Sam Songailo T.R.I.M [Translating and Interfacing Module], 2014, mixed media, 135 x 646 cm, courtesy the artist, Flinders University Art Museum 5215, Photography: Ashtom Claridge © Sam Peter Songailo/Licensed by Viscopy, 2017

Big data: The panoptic medium of the information age

Simon Biggs is a media artist, writer and curator with interests in digital poetics, interactive environments and interdisciplinary research. His work has been widely presented, including Tate Modern, National Film Theatre, ICA London, Edinburgh Festival, FACT Liverpool, Ikon Birmingham, Pompidou, IRCAM, Academy de Kunste
Berlin, Maxxi Rome, Macau Arts Museum, Walker Art Center Minneapolis, San Francisco Cameraworks, Total Seoul, Art Gallery of New South Wales and the Adelaide Festival. Publications include Remediating the Social
(ed, 2012), Autopoeisis (with James Leach, 2004), Great Wall of China (1999), Halo (1998), Magnet (1997), Book of Shadows (1996). He is Professor of Art, University of South Australia and Honorary Professor, University of Edinburgh |

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