gallery. Includes the work of artists Geoffrey Dupree, Chris Barry, Maria Kozic, Gordon Bennett, Peter Kennedy and others.
Published September 1995
A response to the challenging article by Donald Brook 'The Artist and the Industry' in Artlink Volume 15 No 2 & 3.
The Futures Technology Centre Elizabeth College, cnr of Warwick & Murray Sts, Hobart Design team: Paul Ian (architect), Ian Friend (artist), Sarah Lindsay (artist), Kevin Todd (artist).
Exhibition review Sculpture Survey 1995 Gomboc Gallery Middle Swan One Hundred Years of Sculpture 1895-1995 Art Gallery of Western Australia, Perth, WA
Exhibition review Flight/Flight: Alex Rizkalla Experimental Art Foundation, Adelaide SA 27 April - 21 May 1995
Rei Zunde is a photographer and painter working in Melbourne. His recent photographic work records specific cultural or sub-cultural worlds - rodeos, tattooed men and women, suburban football teams and their supporter and circus workers and their animals.
Close examination of the artist in the arts industry. The demystification project, the mysterious nature of art, the mystification of the artist, the mystery of moral arts and some consequences for the artist are examined with logical persuasion and a sharp sense of humour.
Exhibition review Contemporay arts of the South Pacific University of New South Wales Held in the Gallery of the Alliance Francaise de Sydney 9 May- 2 June 1995
A response to the challenging article by Donald Brook, 'The Artist and the Industry' in Artlink Volume 15 Number 2 & 3.
Exhibition review performance art Relatives/Friends/Victims Safe Chamber One was Vicious Queenbitchery First Site Program, Come Out Festival Lion Arts Theatre 29 -31 March 1995
Australia now has an embryonic National Portrait Gallery in five small rooms, one larger room and three corridors in Old Parliament House, Canberra. Photos of the opening and the inaugural exhibition 'About Face'.
In the Company of Women along with other components of the National Women's Art Exhibition, offers an opportunity to review the complex ideological ingredients that women modernists brought to their formal experiments. Artworks by Margaret Francis, Elise Blumann, Margaret Morgan and Grace Cossington Smith.
