Mad Max–Fury Road (Dir. George Miller), 2016. Courtesy Warner Bros

Particulate cinema: Visualising data and posthuman physics

Cover of Particulate cinema: Visualising data and posthuman physics
0.818
Unfettered actions: Sportification, playgrounds and public art
Feature
David Cross

Published 25 August 2021
0.87
'The work that art does': Kandos School of Cultural Adaptation
Feature
Abigail Moncrieff

Published 25 August 2021
0.75
Yours truly, The Department of Homo Affairs
Feature
Jessie Boylan

Published 25 August 2021
City of Unley 2
0.686
First Nations museum memorials: Daniel Boyd and Yhonnie Scarce
Feature
Erin Vink

Published 25 August 2021
0.844
Counter-monuments: Challenging distorted colonial histories through public art and memorials
Feature

Published 25 August 2021
0.844
Transformative communities: Curation and care
Feature
Rayleen Forester

Published 25 August 2021
Desart 1
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Blue skies, blood moon
Feature
Daniel Mudie Cunningham

Published 25 August 2021
0.8
A close-up of Amazon Acres: Helen Grace
Feature
Fiona Kelly McGregor

Published 25 August 2021
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Philip Brophy writes on cinema among other things | www.philipbrophy.com

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