Out of the Garden and into the Landscape

Cover of Out of the Garden and into the Landscape
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Writing through the archive: the art writing marathon
Feature
Jacqueline Millner
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Ethics and aesthetics: D Harding, Luciano Benetton and Terra Incognita: inclusiveness is a good way
Feature
Ian McLean

Published 30 March 2022
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In conversation: Sebastian Goldspink and Una Rey
Feature
Sebastian Goldspink and Una Rey

Published 30 March 2022
ACE Open
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The museum fell silent
Feature
Elspeth Pitt

Published 30 March 2022
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Kings of wishful thinking: internet irony and its illusionary critics
Feature
Olivia Bennett

Published 30 March 2022
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Damper is a language word for art
Feature
Dominique Chen

Published 30 March 2022
Artshub
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Someone has to be innocent: a reflection on the post-2020 art critic
Feature
John Mateer

Published 30 March 2022
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A case for writing contemporary art history
Feature
Aneta Trajkoski

Published 30 March 2022

What landscape architects in Australia have been doing since about 1970 is to begin to address the Australian lanscape in all its extraordinariness and vastness - as a subject for design and interpretation in the creation not only of our settlements but all those places where we may leave our mark, even if we don't inhabit them.

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More from this Issue Full Issue Contents

The Nature of Perception
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Space Defined
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Desert Designs
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Seeing a Plant: Being a Plant
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Inventive Australia
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Book review Know-how, the guide to innovation in Australia
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Indigenous Australian Dyed and Printed Textiles
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Petals on a Wet Black Bough
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The Soft Machine
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The & of Art & Design
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From the Bush to the Street: A Change in Direction for Australian Fashion
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Margot Riley

Despite the pull of the outback and the image of the Aussie bushman, the majority of modern Australians are urban dwellers, strung around the perimeter of the Continent. Little known to the outside world beyond our cultural icons of the kangaroo and the koala, few look to Australia as a source of contemporary design in any form, let alone fashion. Until recently, the global fashion market has seen fit to ignore the rest of our antipodean designers.

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