Stop the Moats: Recent work by Cecile Williams and Nick Mangan

Cover of Stop the Moats: Recent work by Cecile Williams and Nick Mangan
1.522
The Palmer Sculpture Biennial
Profile
Tracey Lock

Tracy Lock on an artist-run environmental art project in the Mount Lofty Ranges

Published 01 September 2016
1.5
Josephine Starrs and Leon Cmielewski: And the earth sighed
Profile
Julianne Pierce

Published 01 September 2016
1.29
The Derwent Project
Profile
David Stephenson and Martin Walch

Published 01 September 2016
Artlink Subs Promo
0.8
Ray Harris: Guileless and Monstrous
Profile
Juliette Peers

Published September 2013
100KM Artworks: Fiona MacDonald's Local Studies
Profile
Catriona Moore

Senior Lecturer at the Power Institute, University of Sydney, Catriona Moore writes bout the recent work of Fiona MacDonald in terms of its connections to locality and history.

Published December 2010
Confluent Forms: Ariel Hassan recent work
Profile
Niki Sperou

Biotech artist Niki Sperou unpacks at the curious art practice of Adelaide and Berlin-based Ariel Hassan who uses science, philosophy and politics as well as paint, canvas and polyurethane foam to make work embodying action, reaction and the connectivity between all things.

Published December 2010
NAVA
Shen Shaomin's Bonsai
Profile
Wu Hung

University of Chicago Professor Wu Hung analyses Sydney and Beijing-based Shen Shaomin's Bonsai series as seen at the MCA for the 2010 Biennale of Sydney as "uncovering secrets".

Published December 2010
1.455
Renew Adelaide pilot: 2 wheels good
Profile
Ianto Ware

Zine publisher and educator Dr Ianto Ware is the Project Manager of Renew Adelaide, an urban renewal clone of Marcus Westbury's Renew Newcastle, in which the 'definition of creativity has to be broad enough to encompass the wide fields of socially innovative activity that simply doesn't fit elsewhere.'

Published June 2010

Adjunct Professor at RMIT Kevin Murray contrasts the idea of Australians as xenophobic 'moat' people with the idea of 'poor craft' which uses detritus to alchemically create a new preciousness.

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Is it Sacred? The Collarenebri Files
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Djon Mundine

Senior curator Djon Mundine reflects on his experiences in the past of consultation with Aboriginal people about artefacts, in particular carved trees in NSW that he wanted to include in 'Spirit and Place' at the MCA in 1997.

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On colour: Theory is bunk
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Unlacing Carnal Margins: Portraits by Angela Stewart
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Sally Quin

Unlacing Carnal Margins: Portraits by Angela Stewart
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Abstract Nature
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Curator: Margot Osborne
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Before Time Today: Reinventing Tradition in Aurukun Aboriginal Art
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Before Time Today: Reinventing Tradition in Aurukun Aboriginal Art
University of Queensland Art Museum
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Published December 2010
Exhibitions to Watch
Stephanie Radok

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GW Bot: The long paddock: A 30 year survey
Review
Jenny McFarlane

GW Bot: The long paddock: A 30 year survey
Curator: Peter Haynes
Goulburn Regional Gallery
9 October – 29 November 2010
Touring until 2013

Published December 2010
Shen Shaomin's Bonsai
Profile
Wu Hung

University of Chicago Professor Wu Hung analyses Sydney and Beijing-based Shen Shaomin's Bonsai series as seen at the MCA for the 2010 Biennale of Sydney as "uncovering secrets".

Published December 2010
Confluent Forms: Ariel Hassan recent work
Profile
Niki Sperou

Biotech artist Niki Sperou unpacks at the curious art practice of Adelaide and Berlin-based Ariel Hassan who uses science, philosophy and politics as well as paint, canvas and polyurethane foam to make work embodying action, reaction and the connectivity between all things.

Published December 2010
Up Close
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Juliette Peers

Up Close
Carol Jerrems with Larry Clark, Nan Goldin and William Yang
Curator: Natalie King
Heide Museum of Modern Art
31 July - 31 October 2010

Published December 2010
Resistance to Change: Art in the university environment
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Jane Goodall

Novelist and former Director of Research and Postgraduate Studies in the College of Arts at the University of Western Sydney Jane Goodall responds to the new collection of essays edited by Brad Buckley and John Conomos called 'Rethinking the Contemporary Art School'. Goodall analyses the complexity and often dire times engendered by the incorporation of art schools into universities. However she is optimistic and suggests a first step to be a well-designed retreat system.

Published December 2010
Liverpool Biennial 2010: Touched
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Alison Carroll

Former Head of Asialink Alison Carroll visited Touched the Liverpool Biennial and found 870 artists showing in 400 exhibitions over the 10 weeks of the event.

Published December 2010