"This is [not] for everyone" - forewarning the end of a free and open web

Cover of “This is [not] for everyone” – forewarning the end of a free and open web
1.124
Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
1.126
MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
1.124
Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
PICA
1.126
Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
1.126
Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
1.126
Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
Artlink Subs Promo
1.126
Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
1.126
Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

Digital nomad Fee Plumley reviews the state of the internet and Facebook's new algorithm that wants to tell you what you want to know.

Buy Now   or   Subscribe
Artlink App in iTunes

Fee Plumley is a nomadic geek artist driving around Australia in #homeJames (my beautiful big red bus) making & sharing geek art with my Nomads in Residence and everyone we meet along the way.

Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

0.666
Protest and poetry: recent graffiti from the Arab world
Feature
Tarun Nagesh

Published March 2014
1.058
Sakahàn: International Indigenous Art
Review
Stephanie Radok

17 May - 2 September 2013
National Gallery of Canada, Ottawa
Curators: Greg Hill, Candice Hopkins, Christine Lalonde

Published March 2014
Melbourne Now: The defining moment for a century of art schools?
Feature
Juliette Peers

Juliette Peers looks at the big picture of the NGV homegrown blockbuster Melbourne Now and finds its origins reach back in time.

Published March 2014
Back to the future: contemporary or alternative?
Feature
Pat Hoffie

Professor Pat Hoffie of Griffith University, interviews the two new Directors of the IMA, Aileen Burns and Johan Lundh, and contextualises their appointment in the Contemporary Art Space context of 2014.

Published March 2014
0.75
KAB101: An interview with Annemarie Kohn
Artist Profile
Annemarie Kohn

Published March 2014
0.667142857143
The 3rd Ghetto Biennale 2013: Decentering the Market and Other Tales of Progress

Various locations, Port-au-Prince, Haiti

Review
David Frohnapfel

Published March 2014
0.667142857143
The Plimsoll Inquiry

Plimsoll Gallery, Tasmanian College of the Arts, Univeristy of Tasmania

Review
Eliza Burke

Published March 2014
0.75
Written on our neighbours' walls: graffiti in Asia
Feature
Tarun Nagesh

Published March 2014
0.556666666667
Falling Back to Earth: Cai Guo-Qiang
Review
Carol Schwarzman

GOMA, Gallery of Modern Art, Brisbane
23 November 2013 – 11 May 2014

Published March 2014
The legitimate semantics of a subcultural Artform
Editorial
Charity Bramwell

Guest co-editor of WALL TO WALL Charity Bramwell explores the way culture acquires credibility through museums, publications, and the formation and deformation of art history canons.

Published March 2014
1.45
Exhibitions to watch
Stephanie Radok

Published March 2014
1.1075
World Atlas of Street Art and Graffiti

Rafael Schacter, with a foreword by John Fekner

Book Review
Jo Higgins

Published March 2014
 
NAVA
ACE Open
Adelaide Festival Centre
UTS2
Artlink Promo