"This is [not] for everyone" - forewarning the end of a free and open web

Cover of “This is [not] for everyone” – forewarning the end of a free and open web
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Unfettered actions: Sportification, playgrounds and public art
Feature
David Cross

Published 25 August 2021
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'The work that art does': Kandos School of Cultural Adaptation
Feature
Abigail Moncrieff

Published 25 August 2021
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Yours truly, The Department of Homo Affairs
Feature
Jessie Boylan

Published 25 August 2021
City of Unley 2
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First Nations museum memorials: Daniel Boyd and Yhonnie Scarce
Feature
Erin Vink

Published 25 August 2021
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Counter-monuments: Challenging distorted colonial histories through public art and memorials
Feature

Published 25 August 2021
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Transformative communities: Curation and care
Feature
Rayleen Forester

Published 25 August 2021
Guildhouse
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Blue skies, blood moon
Feature
Daniel Mudie Cunningham

Published 25 August 2021
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A close-up of Amazon Acres: Helen Grace
Feature
Fiona Kelly McGregor

Published 25 August 2021

Digital nomad Fee Plumley reviews the state of the internet and Facebook's new algorithm that wants to tell you what you want to know.

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Fee Plumley is a nomadic geek artist driving around Australia in #homeJames (my beautiful big red bus) making & sharing geek art with my Nomads in Residence and everyone we meet along the way.

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Sean Kelly

Curator: Peter Lundberg
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24 March 2013 – 23 March 2014

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21st Century Portraits
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Margot Osborne

Foreword by Andrew Graham-Dixon
National Portrait Gallery, London, 2013

Freelance curator and scholar Margot Osborne reviews a new book on portraiture published by the National Portrait Gallery of London and featuring three Australian artists among others from around the world.

Published March 2014
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Magazine Memory Stick
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Stephanie Britton

Published March 2014
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Protest and poetry: recent graffiti from the Arab world
Feature
Tarun Nagesh

Published March 2014
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GRAFFITIDOWNUNDERGROUND
Feature
Lachlan MacDonald

Published March 2014
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Reko Rennie
Artist Profile
Reko Rennie

Reko Rennie is an interdisciplinary artist who explores his Aboriginal identity through contemporary mediums. He explores his artistic beginnings and early influences such as the work of Howard Arkley.

Published March 2014
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The betrayal of the King
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Oscar Ho Hing Kay

Published March 2014
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Nish Cash
Artist Profile
Nish Cash

Nish Cash is a graffiti artist based in Melbourne. She talks about how she got started writing graffiti and about the support offered by Ladie Killerz, (a national female graffiti event that happens annually with a wall jam, exhibitions, and performances).

Published March 2014
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Sideways, always
Editorial
Annemarie Kohn

Co-Guest Editor of WALL TO WALL Annemarie Kohn writes about how the seed for a graffiti issue of Artlink was sown, back in 1991 at the Metro nightclub in Adelaide. Twenty-three years later, this edition of Artlink is thought to be the first time an Australian art journal has been devoted to exploring graffiti as a contemporary artform.

Published March 2014
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On Men
Review
Adelé Sliuzas

Curator: Eleanor Scicchitano
FELTspace, Adelaide
4 September – 21 September 2013

Published March 2014
 
Riddoch
Sydney Contemporary
NAVA