Published 01 December 2020
A response to the challenging article by Donald Brook 'The Artist and the Industry' in Artlink Volume 15 No 2 & 3.
Rei Zunde is a photographer and painter working in Melbourne. His recent photographic work records specific cultural or sub-cultural worlds - rodeos, tattooed men and women, suburban football teams and their supporter and circus workers and their animals.
Published September 1995
Heritage: the National Women's Art Book
edited by Joan Kerr
an Art and Australia book published by Craftsman House
Report Torque, the Fourth Artists' Regional Exchange, Perth February - March 1995 - a five week residency for visual artists from Australia, Indonesia and the Philippines, an exhibition of work at the Perth Institute of Contemporary Art Western Australia and a Symposium (24- 26 March 1995).
Artist's statements and images: Kate Butler, Destiny Deacon, Di Barrett, Thomas Hoareau and Anne Zahalka.
Ian North has the last word. A response to the challenging article by Donald Brook 'The Artist and the Industry' in Artlink Volume 15 No 2 & 3.
Exhibition review Flight/Flight: Alex Rizkalla
Experimental Art Foundation, Adelaide SA
27 April - 21 May 1995
It goes without saying that for a woman to make a self-portrait, a self-representation, a different world of considerations will be required than if a man entered the same quest. The weight of history, of tradition, the idea of 'truthfulness' and women's unreliability: must I go on?
Review of the 'About Face' exhibition: Angela Stewart and Jenny Loverock. The last 15 years has seen portraiture rise to particular importance in relation to the politics of representation, particularly self representation by women.
A response to the challenging article by Donald Brook, 'The Artist and the Industry' in Artlink Volume 15 Number 2 & 3.
Close examination of the artist in the arts industry. The demystification project, the mysterious nature of art, the mystification of the artist, the mystery of moral arts and some consequences for the artist are examined with logical persuasion and a sharp sense of humour.
Although the Centenary Venice Biennale has a number of faces, the primary one is to represent the face of contemporary art through international participation of 43 countries at their official pavilions.
Book reviews Vision and Idea - Relooking Modern Malaysian Art
by the National Gallery of Malaysia
Modern Artists of Malaysia
by Piyadasa and Sabapathy
Ismail Zain, Retrospective exhibition
Skin Trilogy a visual performance event on a futuristic Malaysia Cultural organisations in Southeast Asia
by Jenny Lindsay