"This is [not] for everyone" - forewarning the end of a free and open web

Cover of “This is [not] for everyone” – forewarning the end of a free and open web
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Melanie Jame Wolf's Pop-Cultural Drag: The Chronopolitics of Labour, Libido and Image
Feature
Daniel Mudie Cunningham

Published April 2021
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Apprehending the Multiverse: A Costumed Allegory for Four Percussionists Michaela Gleave's Cosmic Time
Feature
Ann Finegan

Published April 2021
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Michaela Stark: On Control and Beauty
Feature
Alison Kubler

Published April 2021
Experimenta
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Cigdem Ayedemir: Like a Prayer
Feature
Sumaiya Muyeen

Published April 2021
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On art, fashion, purpose and more: Peggy Griffiths-Madij and Jan Griffiths in conversation with Alana Hunt
Feature

Published April 2021
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From the clothes rack to the body of the wearer: Circumnavigate Kandos in our clothes
Feature
Ann Finegan

Published April 2021
Guildhouse 2
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Sarah Rodigari: Redressing the vernacular
Feature
Abigail Moncrieff

Published April 2021
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The Mangkaja x Gorman Collection: A new wave of Indigenous art and fashion collaboration
Feature
Belinda Cook

Published April 2021

Digital nomad Fee Plumley reviews the state of the internet and Facebook's new algorithm that wants to tell you what you want to know.

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Fee Plumley is a nomadic geek artist driving around Australia in #homeJames (my beautiful big red bus) making & sharing geek art with my Nomads in Residence and everyone we meet along the way.

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More from this Issue Full Issue Contents

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The Plimsoll Inquiry

Plimsoll Gallery, Tasmanian College of the Arts, Univeristy of Tasmania

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Eliza Burke

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The betrayal of the King
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Oscar Ho Hing Kay

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War Is Over! (if you want it): Yoko Ono

Museum of Contemporary Art, Australia

Review
John Burns

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The hand that feeds: Graffiti and authenticity in contemporary brand culture
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Sebastian Moody

Published March 2014
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The vandalisation of art: (de)commissioning art in public space
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Giles Thomson

Published March 2014
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Standing on the shoulders of giants
Feature
Sean Irving

Published March 2014
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Wildstyle women: female hip hop graffiti
Feature
Kara-Jane Lombard

Published March 2014
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Feral: Sylvia Ross; Paintings 2011-2013: Emanuel Raft
Review
Emma Yeung

Mary Place Gallery, Sydney
13 – 23 November 2013

Published March 2014
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Sideways, always
Editorial
Annemarie Kohn

Co-Guest Editor of WALL TO WALL Annemarie Kohn writes about how the seed for a graffiti issue of Artlink was sown, back in 1991 at the Metro nightclub in Adelaide. Twenty-three years later, this edition of Artlink is thought to be the first time an Australian art journal has been devoted to exploring graffiti as a contemporary artform.

Published March 2014
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Falling Back to Earth: Cai Guo-Qiang
Review
Carol Schwarzman

GOMA, Gallery of Modern Art, Brisbane
23 November 2013 – 11 May 2014

Published March 2014
1.294
Transplantation: A Sense of Place and Culture British and Australian Narrative Jewellery

WEBB Gallery, Queensland College of Art

Review
Tristan Stonhill

Published March 2014
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Nish Cash
Artist Profile
Nish Cash

Nish Cash is a graffiti artist based in Melbourne. She talks about how she got started writing graffiti and about the support offered by Ladie Killerz, (a national female graffiti event that happens annually with a wall jam, exhibitions, and performances).

Published March 2014
 
ACE Open
NAVA
Ballarat Foto Biennale
City of Unley
Hadley's Art Prize 2021