Shadowbox: The Desert Paintings

Cover of Shadowbox: The Desert Paintings
0.852
Karla Dickens: A Dickensian Sideshow

Lismore Regional Gallery

Review
Djon Mundine OAM

Published 08 February 2021
0.786
Hardenvale: Our Home in Absurdia

Wagga Wagga Art Gallery

Review
Sam Bowker

Published 29 January 2021
0.73
David Keeling: Stranger
Review
Seán Kelly

Published 04 January 2021
NAVA
0.82
Opening remarks: Ann Newmarch Survey

Newmarch Gallery

Review
Janet Maughan

Published 04 January 2021
0.764
Bryan Foong: The ladder is now a ...

ANCA Gallery, Canberra

Review
Shaune Lakin

Published 28 December 2020
0.752
Video art during and after the pandemic: 2020 Limestone Coast Video Art Festival

The Riddoch Arts and Cultural Centre, Mount Gambier

Review
Eve Sullivan

Published 08 December 2020
ACE Open
0.666
I want a world
Review
Tara McDowell

Published 30 November 2020
0.786
In review: The Partnershipping Project

Burnie Regional Art Gallery

Review
Pat Hoffie interviews Greg Lehman

Published 30 November 2020

Liverpool Street Gallery 3 – 23 December 2011

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Sonia Donnellan, Anna Hughes &
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Revealed: Emerging Aboriginal Artists from Western Australia
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Not just black and white
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Scholar and inaugural director of the new Godinymayin Yijard Rivers Arts and Culture Centre in Katherine Cath Bowdler discusses the work of two indigenous artists Brook Andrew and Gunybi Ganambarr and suggests that they are both operating at a conceptual level as bricoleurs in a globalised world, inventing new juxtapositions of materials and revealing new ways of seeing the world through the prism of local histories and traditions.

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Pipilotti Rist I Packed the Postcard in my Suitcase
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Editorial: Pattern & Complexity
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Tooth and Nail
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Peter Drew

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Andre Lipscombe: BOO!
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Ron Nyisztor

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Prophecy, pattern, progeny: Champagne Valentine, Mitchell Whitelaw, Peter Miller, Tracy Cornish
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Shape of the wind: pattern & chaos in Sue Lovegrove's island art
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Head of Environmental Studies at the University of Tasmania and writer Peter Hay describes the recent paintings of Sue Lovegrove made from her experience of different islands off the coast of Tasmania - Maatsuyker Island, Egg Island and most recently Tasman Island. Lovegrove began with painting clouds but has moved on to paint the shape of the wind.

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