Mad Max–Fury Road (Dir. George Miller), 2016. Courtesy Warner Bros

Particulate cinema: Visualising data and posthuman physics

Cover of Particulate cinema: Visualising data and posthuman physics
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Between worlds: Belinda Mason and Blur Projects
Feature
Alasdair Foster

Published 01 September 2020
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Body, remember: Wrap me in a sister cloak
Feature
Ali Gumillya Baker

Published September 2020

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Regimes of care: Concerning the afterlife of artists
Feature
Robert Cook

Published 01 September 2020
ACE Open
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The idea of redemption: Artmaking in prison
Feature
Alasdair Foster

Published 01 September 2020
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On thin ice: Creating a life beyond addiction
Feature
Ginger Gorman

Published 01 September 2020
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Flesh after fifty: Changing images of older women in art
Feature
Jacqueline Millner

Published 01 September 2020
CAT
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How can I live in your world? Empathic strategies in contemporary Asian art
Feature
Reuben Keehan

Published 01 September 2020
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Shahidul Alam: You're blocking the sun
Feature
Kelly Hussey-Smith

Published 01 September 2020
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Philip Brophy writes on cinema among other things | www.philipbrophy.com

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