"This is [not] for everyone" - forewarning the end of a free and open web

Cover of “This is [not] for everyone” – forewarning the end of a free and open web
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Melanie Jame Wolf's Pop-Cultural Drag: The Chronopolitics of Labour, Libido and Image
Feature
Daniel Mudie Cunningham

Published April 2021
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Apprehending the Multiverse: A Costumed Allegory for Four Percussionists Michaela Gleave's Cosmic Time
Feature
Ann Finegan

Published April 2021
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Michaela Stark: On Control and Beauty
Feature
Alison Kubler

Published April 2021
ACE Open
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Cigdem Ayedemir
Feature
Sumaiya Muyeen

Published April 2021
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On art, fashion, purpose and more: Peggy Griffiths-Madij and Jan Griffiths in conversation with Alana Hunt
Feature

Published April 2021
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From the clothes rack to the body of the wearer: Circumnavigate Kandos in our clothes
Feature
Ann Finegan

Published April 2021
MIFA
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Sarah Rodigari: Redressing the vernacular
Feature
Abigail Moncrieff

Published April 2021
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The Mangkaja x Gorman Collection: A new wave of Indigenous art and fashion collaboration
Feature
Belinda Cook

Published April 2021

Digital nomad Fee Plumley reviews the state of the internet and Facebook's new algorithm that wants to tell you what you want to know.

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Fee Plumley is a nomadic geek artist driving around Australia in #homeJames (my beautiful big red bus) making & sharing geek art with my Nomads in Residence and everyone we meet along the way.

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Falling Back to Earth: Cai Guo-Qiang
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DASH88
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Dash88

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Future hardware wildstyle: Clemens Behr
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The betrayal of the King
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Nish Cash
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Nish Cash

Nish Cash is a graffiti artist based in Melbourne. She talks about how she got started writing graffiti and about the support offered by Ladie Killerz, (a national female graffiti event that happens annually with a wall jam, exhibitions, and performances).

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