0
Favs
Login
Menu
Close
Connecting contemporary art, ideas and people.
  • Current Issue
  • Reviews
  • Archive
  • Tributes
  • Extras
  • Shop / Subscribe
  • Join Mailing List
  • Stockists
  • Future Issues
  • Submissions
Public pedagogies Indonesia Repatriation Republic Play Feminist Publishing Queer Graffiti Regional
  • About
  • Advertising
  • Donate
  • Contact
  • Search
  • Log in
  • Favourites

Tarntanya / Adelaide
PO Box 182
FULLARTON SA 5063

Terms & Conditions Privacy Policy

Stephanie Radok
1 December 2012
Issue 32:4
Disaster & Fortitude
Share
Sydney Contemporary Riddoch Perks Bendigo Art Gallery ANAT

Exhibitions to watch

WA

Buy   or   Subscribe   or   Login

More from this Issue

0.54880952381
Contact lenses: Lloyd Godman's ecological art
New Zealand-born ecological artist, Lloyd Godman, who now lives in Australia, has in his own determined way for over thirty years, pondered and acted upon questions of how aesthetics might be involved in creating sustainable solutions to environmental problems. Historian Helen McDonald uses eco-critic Timothy Morton's notion of ambient aesthetics to examine three of Godman's multimedia projects.
Helen McDonald
0.57
HERE&NOW12
Curator: Katie Lenanton Lawrence Wilson Art Gallery, Perth 11 August – 6 October 2012
Sheridan Coleman
0.472
Promoting the long view
Artist and filmmaker Malcolm McKinnon's current practice is focused around documentary filmmaking and social history, motivated by an appreciation of living memory and local vernacular. He writes about the Illuminated by Fire project, an initiative of Regional Arts Victoria, that involved a dozen artists working with eleven local communities in the wake of Black Saturday.
Malcolm McKinnon
0.669230769231
Coming soon: Big mining and the question of scale
Ann Finegan raises the alarm on the fiendish short-sighted depradations of Big Coal open cut mining in the lower Hunter Valley and other places currently under threat. She describes the work done by artist/activists in response and asks: "How does one fight such incommensurables of scale and the slow unfold of food bowl and water disaster? Where do we start? With protective changes to State and Federal legislation? With commensurable economic data?"
Ann Finegan
0.716
Inflight ARI in partnership with Queenstown Heritage Festival
Queenstown 12 - 14 October 2012
Lucy Hawthorne
0.666
In a silent way
Curator: Matt Warren Laura Altman, Monica Brooks, Nicolas Bullen, Darren Cook, Gail Priest, Lawrence English, Samaan Fieck, Joel Stern Contemporary Art Spaces, Hobart 28 July – 26 August 2012
Claire Krouzecky
1.008333333333
Evidence of a catastrophe: The weather reports of James Guppy
The cloud/explosion paintings of James Guppy's The Weather Report series of 2006 were made as a response to 9/11.
Megan Fizell
0.77
Contained fear: Ken & Julia Yonetani's uranium art
Doris McIlwain
0.634
The cinemas of disaster
Curator, film programmer and writer Danni Zuvela reviews the genre of disaster films since 1903 and finds that the most recent example 'Beasts of the Southern Wild' expresses a spirit of resilience that is both wild and magical.
Danni Zuvela
1.524534686971
New Orleans': Resilience goes way back before Katrina
The Big Easy is a nickname for New Orleans, USA, referring to the easy-going, laid back attitude to life that jazz musicians and local residents indulge in there. Carol Schwarzman, with the aid of her brother, reviews some resilient responses to the Big Hurricane Katrina's path through it on 25 August 2005. In the words of US writer Tom Piazza: "The ‘underprivileged’ people of New Orleans “spun a culture out of their lives – a music, a cuisine, a sense of life – that has been recognised around the world as a transforming spiritual force.”
Carol Schwarzman
0.662
Shen Shaomin: The day after tomorrow
The Day After Tomorrow is Chinese-Australian Shen Shaomin’s first solo show in Australia in ten years. His visions of a warped natural world tap into anxieties about civilisation’s ghastly effects. “The space for our lives is shrinking,” Shen said in a recent interview. “The world is more and more dangerous because of the way that we live our lives.”
Christen Cornell
0.738
Colour by number
!Metro Arts, Brisbane 19 September – 6 October 2012
Angelita Howell
View all articles in this issue

Connecting contemporary art, ideas and people.

Artlink
Tarntanya / Adelaide
PO Box 182
FULLARTON SA 5063

Artlink acknowledges the law, customs and culture of Kaurna People, the traditional owners of Tarntanya / Adelaide, and extends this respect to all Indigenous peoples across Australia.

  • Current Issue
  • Reviews
  • Archive
  • Tributes
  • Extras
  • Shop / Subscribe
  • Join Mailing List
  • Stockists
  • Future Issues
  • Submissions
  • About
  • Advertising
  • Donate
  • Contact
  • Search

Australia Council for the Arts

Registered Charity Tick

Copyright Artlink Magazine. Terms and Conditions. Artlink wishes to acknowledge the copyright of the artists whose images appear on this website.
Please note that images cannot be copied by users of this site and copyright remains with the artist or the rights holder at all times.