Miyurr Mi:wi: Working from home in the spirit of Country

Cover of Miyurr Mi:wi: Working from home in the spirit of Country
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Lipstick and Land Rights: matriarchal sovereign history and the cyber frontier
Feature
Lorna Munro

Published 24 January 2022
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We Don't Fabricate, We Weave: Kumarangk (Hindmarsh Island) and Ngarrindjeri women’s resistance
Feature
Dominic Guerrera

Published 15 December 2021
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Reclaiming the Rock in Project Banaba: Creativity, survival and agricultural colonialism in the Pacific
Feature
Katerina Teaiwa

Published 15 December 2021
Gallipoli Art Prize
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Lipstick and Land Rights: A poetic response
Feature
Lorna Munro

Published 15 December 2021
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Woven Selves, Entangled Countries: Weaving across borders
Feature
Dameeli Coates

Published 15 December 2021
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Sovereign city, sovereign self and Warrior Woman Lane
Feature
Timmah Ball

Published 15 December 2021
Gallery Lane Cove
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My Sovereign Mind: A practice in two parts
Feature
Hayley Millar Baker

Published 15 December 2021
0.75
Sovereign Sight: Intersections of the historical archive and artistic practice—a curatorial perspective
Feature
Kimberley Moulton

Published 15 December 2021
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Tracey Rigney is a Wotjobaluk and Ngarrindjeri woman and storyteller who draws inspiration from her people, Country and culture. She has worked as a playwright for theatre, in television and as an award-winning film maker.

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