Conquest of Space: Science Fiction And Contemporary Art, 2014, installation view, UNSW Galleries: Kate Shaw, Spegil, 2013, acrylic on resin board; Lionel Bawden, The Monsters (the spirit of the beehive), 2004, coloured Staedtler pencils, epoxy, linseed oil. Photo: Britta Campion. Courtesy and © the artist

Possible futures: Science fiction in contemporary art

Cover of Possible futures: Science fiction in contemporary art
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Melanie Jame Wolf's Pop-Cultural Drag: The Chronopolitics of Labour, Libido and Image
Feature
Daniel Mudie Cunningham

Published April 2021
Apprehending the Multiverse: A Costumed Allegory for Four Percussionists Michaela Gleave's Cosmic Time
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Ann Finegan

Published April 2021
Michaela Stark: On Control and Beauty
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Alison Kubler

Published April 2021
Experimenta
Cigdem Ayedemir: Like a Prayer
Feature
Sumaiya Muyeen

Published April 2021
On art, fashion, purpose and more: Peggy Griffiths-Madij and Jan Griffiths in conversation with Alana Hunt
Feature

Published April 2021
From the clothes rack to the body of the wearer: Circumnavigate Kandos in our clothes
Feature
Ann Finegan

Published April 2021
Hadley's Art Prize 2021
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Sarah Rodigari: Redressing the vernacular
Feature
Abigail Moncrieff

Published April 2021
0.724
The Mangkaja x Gorman Collection: A new wave of Indigenous art and fashion collaboration
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Belinda Cook

Published April 2021
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Andrew Frost is an art critic and researcher in science fiction, cinema and contemporary art. He lectures in the Department of Media, Music, Communications and Cultural Studies at Macquarie University, Sydney.

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