Shadowbox: The Desert Paintings

Cover of Shadowbox: The Desert Paintings
0.808
A Reason To Re-Imagine: The Image is not Nothing (Concrete Archives)

ACE Open

Review
Ali Cobby Eckermann

Published 10 May 2021
0.78
Catherine Truman: Shared Reckonings

Santos Museum of Economic Botany and The Deadhouse (Mortuary Building), Botanic Gardens of South Australia

Review
Anne Brennan

Published 10 May 2021
0.8
Clarice Beckett: The Present Moment

Art Gallery of South Australia

Review
Eleanor Amor

Published 10 May 2021
IMA
0.666
Experimenta Life Forms

Plimsoll Gallery, UTAS, Hobart

Review
Eliza Burke

Published 14 April 2021
0.666
Adelaide // International

Samstag Museum of Art

Review
Julianne Pierce

Published 14 April 2021
0.666
Know My Name: Australian Women Artists 1900 to Now: An Historical Context

National Gallery of Australia, Canberra

Review
Anne Marsh

Published April 2021
Artlands
0.666
Annabel Nowlan: Unfinished Maps

Wagga Wagga Art Gallery

Review
Sam Bowker

Published 12 March 2021
0.752
Site & Sound: Sonic art as ecological practice

McClelland Gallery, Langwarrin

Review
Saskia Beudel

Published 12 March 2021

Liverpool Street Gallery 3 – 23 December 2011

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Everyday the possible
Review
Lisa Harms

Sonia Donnellan, Anna Hughes &
Sonja Porcaro
South Australian School of Art (SASA) Gallery
14 August - 16 September 2011

Published March 2012
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Choreography of the elements: Janet Echelman
Artist Profile
Margot Osborne

American artist Janet Echelman reshapes urban airspace with monumental, fluidly moving sculpture that responds to environmental forces including wind, water, and sunlight. The artist’s ongoing series of aerial net sculptures started in 1997 when she was in India as a Fulbright Scholar and became fascinated with the beauty and movement of traditional fishing nets. In 2011 her installation 'Tsunami 1.26' hung over the Town Hall traffic intersection in Sydney as a joint initiative of the Powerhouse Museum and Art and About Sydney.

Published March 2012
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A Meme is born
Feature
Peter Drew

Adelaide writer and artist Peter Drew looks at various examples of recent street art and the many ways it is circulated and reproduced as a meme in a wired and globally connected world. "As it turns out," he says, "memetics can be very useful in understanding the patterns of street art."

Published March 2012
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Revealed: Emerging Aboriginal Artists from Western Australia
Review
Darren Jorgensen

Curator: Thelma John
Gallery Central, Perth
24 October - 12 November 2011

Published March 2012
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Artrave
Artrave
Stephanie Britton

Published March 2012
Andre Lipscombe: BOO!
Review
Ron Nyisztor

Nyisztor Studio 1 - 23 October 2011

Published March 2012
Australian art abroad: Doing it better
Preview
Alison Carroll

Published March 2012
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Pipilotti Rist I Packed the Postcard in my Suitcase
Review
Ulanda Blair

Australian Centre for Contemporary Art, Melbourne
21 December 2011 – 4 March 2012

Published March 2012
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Exhibitions to Watch
Stephanie Radok

Published March 2012
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In Action, Inaction: Dara Gill
Review
Amy Griffiths

MOP Projects
Gallery 1
1 December - 17 December 2011

Published March 2012
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The Poliness wall drawings: not quite right
Artist Profile
Kerrie Poliness

Artist Kerrie Poliness writes about her wall drawing projects, one of which appears in the exhibition 'Art, Pattern and Complexity' at RiAus, Adelaide from 16 February to 16 May 2012. The wall drawings begin with the artist's instructions but are produced with intuition rather than rulers.

Published March 2012
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Mesne: Stitches in the Air: computational craft
Feature
Fee Plumley

Media artist, techno-evangelist and digital nomad Fee Plumley responds to Mesne Design Studio's lacemaking environment 'Pricking Version 2.0' which is their answer to the question “what happens if you apply computational processes to the historical notion of craft?”.

Published March 2012
 
Ballarat Foto Biennale
NAVA
MGNSW
Darwin Aboriginal Art Fair
City of Unley