Mumu Mike Williams
Published 01 December 2019
Adelaide Festival Centre and other venues
Published 29 November 2019
Art Gallery of South Australia and other venues
Published 28 November 2019
University of Queensland Art Museum
Published 11 October 2019
Tasmanian Museum and Art Gallery
Araluen Arts Centre
Published 07 October 2019
Samstag Museum of Art
Published 27 September 2019
Perth Institute of Contemporary Arts
Published 15 September 2019
Liverpool Street Gallery 3 – 23 December 2011
Published March 2012
Powerhouse Museum Curator of Textiles Lindie Ward discusses the groundbreaking 'Love Lace' exhibition on show at the Powerhouse until April 2013. A globally sourced series of works it showcases 130 designs for openwork structures from 20 countries.
Curator: Ruth McDougall with Maud Page and Russell Storer Gallery of Modern Art, Brisbane 1 October 2011 – 5 February 2012
Published 01 March 2012
Gallery of Modern Art, Brisbane 12 November 2011 – 19 February 2012
Sonia Donnellan, Anna Hughes & Sonja Porcaro South Australian School of Art (SASA) Gallery 14 August - 16 September 2011
Nyisztor Studio 1 - 23 October 2011
Pantjiti Lionel, Mel Robson, Pip McManus, Patsy Morton, Suzi Lyon, Amanda McMillan Co-curators: Jo Herbig and Franca Barraclough Araluen Arts Centre, Alice Springs 19 November 2011 - 22 January 2012
Media artist, techno-evangelist and digital nomad Fee Plumley responds to Mesne Design Studio's lacemaking environment 'Pricking Version 2.0' which is their answer to the question “what happens if you apply computational processes to the historical notion of craft?”.
Curator: Linda Williams RMIT Gallery, Melbourne 2 December 2011 - 28 January 2012
Tim Schork and Paul Nicholas founded MESNE Design Studio, an innovative architecture and urban design studio working globally as one office from London and Melbourne, to explore the relationship between architecture and divergent domains of knowledge through the use of computation in order to create innovative design strategies for novel spatial structures. They write about the back story of the project "Pricking', an interdisciplinary collaborative project between MESNE Design Studio, Ian Maxwell (supermanoeuvre) and Indae Hwang, which involves an interactive lace-making table with an infra-red based multi-touch interface.
