Conquest of Space: Science Fiction And Contemporary Art, 2014, installation view, UNSW Galleries: Kate Shaw, Spegil, 2013, acrylic on resin board; Lionel Bawden, The Monsters (the spirit of the beehive), 2004, coloured Staedtler pencils, epoxy, linseed oil. Photo: Britta Campion. Courtesy and © the artist

Possible futures: Science fiction in contemporary art

Cover of Possible futures: Science fiction in contemporary art
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Unfettered actions: Sportification, playgrounds and public art
Feature
David Cross

Published 25 August 2021
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'The work that art does': Kandos School of Cultural Adaptation
Feature
Abigail Moncrieff

Published 25 August 2021
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Yours truly, The Department of Homo Affairs
Feature
Jessie Boylan

Published 25 August 2021
Sydney Contemporary
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First Nations museum memorials: Daniel Boyd and Yhonnie Scarce
Feature
Erin Vink

Published 25 August 2021
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Counter-monuments: Challenging distorted colonial histories through public art and memorials
Feature

Published 25 August 2021
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Transformative communities: Curation and care
Feature
Rayleen Forester

Published 25 August 2021
Guildhouse
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Blue skies, blood moon
Feature
Daniel Mudie Cunningham

Published 25 August 2021
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A close-up of Amazon Acres: Helen Grace
Feature
Fiona Kelly McGregor

Published 25 August 2021
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Andrew Frost is an art critic and researcher in science fiction, cinema and contemporary art. He lectures in the Department of Media, Music, Communications and Cultural Studies at Macquarie University, Sydney.

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