Conquest of Space: Science Fiction And Contemporary Art, 2014, installation view, UNSW Galleries: Kate Shaw, Spegil, 2013, acrylic on resin board; Lionel Bawden, The Monsters (the spirit of the beehive), 2004, coloured Staedtler pencils, epoxy, linseed oil. Photo: Britta Campion. Courtesy and © the artist

Possible futures: Science fiction in contemporary art

Cover of Possible futures: Science fiction in contemporary art
0.744
We Don't Fabricate, We Weave: Kumarangk (Hindmarsh Island) and Ngarrindjeri women’s resistance
Feature
Dominic Guerrera

Published 15 December 2021
0.75
Reclaiming the Rock in Project Banaba: Creativity, survival and agricultural colonialism in the Pacific
Feature
Katerina Teaiwa

Published 15 December 2021
1
Lipstick and Land Rights: A poetic response
Feature
Lorna Munro

Published 15 December 2021
Gallipoli Art Prize
0.8
Woven Selves, Entangled Countries: Weaving across borders
Feature
Dameeli Coates

Published 15 December 2021
0.75
Sovereign city, sovereign self and Warrior Woman Lane
Feature
Timmah Ball

Published 15 December 2021
0.8
Miyurr Mi:wi: Working from home in the spirit of Country
Feature
Tracey Rigney

Published 15 December 2021
Guildhouse
0.8
My Sovereign Mind: A practice in two parts
Feature
Hayley Millar Baker

Published 15 December 2021
0.75
Sovereign Sight: Intersections of the historical archive and artistic practice—a curatorial perspective
Feature
Kimberley Moulton

Published 15 December 2021
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Andrew Frost is an art critic and researcher in science fiction, cinema and contemporary art. He lectures in the Department of Media, Music, Communications and Cultural Studies at Macquarie University, Sydney.

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