"This is [not] for everyone" - forewarning the end of a free and open web

Cover of “This is [not] for everyone” – forewarning the end of a free and open web
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Writing through the archive: the art writing marathon
Feature
Jacqueline Millner
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Ethics and aesthetics: D Harding, Luciano Benetton and Terra Incognita: inclusiveness is a good way
Feature
Ian McLean

Published 30 March 2022
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In conversation: Sebastian Goldspink and Una Rey
Feature
Sebastian Goldspink and Una Rey

Published 30 March 2022
The David Roche Foundation
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The museum fell silent
Feature
Elspeth Pitt

Published 30 March 2022
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Kings of wishful thinking: internet irony and its illusionary critics
Feature
Olivia Bennett

Published 30 March 2022
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Damper is a language word for art
Feature
Dominique Chen

Published 30 March 2022
NAVA
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Someone has to be innocent: a reflection on the post-2020 art critic
Feature
John Mateer

Published 30 March 2022
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A case for writing contemporary art history
Feature
Aneta Trajkoski

Published 30 March 2022

Digital nomad Fee Plumley reviews the state of the internet and Facebook's new algorithm that wants to tell you what you want to know.

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Fee Plumley is a nomadic geek artist driving around Australia in #homeJames (my beautiful big red bus) making & sharing geek art with my Nomads in Residence and everyone we meet along the way.

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More from this Issue Full Issue Contents

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New Histories
Book Review
Stephanie Radok

Artist and writer Stephanie Radok reviews three big new books that point towards new histories of art in the Southern hemisphere - Art in Oceania: A New History; Hotsprings: the Northern Territory and contemporary Australian artists and Mapping South: journeys in South-South Cultural Relations.

Published March 2014
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DASH88
Artist Profile
Dash88

Dash88 is an Australian artist of Chinese Malay ancestry, living and working in Melbourne. He writes about how he began doing grafffiti and what it means to him.

Published March 2014
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Magazine Memory Stick
Artrave
Stephanie Britton

Published March 2014
The legitimate semantics of a subcultural Artform
Editorial
Charity Bramwell

Guest co-editor of WALL TO WALL Charity Bramwell explores the way culture acquires credibility through museums, publications, and the formation and deformation of art history canons.

Published March 2014
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KAB101: An interview with Annemarie Kohn
Artist Profile
Annemarie Kohn

Published March 2014
1.3875
21st Century Portraits
Book Review
Margot Osborne

Foreword by Andrew Graham-Dixon
National Portrait Gallery, London, 2013

Freelance curator and scholar Margot Osborne reviews a new book on portraiture published by the National Portrait Gallery of London and featuring three Australian artists among others from around the world.

Published March 2014
Melbourne When?
Feature
Din Heagney

Din Heagney saw Melbourne Now at the NGV and found both maturity and parochialism.

Published March 2014
1
Alltervatn: Jarrad Seng
Review
Thelma John

The MYRE Project, Fremantle
October 9 – November 3 2013

Published March 2014
1.5
2013 Singapore Biennale: If the World Changed
Review
Pat Hoffie

26 October 2013 – 16 February 2014

Published March 2014
0.75
Standing on the shoulders of giants
Feature
Sean Irving

Published March 2014
0.75
Wildstyle women: female hip hop graffiti
Feature
Kara-Jane Lombard

Published March 2014
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The vandalisation of art: (de)commissioning art in public space
Feature
Giles Thomson

Published March 2014
 
Goulburn Regional Art Gallery
ACE Open
Artshub
Desert Mob