Uli Mural, 1994, Nsugbe, Anambra State, Nigeria. Photo: Chika Okeke-Agulu.

Tradition and postcolonial modernism in the work of Obiora Udechukwu

Cover of Tradition and postcolonial modernism in the work of Obiora Udechukwu
1.128
Wardlipari Homeriver Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.192
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Claire Milledge
Feature
Amelia Wallin

Published 01 March 2019
ACMI
1.124
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
Riddoch
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
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Chika Okeke‑Agulu is Associate Professor, Princeton University Department of Art & Archaeology / Department of African American Studies.

Card image: detail from Obiora Udechukwu, Untitled, 1985, watercolour. Courtesy and © Obiora Udechukwu

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