Tandanya - Captivating Culture

Cover of Tandanya - Captivating Culture
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
AFF
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
Riddoch
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

Brief overview of the current focus of Tandanya the National Aboriginal Cultural Institute in Adelaide, South Australia.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

The Necessity of Craft ed Lorna Kaino
Book Review
Lissant Bolton

Book review The Necessity of Craft: Development and Women's Craft Practice in the Asian Pacific Region
Edited by Lorna Kaino
University of Western Australia Press 1995
RRP $24.95

Published December 1996
Vaka - Only the Brave
Feature
Mereana Hutchinson

Looks at the contemporary art and the cultural and economic pressures faced by the people of the Cook Islands.

Published December 1996
Dancing the Society: Performing Arts in the Solomon Islands
Feature
Lawrence Foanaota

Performing arts in the Solomon Islands Since the common determining facts in whether to keep, add changes, or reject aspects of the performing arts are based on the dollar, Solomon Islanders will continue to adopt new styles of dances, music, songs and forms of acting in the same way as some Church groups have done.

Published December 1996
Contemporary Maori Architecture - The Case for the Untraditional
Feature
Deidre Brown

One of the most insidious myths about contemporary Maori architecture is that it does not exist, since 'traditional' Maori building design has been influenced by colonial architecture. Looks at contemporary issues in Maori architecture.

Published December 1996
Pacific Stories from New Caledonia
Feature
Susan Cochrane

Collecting Pacific Art is not a straight forward endeavour. There are really no set criteria of what 'contemporary Pacific art' might be, little interpretive literature on the subject and very few precedents for forming even small collections for cultural institutions. There is a new cultural centre 'the Jean-Marie Cultural Centre' being built in Noumea, New Caledonia.

Published December 1996
The Land made Visible: Native Title Now
Feature
Doreen Mellor

Written with Vincent Megaw. Looks at land claims and the role of artworks in these claims in the context of the exhibition 'Native Titled Now' shown as part of the Telstra Festival of Arts 1996. Good overview of indigenous art practice and talks about artists such as Raymond Arone Meeks, Lin Onus, Gordon Bennett, Alice Hinton-Bateup, Avril Quaill, Kerry Giles, Daphne Naden, Mick Namarari, Turkey Tolson, Danie Mellor, Jonathan Kumintjara Brown, Clifford Possum, Ellen Jose, Lindsay Bird Mpetyane, Heather Shearer and Kathleen Wallace.

Published December 1996
Polynesian Tattoo: A Shift in Meaning
Feature
Karen Stevenson

Tattoo played a significant role as a marker of status, wealth, and pride in Polynesian societies. A more fluid, creative tattoo tradition is being practised today.

Published December 1996
The Island Race in Aotearoa
Feature
Jim Vivieaere

Today the art of the Pacific Islanders is still trapped within its category. The display cases of the institutions have not been shattered. Yet the very act of exhibiting demonstrates that the making and the appreciation of art is a dynamic process. Institutions are caught by a need to both legitimise themselves and acknowledge (and perhaps attempt to control) the art of the migrant communities.

Published December 1996
Doin' the Limbo
Review
Stephanie Radok

Exhibition review White Hysteria
Curated by Susan Treister
Contemporary Art Centre, Adelaide South Australia
7 - 30 June 1996

Published December 1996
Spirit Blong Bubu I Kam Bak [The Return of the Spirits of the Ancestors]
Feature
Ralph Regenvanu

Reflections on an exhibition in Vanuatu of old pieces of ni Vanuatu art held in European collections. Touring Exhibition 'Arts of Vanuatu' 29 June - 10 August 1996 at the National Museum of Vanuatu in the national capital of Port Vila.

Published December 1996
Funk Junk
Review
John Neylon

Exhibition review Junk Bonds
New Land Gallery, Port Adelaide South Australia
Touring South Australia and interstate with Visions of Australia
28 June - 28 July 1996.

Published December 1996
Touch Don't Touch
Review
Mary Knights

Exhibition review Tangibility
Claire Barclay, John R Neeson, Stephen Bush & Jan Nelson Plimsoll Gallery and Powder Magazine, Hobart
10 - 31 May 1996

Published December 1996
 
Dan McCabe
ACMI
Axolotl
Crown Resorts
ACE Open