Uli Mural, 1994, Nsugbe, Anambra State, Nigeria. Photo: Chika Okeke-Agulu.

Tradition and postcolonial modernism in the work of Obiora Udechukwu

Cover of Tradition and postcolonial modernism in the work of Obiora Udechukwu
0.786
Between worlds: Belinda Mason and Blur Projects
Feature
Alasdair Foster

Published 01 September 2020
0.786
Body, remember: Wrap me in a sister cloak
Feature
Ali Gumillya Baker

Published September 2020

0.794
Regimes of care: Concerning the afterlife of artists
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Robert Cook

Published 01 September 2020
ACE Open
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Alasdair Foster

Published 01 September 2020
0.786
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Feature
Ginger Gorman

Published 01 September 2020
0.792
Flesh after fifty: Changing images of older women in art
Feature
Jacqueline Millner

Published 01 September 2020
QAGOMA
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How can I live in your world? Empathic strategies in contemporary Asian art
Feature
Reuben Keehan

Published 01 September 2020
0.786
Shahidul Alam: You're blocking the sun
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Kelly Hussey-Smith

Published 01 September 2020
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Chika Okeke‑Agulu is Associate Professor, Princeton University Department of Art & Archaeology / Department of African American Studies.

Card image: detail from Obiora Udechukwu, Untitled, 1985, watercolour. Courtesy and © Obiora Udechukwu

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