Published December 2014
Mazie Turner 1954–2014
Published 01 September 2014
Gordon Bennett 1955–2014
Published September 2014
Published 01 June 2014
Howard Taylor 1918 – 2001 WA
Published September 2001
Published 01 September 2013
Thancoupie (aka Dr Thancoupie Gloria Fletcher James AO) was a trailblazer in Aboriginal art, studying, showing and making work in ceramics for many years. Her work was shown nationally and internationally. After many years she returned home to Weipa, and while still making and exhibiting, focused much of her attention on her family, community, land rights and the next generations.
Published June 2013
Re Affiliations 12 June - 13 July 1997 Margaret Sanders, Claudia Lünig, Clare Martin, Hanh Ngo, Maria Stukoff, Lisa Jeong, Paloma Ramos, Madelaine Neveu Nexus Gallery, Adelaide
Published September 1997
Post colonialism provides a chimerical hope of a different means of shaping and ordering public representation of Australia, bu the institutional discourse around post-colonial arworks tends to uphold the status quo by using race/ethnicity as another means of directing scorn towards the lower reaches of Australian society.
1.30pm Remembrance Day. November 11, 1975 is a sacred memorial for the Australian Republican movement. This was the first time in Australian history that an unelected representative of the Queen had dismissed a Federal Government elected by the people.
Looks at the cultural events planned to accompany the Olympic Games to be held in Sydney in September 2000. There are 4 cultural festivals -- 1997 The Festival of the Dreaming curated by Rhoda Roberts, 1998 A Sea Change curated by Andrea Stretton, 1999 Reaching the World, 2000 Harbour of Life co-ordinated by Leo Schofield.
Sport and Porn was huge in its scope and scale. The show ran for an hour and a half over a two week period at the Performance Space in Sydney during March 1997. Victoria Spence writes about the performance that she was involved in. The team comprised Morgan Lewis, Scott Wright, Sharon Kerr and Steve Howarth, Adam Kronenburg, Dana Diaz Tutaan, Victoria Spence and Rodgers D.
The ideas behind this project stem from the particular legacy of Black British arts practice in the 1980s....This touring visual arts exhibition and book project tries to deconstruct the notion of the centre (London/UK/Europe) both as a site of former colonial power and as a site of current economic and cultural power.
The perception of 'culture' underlies all our relations in Asia. What are we? Are we as we are perceived? It is a really pertinent, dynamic interesting moment in our history, and in a wider world, in the history of this region.
Aboriginal culture, National identity and the Australian Republic. The closing ceremonies of the Atlanta Olympics were watched by a 1/5th of the world's population. This was arguably the most expensive bit of air time on the planet at that moment....
Fiona Foley's 'The Lie of the Land' is an extraordinary piece of art and soundwork that illustrates yet another taking of land and culture from the indigenous people of this land.
Mapping the Comfort Zone: The Dream and the Real works by Irene Briant, Jenny Clapson, Jo Crawford, Christine James. Catherine K, Nien Schwartz, Lucinda Clutterbuck & Sarah Watt. Artspace, Adelaide Festival Centre 4 July - 16 August 1997
"Whatever the shape the Federal Republic pf Australia takes, there will be something unstructured, if not deconstructed about it. I imagine it as already impressionistic, figurative, eclectic, bebop. I'm only just game enough to say it might be the world's first post-modern republic, and I mean that in the nicest possible way."
Eureka - the First Australian Republic? was a touring exhibition which documented and interpreted the Eureka stockade. Containing paintings, drawings and prints ranging from the 1850s to 1994 as well as objects, documents and books related to or dealing with the Eureka Stockade the exhibition demonstrated the symbolic power this event has exerted on Australian political life as well as the imagination of artists.
