"This is [not] for everyone" - forewarning the end of a free and open web

Cover of “This is [not] for everyone” – forewarning the end of a free and open web
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Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
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MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
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Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
Artlink Subs Promo
1.126
Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
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Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
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Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
NAVA
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Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
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Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

Digital nomad Fee Plumley reviews the state of the internet and Facebook's new algorithm that wants to tell you what you want to know.

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Fee Plumley is a nomadic geek artist driving around Australia in #homeJames (my beautiful big red bus) making & sharing geek art with my Nomads in Residence and everyone we meet along the way.

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More from this Issue Full Issue Contents

Back to the future: contemporary or alternative?
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Pat Hoffie

Professor Pat Hoffie of Griffith University, interviews the two new Directors of the IMA, Aileen Burns and Johan Lundh, and contextualises their appointment in the Contemporary Art Space context of 2014.

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Transplantation: A Sense of Place and Culture British and Australian Narrative Jewellery

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2013 Singapore Biennale: If the World Changed
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26 October 2013 – 16 February 2014

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Tatton @ RTBG
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Curator: Peter Lundberg
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24 March 2013 – 23 March 2014

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GRAFFITIDOWNUNDERGROUND
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Lachlan MacDonald

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The legitimate semantics of a subcultural Artform
Editorial
Charity Bramwell

Guest co-editor of WALL TO WALL Charity Bramwell explores the way culture acquires credibility through museums, publications, and the formation and deformation of art history canons.

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Wildstyle women: female hip hop graffiti
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The Plimsoll Inquiry

Plimsoll Gallery, Tasmanian College of the Arts, Univeristy of Tasmania

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Eliza Burke

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21st Century Portraits
Book Review
Margot Osborne

Foreword by Andrew Graham-Dixon
National Portrait Gallery, London, 2013

Freelance curator and scholar Margot Osborne reviews a new book on portraiture published by the National Portrait Gallery of London and featuring three Australian artists among others from around the world.

Published March 2014
Melbourne When?
Feature
Din Heagney

Din Heagney saw Melbourne Now at the NGV and found both maturity and parochialism.

Published March 2014
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The betrayal of the King
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Sideways, always
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Annemarie Kohn

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Published March 2014