"This is [not] for everyone" - forewarning the end of a free and open web

Cover of “This is [not] for everyone” – forewarning the end of a free and open web
1.128
Wardlipari Homeriver Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.192
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
Japan Foundation
1.124
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
ACE Open
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018

Digital nomad Fee Plumley reviews the state of the internet and Facebook's new algorithm that wants to tell you what you want to know.

Buy Now   or   Subscribe
Artlink App in iTunes

Fee Plumley is a nomadic geek artist driving around Australia in #homeJames (my beautiful big red bus) making & sharing geek art with my Nomads in Residence and everyone we meet along the way.

Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

0.662
DASH88
Artist Profile
Dash88

Dash88 is an Australian artist of Chinese Malay ancestry, living and working in Melbourne. He writes about how he began doing grafffiti and what it means to him.

Published March 2014
0.666
(in)destructible
Feature
Alison Young

Published March 2014
0.75
Tatton @ RTBG
Review
Sean Kelly

Curator: Peter Lundberg
Royal Tasmanian Botanic Gardens, Hobart
24 March 2013 – 23 March 2014

Published March 2014
0.666
GRAFFITIDOWNUNDERGROUND
Feature
Lachlan MacDonald

Published March 2014
1.45
Exhibitions to watch
Stephanie Radok

Published March 2014
1.294
Transplantation: A Sense of Place and Culture British and Australian Narrative Jewellery

WEBB Gallery, Queensland College of Art

Review
Tristan Stonhill

Published March 2014
0.75
Wildstyle women: female hip hop graffiti
Feature
Kara-Jane Lombard

Published March 2014
0.75
Written on our neighbours' walls: graffiti in Asia
Feature
Tarun Nagesh

Published March 2014
0.688333333333
On Men
Review
Adelé Sliuzas

Curator: Eleanor Scicchitano
FELTspace, Adelaide
4 September – 21 September 2013

Published March 2014
1.4825
New Histories
Book Review
Stephanie Radok

Artist and writer Stephanie Radok reviews three big new books that point towards new histories of art in the Southern hemisphere - Art in Oceania: A New History; Hotsprings: the Northern Territory and contemporary Australian artists and Mapping South: journeys in South-South Cultural Relations.

Published March 2014
0.75
Future hardware wildstyle: Clemens Behr
Feature
James Dodd

Published March 2014
1.008
James Cochran
Artist Profile
James Cochran

James Cochran, aka Jimmy C, (b. 1973) played a key role in the development of the underground graffiti movement in Australia during the early 1990s, and has a Masters degree in Visual Arts from the University of South Australia. His interests in graffiti, urban realist and figurative oil painting have converged over time, leading to the development of his signature aerosol pointillist style. Cochran now lives in London.

Published March 2014
 
Riddoch
Artlink Subs Promo
Axolotl
Dan McCabe
NAVA