Conquest of Space: Science Fiction And Contemporary Art, 2014, installation view, UNSW Galleries: Kate Shaw, Spegil, 2013, acrylic on resin board; Lionel Bawden, The Monsters (the spirit of the beehive), 2004, coloured Staedtler pencils, epoxy, linseed oil. Photo: Britta Campion. Courtesy and © the artist

Possible futures: Science fiction in contemporary art

Cover of Possible futures: Science fiction in contemporary art
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Melanie Jame Wolf's Pop-Cultural Drag: The Chronopolitics of Labour, Libido and Image
Feature
Daniel Mudie Cunningham

Published April 2021
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Apprehending the Multiverse: A Costumed Allegory for Four Percussionists Michaela Gleave's Cosmic Time
Feature
Ann Finegan

Published April 2021
0.66
Michaela Stark: On Control and Beauty
Feature
Alison Kubler

Published April 2021
Artlands 3
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Cigdem Ayedemir
Feature
Sumaiya Muyeen

Published April 2021
0.688
On art, fashion, purpose and more: Peggy Griffiths-Madij and Jan Griffiths in conversation with Alana Hunt
Feature

Published April 2021
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From the clothes rack to the body of the wearer: Circumnavigate Kandos in our clothes
Feature
Ann Finegan

Published April 2021
MIFA
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Sarah Rodigari: Redressing the vernacular
Feature
Abigail Moncrieff

Published April 2021
0.724
The Mangkaja x Gorman Collection: A new wave of Indigenous art and fashion collaboration
Feature
Belinda Cook

Published April 2021
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Andrew Frost is an art critic and researcher in science fiction, cinema and contemporary art. He lectures in the Department of Media, Music, Communications and Cultural Studies at Macquarie University, Sydney.

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