Uli Mural, 1994, Nsugbe, Anambra State, Nigeria. Photo: Chika Okeke-Agulu.

Tradition and postcolonial modernism in the work of Obiora Udechukwu

Cover of Tradition and postcolonial modernism in the work of Obiora Udechukwu
0.562
Writing through the archive: the art writing marathon
Feature
Jacqueline Millner
0.8
Ethics and aesthetics: D Harding, Luciano Benetton and Terra Incognita: inclusiveness is a good way
Feature
Ian McLean

Published 30 March 2022
0.8
In conversation: Sebastian Goldspink and Una Rey
Feature
Sebastian Goldspink and Una Rey

Published 30 March 2022
NAVA
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The museum fell silent
Feature
Elspeth Pitt

Published 30 March 2022
0.8
Kings of wishful thinking: internet irony and its illusionary critics
Feature
Olivia Bennett

Published 30 March 2022
0.8
Damper is a language word for art
Feature
Dominique Chen

Published 30 March 2022
Desert Mob
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Someone has to be innocent: a reflection on the post-2020 art critic
Feature
John Mateer

Published 30 March 2022
0.8
A case for writing contemporary art history
Feature
Aneta Trajkoski

Published 30 March 2022
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Chika Okeke‑Agulu is Associate Professor, Princeton University Department of Art & Archaeology / Department of African American Studies.

Card image: detail from Obiora Udechukwu, Untitled, 1985, watercolour. Courtesy and © Obiora Udechukwu

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