Uli Mural, 1994, Nsugbe, Anambra State, Nigeria. Photo: Chika Okeke-Agulu.

Tradition and postcolonial modernism in the work of Obiora Udechukwu

Cover of Tradition and postcolonial modernism in the work of Obiora Udechukwu
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
Sydney Opera House
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
The Japan Foundation
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
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Chika Okeke‑Agulu is Associate Professor, Princeton University Department of Art & Archaeology / Department of African American Studies.

Card image: detail from Obiora Udechukwu, Untitled, 1985, watercolour. Courtesy and © Obiora Udechukwu

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