"This is [not] for everyone" - forewarning the end of a free and open web

Cover of “This is [not] for everyone” – forewarning the end of a free and open web
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Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.126
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
Artlink Subs Promo
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Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
1.128
The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
1.126
Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
Hazelhurst
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The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
1.126
Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

Digital nomad Fee Plumley reviews the state of the internet and Facebook's new algorithm that wants to tell you what you want to know.

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Fee Plumley is a nomadic geek artist driving around Australia in #homeJames (my beautiful big red bus) making & sharing geek art with my Nomads in Residence and everyone we meet along the way.

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The vandalisation of art: (de)commissioning art in public space
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World Atlas of Street Art and Graffiti

Rafael Schacter, with a foreword by John Fekner

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Exhibitions to watch
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Published March 2014
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Tatton @ RTBG
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Curator: Peter Lundberg
Royal Tasmanian Botanic Gardens, Hobart
24 March 2013 – 23 March 2014

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Protest and poetry: recent graffiti from the Arab world
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Falling Back to Earth: Cai Guo-Qiang
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