Conquest of Space: Science Fiction And Contemporary Art, 2014, installation view, UNSW Galleries: Kate Shaw, Spegil, 2013, acrylic on resin board; Lionel Bawden, The Monsters (the spirit of the beehive), 2004, coloured Staedtler pencils, epoxy, linseed oil. Photo: Britta Campion. Courtesy and © the artist

Possible futures: Science fiction in contemporary art

Cover of Possible futures: Science fiction in contemporary art
0.8
The Artlink Archive Project: Inside the 'Outsider' issue
Feature
Juliette Peers

Published 01 August 2022
0.8
The SubMerge Project: Autistic embodiment and the extended bodymind
Feature
Alison Bennett and Dean Walsh

Published 01 August 2022
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Arts Project Australia: Raising the bar through collaborative partnerships
Feature
Sim Luttin

Published 01 August 2022
Desert Mob
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Staying the distance, closing the distance: Graeae Theatre UK and DADAA, WA
Feature
Jenny Sealey

Published 01 August 2022
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Exquisite interplay: Accessible art workshops for emerging artists
Feature
M. Sunflower

Published 01 August 2022
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Other Body Knowledge: Sophie Cassar, Lara Chamas, Fayen d'Evie, Sam Petersen, Jane Trengove
Feature
Olga Bennett and Jane Trengove

Published 01 August 2022
QAGOMA
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What do you do at Studio A?
Feature
Emily Crockford, Guy Fredericks, Emma Johnston, Daniel Kim, Jaycee Kim, Adam Mandarano, Catherine McGuiness, Gabrielle Mordy, Meagan Pelham, Skye Saxon, Lisa Scott, Damian Showyin, Philip Sidney, Thom Roberts and Chloe Watfern

Published 01 August 2022
0.8
Thinking without fear: Ruark Lewis
Feature
Marielle Soni

Published 01 August 2022
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Andrew Frost is an art critic and researcher in science fiction, cinema and contemporary art. He lectures in the Department of Media, Music, Communications and Cultural Studies at Macquarie University, Sydney.

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