"This is [not] for everyone" - forewarning the end of a free and open web

Cover of “This is [not] for everyone” – forewarning the end of a free and open web
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Hazelhurst
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.126
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Joondalup
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Digital nomad Fee Plumley reviews the state of the internet and Facebook's new algorithm that wants to tell you what you want to know.

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Fee Plumley is a nomadic geek artist driving around Australia in #homeJames (my beautiful big red bus) making & sharing geek art with my Nomads in Residence and everyone we meet along the way.

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More from this Issue Full Issue Contents

1.45
Exhibitions to watch
Stephanie Radok

Published March 2014
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Transplantation: A Sense of Place and Culture British and Australian Narrative Jewellery

WEBB Gallery, Queensland College of Art

Review
Tristan Stonhill

Published March 2014
1.5
Reko Rennie
Artist Profile
Reko Rennie

Reko Rennie is an interdisciplinary artist who explores his Aboriginal identity through contemporary mediums. He explores his artistic beginnings and early influences such as the work of Howard Arkley.

Published March 2014
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GRAFFITIDOWNUNDERGROUND
Feature
Lachlan MacDonald

Published March 2014
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The Plimsoll Inquiry

Plimsoll Gallery, Tasmanian College of the Arts, Univeristy of Tasmania

Review
Eliza Burke

Published March 2014
0.75
Future hardware wildstyle: Clemens Behr
Feature
James Dodd

Published March 2014
1.058
Sakahàn: International Indigenous Art
Review
Stephanie Radok

17 May - 2 September 2013
National Gallery of Canada, Ottawa
Curators: Greg Hill, Candice Hopkins, Christine Lalonde

Published March 2014
0.315714285714
Daniel Crooks
Review
Sera Waters

Anne & Gordon Samstag Museum of Art
10 October – 20 December 2013

Published March 2014
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The 3rd Ghetto Biennale 2013: Decentering the Market and Other Tales of Progress

Various locations, Port-au-Prince, Haiti

Review
David Frohnapfel

Published March 2014
1.008
James Cochran
Artist Profile
James Cochran

James Cochran, aka Jimmy C, (b. 1973) played a key role in the development of the underground graffiti movement in Australia during the early 1990s, and has a Masters degree in Visual Arts from the University of South Australia. His interests in graffiti, urban realist and figurative oil painting have converged over time, leading to the development of his signature aerosol pointillist style. Cochran now lives in London.

Published March 2014
0.882
Legendary Ladies
Feature
Patti Astor

Patti Astor, who co-founded the FUN Gallery in NYC in 1981, interviews the first and most well-known female graffiti artist Lady Pink, her friend of 30 years.

Published March 2014
1.3875
21st Century Portraits
Book Review
Margot Osborne

Foreword by Andrew Graham-Dixon
National Portrait Gallery, London, 2013

Freelance curator and scholar Margot Osborne reviews a new book on portraiture published by the National Portrait Gallery of London and featuring three Australian artists among others from around the world.

Published March 2014
 
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