Exhibitions to watch
WESTERN AUSTRALIA
More from this Issue
Sculpture@Bathers
Curators: Tony Jones, Joanna Robertson Kidogo Arthouse and Bathers Beach Arts Precinct, Fremantle 16 March – 1 April 2013
Rainforest identity (past and future)
Napolean Oui is a Cairns-based, mid-career, Djabugay artist and a proud advocate of the rainforest art style unique to Far North Queensland. 2012 was a breakthrough year for him, he did a residency at Studio PM with Paul Machnik and others in Montreal, developed new work at Djumbunji Press for a solo show at Kickarts Contemporary Arts in Cairns during the Art Fair, AND sold work to the National Gallery of Australia.
Jimmy Pike: there is more
Curator and writer Karen Dayman fills in the background of the development of the work and broadens the profile of Great Sandy Desert artist Jimmy Pike whose skills took him around the world and into collaborations with Desert Designs, with his partner Pat Lowe and with the theatre.
New currency: Ryan Presley
Ryan Presley's 2011 series 'Blood Money' is remarkable. These commemorative banknotes substitute the heroes of the white Australian monoculture (Banjo Patterson, Dame Mary Gilmore, Dame Nellie Melba and Sir Henry Parkes) with Aboriginal heroes, resistance fighters such as Pemulwuy, his son Tjedaberiyn (also known as Tedbury), Dundalli and Jandamarra and others such as the Gurindji stockman Vincent Lingiari who led the Wave Hill walk-off, and the late Wik elder Gladys Tybingoompa.
Ken Thaiday Senior, Darnley Man
Exhibitions Manager at Cairns Regional Gallery Justin Bishop tells the rich story of how Ken Thaiday Sr. came to be a major Torres Strait Islander artist. In August 2013, Cairns Regional Gallery, in partnership with Cairns Indigenous Art Fair (CIAF), will be presenting a survey exhibition of Ken Thaiday Sr.’s work.
The dearth of criticism
Some artists are often heard to complain about the lack of honest criticism of Aboriginal art. But in such a limited sphere, criticising an Aboriginal artist in formal or aesthetic terms, or at a deeper level, is a bit like shooting fish in a barrel. Too often, critics play the man and not the ball. Can we handle the truth?
NUNGAODRADEK - AEAF 2013
odradek is a window exhibition space at the Australian Experimental Art Foundation in Adelaide. nungaodradek is a season of works by four emerging nunga (Aboriginal) artists based in South Australia curated by Ali Gumillya Baker. Their overall theme is sovereign protest.
Rekospective
Yorta Yorta and Wiradjuri curator and lecturer Jirra Harvey traces the career of self-taught graffiti and studio artist Reko Rennie. He uses a traditional Kamilaroi patterning in neon and in graffiti as a contemporary statement of sovereignity. Harvey says: "The subtext to such works is a running narrative on government practices that work to control and restrain Aboriginal communities and the subsequent rebellion of the people."
Ghostnets go global, and local
Ghost nets are fishing nets that have been abandoned at sea, lost accidentally, or deliberately discarded. The GhostNet Project, which began on islands and in communities around the top of Australia, uses the nets to make artworks, to raise awareness of marine pollution, to be creative. Awareness of Ghostnets is on the rise both nationally and internationally.
Thancoupie/Thanakupi (1937–2011)
Thancoupie (aka Dr Thancoupie Gloria Fletcher James AO) was a trailblazer in Aboriginal art, studying, showing and making work in ceramics for many years. Her work was shown nationally and internationally. After many years she returned home to Weipa, and while still making and exhibiting, focused much of her attention on her family, community, land rights and the next generations.