Out of the Garden and into the Landscape

Cover of Out of the Garden and into the Landscape
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Writing through the archive: the art writing marathon
Feature
Jacqueline Millner
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Ethics and aesthetics: D Harding, Luciano Benetton and Terra Incognita: inclusiveness is a good way
Feature
Ian McLean

Published 30 March 2022
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In conversation: Sebastian Goldspink and Una Rey
Feature
Sebastian Goldspink and Una Rey

Published 30 March 2022
Samstag Museum
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The museum fell silent
Feature
Elspeth Pitt

Published 30 March 2022
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Kings of wishful thinking: internet irony and its illusionary critics
Feature
Olivia Bennett

Published 30 March 2022
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Damper is a language word for art
Feature
Dominique Chen

Published 30 March 2022
Desert Mob
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Someone has to be innocent: a reflection on the post-2020 art critic
Feature
John Mateer

Published 30 March 2022
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A case for writing contemporary art history
Feature
Aneta Trajkoski

Published 30 March 2022

What landscape architects in Australia have been doing since about 1970 is to begin to address the Australian lanscape in all its extraordinariness and vastness - as a subject for design and interpretation in the creation not only of our settlements but all those places where we may leave our mark, even if we don't inhabit them.

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More from this Issue Full Issue Contents

Furniture Design in Western Australia
Feature
Helen Ross

The present era of contemporary Western Australian furniture design can be thought of as beginning under the influence of David Foulkes-Taylor (1956 until his death in 1966).

Published March 1997
Wanton Fruits
Review
Mary Knights

Exhibition review Barbie Kjar
Dick Bett Gallery,
Salamanca Place,
Hobart Tasmania
26 November - 10 December 1996

Published March 1997
Space Defined
Review
Gillian Rainer

Exhibition review Jewellery by Brenda Ridgewell,
New Collectibles Gallery,
East Fremantle WA
20 November - 1 December 1996

Published March 1997
Inventive Australia
Book Review
Lyn Tune

Book review Know-how, the guide to innovation in Australia
Interactive CD Rom published by Powerhouse Publications,
Powerhouse Museum, Sydney NSW
Macintosh/Windows
RRP $99.95

Published March 1997
Serious Fun
Book Review
Pat Hoffie

Book review Absolutely Mardi Gras
Jointly published by Doubleday and the Powerhouse Museum
1997
RRP $29.95

Published March 1997
Desert Designs
Feature
Paul Counsel

Based in Fremantle, Western Australia, Desert Designs (begun in 1984) is a concept marketing company that deals with authentic Aboriginal art works and acts as a nexus with manufacturing industries to facilitate their transition into products and their entry into retail markets.

Published March 1997
Gifted Arts
Feature
Maggie Baxter

In 1992 the Premier of WA initiated the Premier's Gift Commissioning Project in conjunction with the Crafts Council of WA inviting artists to design and produce protocol gifts and souvenirs within a lower price range, which though of exclusive design could be manufactured in multiples using light local industrial processes where appropriate.

Published March 1997
SA Designer-makers Turn to Industry
Feature
Jane Williams

A unique exhibition curated by Steve Ronayne (owner of Aptos Cruz Galleries) held at theJam Factory Gallery in 1996 'South Australia - Emerging crucible of contemporary design' showed just how many local designer-makers of contemporary craft are adopting industrial processes in their work.

Published March 1997
Share-house Art
Review
Robyn Daw

Exhibition review Tasmania art co-op: recent works from Australian Artist-Run Initiatives
The Long Gallery, Salamanca Arts Centre, Hobart Tasmania
15 November - 8 December 1996

Published March 1997
Lighting Design
Feature
Tim Laurence

Market size in Australia is the main hurdle to successful lighting however there are designers who are making inroads with Australian lighting design.

Published March 1997
The Nature of Perception
Review
Clarissa Ball

Exhibition review Howard Taylor: Paintings and Drawings
Galerie Dusseldorf, Perth WA
1- 22 September 1996

Published March 1997
Australian Fine China: Artists and Industry
Feature
Dorothy Erickson

Perth based Australian Fine China, the only maker of porcelain in Australia and New Zealand, is currently using a number of artist-designers to move from being a stolid china manufacturer for railways and cafes to one whose products are seen in top flight restaurants in the big hotels, in classy tourist venues and now on the dining tables of the nation. They have some way to go to entice Australians to purchase the 'local product' for their homes but they are making steady progress.

Published March 1997
 
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