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Tarntanya / Adelaide
PO Box 182
FULLARTON SA 5063

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Stephanie Radok
1 December 2012
Issue 32:4
Disaster & Fortitude
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Bendigo Art Gallery Perks Wollongong Art Gallery ANAT

Exhibitions to watch

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Evidence of a catastrophe: The weather reports of James Guppy
The cloud/explosion paintings of James Guppy's The Weather Report series of 2006 were made as a response to 9/11.
Megan Fizell
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The place you stay when you visit the future today
In 2011 at Tin Sheds Gallery in Sydney as part of The Right To The City project an installation and performance by NZ/Australian artist D.V. Rogers called DISASTR explored the idea of shelter in times of disaster by building a functioning Hexayurt Hotel in the centre of Wadigal Green at Sydney University.
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Jarragbu-nungu Warrambany: Flood in Warmun
On 13 March 2011 a deluge of water swept through the Warrmarn [Warmun] community. It rushed into Turkey Creek from the tributaries that flow northward from the Purnululu ranges and from the eastern hills. Assistant manager and curator at Warmun Arts Centre Cate Massola asks how much consultation with residents occurred around their evacuation and the rebuilding of their homes.
Cate Massola
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Beata Batorowicz – Tales within Historical Spaces
QUT Art Museum, Brisbane 1 September – 28 October 2012
Rainer Doecke
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Coming soon: Big mining and the question of scale
Ann Finegan raises the alarm on the fiendish short-sighted depradations of Big Coal open cut mining in the lower Hunter Valley and other places currently under threat. She describes the work done by artist/activists in response and asks: "How does one fight such incommensurables of scale and the slow unfold of food bowl and water disaster? Where do we start? With protective changes to State and Federal legislation? With commensurable economic data?"
Ann Finegan
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Cambodia and youth arts
Life is tough in Cambodia if you are not a tourist. Dragonfly Tours is run by a unique partnership model which results in terrific holidays as well as contributing to the betterment of life in Cambodia for its residents.
Felicity Wright
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Shen Shaomin: The day after tomorrow
The Day After Tomorrow is Chinese-Australian Shen Shaomin’s first solo show in Australia in ten years. His visions of a warped natural world tap into anxieties about civilisation’s ghastly effects. “The space for our lives is shrinking,” Shen said in a recent interview. “The world is more and more dangerous because of the way that we live our lives.”
Christen Cornell
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Conversations in ellipsis: an exercise in affect & association… time & (e)motion studies, or things unsaid
Curator: Lisa Harms Adelaide Botanic Garden, FELTspace, SASA Gallery 31 July – 26 August 2012
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Falling through time
In September 2011 at the UTS Gallery in an exhibition called The Fall before the Fall Elvis Richardson and Daniel Mudie Cunningham showed work reflecting on 9/11. Anna Gibbs analyses how their works make this trauma "articulable, shareable and ... to some extent, bearable."
Anna Gibbs
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HERE&NOW12
Curator: Katie Lenanton Lawrence Wilson Art Gallery, Perth 11 August – 6 October 2012
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A Universe of Small Truths: Julie Henderson
AEAF (Australian Experimental Art Foundation), Adelaide 20 July – 18 August 2012
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Tarntanya / Adelaide
PO Box 182
FULLARTON SA 5063

Artlink acknowledges the law, customs and culture of Kaurna People, the traditional owners of Tarntanya / Adelaide, and extends this respect to all Indigenous peoples across Australia.

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