Tradition and postcolonial modernism in the work of Obiora Udechukwu

Cover of Tradition and postcolonial modernism in the work of Obiora Udechukwu
Homeland: Sacred Visions and the Settler State
Feature
Marcia Langton

Published March 2000
0.8
An Aṉangu Western
Feature
Lisa Slade

Published 01 December 2023
0.8
Ngurra Bayala (Country speaks) in the Blue Mountains
Feature
Leanne Tobin and Rilka Oakley

Published 01 December 2023
City of Unley
0.8
Curtis Taylor and Natalie Scholtz: A close reading
Feature
Jessyca Hutchens

Published 01 December 2023
0.8
Linga yarren yilwarraya dam warna-warnarram: We remember forever that from long ago (ngarranggarnin)
Feature
Ethel McLennon, Madeline Purdie and Cate Massola

Published 01 December 2023
0.8
Ben McKeown and the films of Mark Street
Feature
Una Rey

Published 01 December 2023
Guildhouse
0.8
Mulanmali (to do over and over): Indigenous custodianship practices at the Art Gallery of New South Wales
Feature
Erin Vink and Juanita Kelly-Mundine

Published 01 December 2023
0.8
Yarning with Cairns First Nations Curators' Collective

Aven Noah Jnr., Peggy Kasabad Lane and Teho Ropeyarn with Hamish Sawyer

Feature
Hamish Sawyer

Published 01 December 2023
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Chika Okeke‑Agulu is Associate Professor, Princeton University Department of Art & Archaeology / Department of African American Studies.

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Melbourne Art Fair
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