Mad Max–Fury Road (Dir. George Miller), 2016. Courtesy Warner Bros

Particulate cinema: Visualising data and posthuman physics

Cover of Particulate cinema: Visualising data and posthuman physics
0.786
Braddon Snape: Internal pressures
Feature
Faye Neilson

Published 01 December 2020
0.84
Looking on, listening in: Wendelien van Oldenborgh's Bete & Deise
Feature
John Mateer

Published 01 December 2020
0.784
Butcher Joe's multiple world Stephen Muecke
Feature
Stephen Muecke

Published 01 December 2020
UTS
0.786
Archie Barry: Entangled listening
Feature
Jacqui Shelton

Published 01 December 2020
0.786
Meg Porteous: Dissociative bodies
Feature
Amy Weng

Published 01 December 2020
0.786
Adam Cullen: Acute misanthropy
Feature
Wes Hill

Published 01 December 2020
Dubbo Regional Council
0.79
James Newitt: Working with the trouble
Feature
Sasha Grbich

Published 01 December 2020
0.788
Hayley Millar-Baker: I will survive
Feature
Claire G. Coleman

Published 01 December 2020
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Philip Brophy writes on cinema among other things | www.philipbrophy.com

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