Self-Abrasion of our Nations
Curator and artist Brenda Croft gets experiential in telling about Australia Day, her latest exhibition Stop (the) gap and what is shared by indigenous people around the globe.
More from this Issue
Tracey Moffatt / Stop(the)Gap / <BR>tall man
Tracey Moffatt: Narratives Curators: Stephen Zagala, Maria Zagala Art Gallery of South Australia 26 February - 20 March 2011 Stop (the) Gap: International Indigenous art in motion Curator: Brenda Croft Samstag Museum of Art 24 February - 21 April 2011 Vernon Ah Kee: tall man Australian Experimental Art Foundation 23 February - 26 March 2011
Elcho Island: Morning Star over London
Artlink's UK contributing editor Jo Higgins interviewed Melbourne-born London gallerist Rebecca Hossack about her Indigenous art program and her attempts to raise its profile in London. She has two galleries and each summer for three months both galleries show only Australian Indigenous art in her Songlines series. Recently Elcho Island art featured.
Remembering Forward at the Museum Ludwig
Curator at AAMU Georges Petitjean describes the 'Remembering Forward' exhibition at the Museum Ludwig in Cologne in detail, how it came about, what surrounds it and what it might mean.
Denis Nona: Art Terroir-ist
Griffith Artworks and Griffith University Art Gallery Director Simon Wright reviews the stellar career in sculpture and printmaking of Torres Strait Islander Denis Nona whose newest commission at the Musée des Confluences in Lyon is eight metres high.
Jo Rootsey: Painting Country
Dina Ibrahim looks at the Joe Rootsey Retrospective curated by Bruce McLean at the Queensland Art Gallery in 2010 to find an artist who in his short life achieved compelling evocations of his relationship to country.
Trevor Nickolls: Other side Art
This is the first time that noted historian and writer on Aboriginal art Ian McLean has written a substantial interpretive artcile on the work of Trevor Nickolls. Nickolls began working in the 70s and is still painting his own particular brand of cross-cultural art.
Fearing Truganini
Tasmanian essayist and poet, currently working as Indigenous Visiting Research Scholar at AIATSIS in Canberra, Greg Lehman looks over David Hansen's recent award-winning essay entitled 'Seeing Truganini' and finds it wanting.
Euraba Paper Company, Boggabilla
Associate Lecturer at the College of Fine Art in Sydney Tess Allas writes about when she was NSW Regional Indigenous Cultural Officer and first met the women of Boggabilla who formed the Euraba Paper Company which won the Parliament of NSW Aboriginal Art Prize in 2010.
Paint every hill: Billy Benn
Billy Benn Perrurle and Catherine Peattie with essays by Ian McLean and Judith Ryan IAD Press RRP $34.95
John Barbour
John Barbour (1954-2011), a complex, intelligent and much loved South Australian artist and academic, was in the prime of his life and at the height of his career when he died on Sunday 17 April 2011.