Mad Max–Fury Road (Dir. George Miller), 2016. Courtesy Warner Bros

Particulate cinema: Visualising data and posthuman physics

Cover of Particulate cinema: Visualising data and posthuman physics
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Risky business: Engaging adolescents at the Art Gallery of South Australia
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Kylie Neagle

Published 01 September 2019
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MCAD Manila: Learning, sharing and conversation
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Published 01 September 2019
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Falling in love (Or is the curatorial a methodology?)
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Tara McDowell

Published 01 September 2019
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Being an artist and an art teacher
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Henry Ward

Published 01 September 2019
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Trying to be at home in the world: New parameters for art education
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Gert Biesta

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Desert Mob
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Choose your own immersion: Art schools as a site of creative becoming
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Una Rey

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Vanishing into action: Art beyond the contemporary
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Alasdair Foster

Published 01 September 2019
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Philip Brophy writes on cinema among other things | www.philipbrophy.com

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