Kandos, New South Wales
Published 05 February 2020
Museum and Art Gallery of the Northern Territory
Mumu Mike Williams
Published 01 December 2019
Adelaide Festival Centre and other venues
Published 29 November 2019
Art Gallery of South Australia and other venues
Published 28 November 2019
University of Queensland Art Museum
Published 11 October 2019
Tasmanian Museum and Art Gallery
Araluen Arts Centre
Published 07 October 2019
Liverpool Street Gallery 3 – 23 December 2011
Published March 2012
1 October 2011 – 1 January 2012 Curator: Iris Shu-Ping Huang National Taiwan Museum of Fine Arts?(NTMoFA) www.asianartbiennial.org
Curator: Thelma John Gallery Central, Perth 24 October - 12 November 2011
Published 01 March 2012
Nyisztor Studio 1 - 23 October 2011
Head of Environmental Studies at the University of Tasmania and writer Peter Hay describes the recent paintings of Sue Lovegrove made from her experience of different islands off the coast of Tasmania - Maatsuyker Island, Egg Island and most recently Tasman Island. Lovegrove began with painting clouds but has moved on to paint the shape of the wind.
American artist Janet Echelman reshapes urban airspace with monumental, fluidly moving sculpture that responds to environmental forces including wind, water, and sunlight. The artist’s ongoing series of aerial net sculptures started in 1997 when she was in India as a Fulbright Scholar and became fascinated with the beauty and movement of traditional fishing nets. In 2011 her installation 'Tsunami 1.26' hung over the Town Hall traffic intersection in Sydney as a joint initiative of the Powerhouse Museum and Art and About Sydney.
Powerhouse Museum Curator of Textiles Lindie Ward discusses the groundbreaking 'Love Lace' exhibition on show at the Powerhouse until April 2013. A globally sourced series of works it showcases 130 designs for openwork structures from 20 countries.
John Walker is the founder of Autodesk, Inc. and co-author of AutoCAD. In Fractal Food he discusses the marvel of fractal forms (complex shapes which look more or less the same at a wide variety of scale factors) as they are seen in a rather wonderful vegetable - the chou Romanesco.
Curator, scholar and guest editor Margot Osborne is interested in the current resurgence of pattern and complexity in the practices of contemporary Australian and international artists and the way they share borders and frontiers with recent developments in complexity theory in science whether deliberately or intuitively. Osborne has also curated an associated exhibition, Art, Pattern and Complexity at the Royal Institution of Australia's Science Exchange, Adelaide, on from 16 February to 16 May 2012.
Australian Centre for Contemporary Art, Melbourne 21 December 2011 – 4 March 2012
Tim Schork and Paul Nicholas founded MESNE Design Studio, an innovative architecture and urban design studio working globally as one office from London and Melbourne, to explore the relationship between architecture and divergent domains of knowledge through the use of computation in order to create innovative design strategies for novel spatial structures. They write about the back story of the project "Pricking', an interdisciplinary collaborative project between MESNE Design Studio, Ian Maxwell (supermanoeuvre) and Indae Hwang, which involves an interactive lace-making table with an infra-red based multi-touch interface.
