Mad Max–Fury Road (Dir. George Miller), 2016. Courtesy Warner Bros

Particulate cinema: Visualising data and posthuman physics

Cover of Particulate cinema: Visualising data and posthuman physics
0.662
The five phases of Aboriginal art in Australia
Feature
Djon Mundine

 

Published 01 September 2005
0.786
palawa kani: Expressing the power of language in art and the museum context
Feature
Zoe Rimmer and Theresa Sainty

Published 01 June 2020
0.786
Reconnecting the Yaghan community to cultural belongings 90 years on
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Rebecca Carland

Published 01 June 2020
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Looking for murnong
Feature
Lou Bennett and Romaine Moreton

Published 01 June 2020
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Kin‑dling and other radical relationalities
Feature
Emily Johnson and Karyn Recollet

Published 01 June 2020
0.786
Making Inuit art in the moment
Feature
asinnajaq

Published 01 June 2020
UNSW
0.786
Notes from Kahoʻolawe, Ka Paeʻāina o Hawaiʻi, Moananuiākea
Feature
Drew Kahuaina Broderick and Josh Tengan

Published 01 June 2020
0.786
Weaving memory, living embodiment
Feature
Freja Carmichael

Published 01 June 2020
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Philip Brophy writes on cinema among other things | www.philipbrophy.com

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