Particulate cinema: Visualising data and posthuman physics | Artlink Magazine

Mad Max–Fury Road (Dir. George Miller), 2016. Courtesy Warner Bros

Particulate cinema: Visualising data and posthuman physics

Philip Brophy
Feature
03 March 2017
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Cover of Particulate cinema: Visualising data and posthuman physics

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Philip Brophy writes on cinema among other things | www.philipbrophy.com

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