The Ghost Net art project
Program Director for Ghost Nets Australia Sue Ryan describes how the Ghost Net Art Project began and what it is all about - people using eco-trash to share stories and express their creativity.
More from this Issue
Long Way Home: A celebration of 21 years of Yunggorendi First Nations Centre
Yunggorendi First Nations Centre for Higher Education and Research at Flinders University, celebrated 21 years of operation in 2011 with an exhibition of work selected by staff and students from the collection of Flinders University Art Museum. Artist Ali Gumillya Baker critically reviews selected works in the exhibition and the issues they raise.
The Ballad of Jimmy Governor
Emeritus Indigenous curator Djon Mundine wrote this essay on the occasion of a production of Posts in the Paddock a play about Jimmy Governor by the company My Darling Patricia. The performance included members of the both families involved. Mundine addresses questions of familial and national forgiveness.
Editorial: Making history
Stephanie Radok takes the temperature of Aboriginal art and history in 2012.
Chiharu Shiota: State of Being Sue Saxon and Jane Becker: All that is solid melts into air
TarraWarra Museum of Art 25 February - 27 May 2012
Parallel Collisions: 2012 Adelaide Biennial of Australian Art
2 March to 29 April 2012 Art Gallery of South Australia Curators: Natasha Bullock, Alexie Glass-Kantor
Indigenous Art Code: cracking the code
The Director of the Indigenous Art Code John Oster explains the Code, how it works, why it is needed and who isn't complying.
Tandanya: the case for home
The National Aboriginal Cultural Institute, known as Tandanya, was established in 1989 in Adelaide. Philip Watkins, Artistic and Cultural Director of Tandanya, 2006-2011, said: “This is Tandanya’s role – to show our world through our eyes, to tell our stories and to sing our songs with our voices.” Curator, educator and writer Sara White reviews Tandanya's 23 years of art and asks "Does Australia need more Tandanyas?"
Ancestral memory: out of the shadows
University of Melbourne Research Fellow Fran Edmonds along with Victorian artists Lee Darroch, Maree Clarke and Vicki Couzens looks at the story of Aboriginal art in Victoria as a determined reclamation of the past, a cross-generational celebration in the present and a visionary guide for the future.
No Place without Other Places: Spinifex Arts Project at fifteen years
University of Western Australia lecturer Darren Jorgensen examine the Spinifex Arts Project from its inception with reference to a new exhibition happening August-October 2012 at John Curtin Gallery and asks the big question: "What would it mean if Aboriginal artists were not tied to language groups, communities, art centres and regional styles?"
How did Aborigines invent the idea of contemporary art?
Brenda L Croft, artist, curator and Senior Research Fellow at the National Institute for Experimental Arts, UNSW, reviews and finds gaps in the big pink book put together over many years by Ian McLean that collects iconic bits of writing about Aboriginal art and knits them together.
