Curator at the Museum of Contemporary Art in Sydney Glenn Barkley surveys the hole in contemporary Australian art starting at the 1973 Mildura Sculpturescape.
Emeritus Flinders University Professor and philosopher Donald Brook writes about his 'new theory' and why it has never been taken up. He wonders: 'Could it be that he is wrong?'
Iain McIntyre's book How To Make Trouble And Influence People describes the secret ludic history of creative troublemaking in Australia over two centuries. It began as a series of zines and is now published by Breakdown Press to impress new readers and inspire new acts of defiance.
Media Theorist, nethead, activist and founding director of the Institute of Network Cultures Geert Lovink reports on the erotica of touching between 'weak links' and the importance of experimenting with new forms of organisation both on and offline.
Caren Florance is Ampersand Duck, a blog and nom de press for activities including letterpress printing. Florance has breathed the ink and describes the history of moveable type focusing on the recent past and the present and how something magical happens to text when it is printed.
Raeda Saadeh, Praneet Soi Contemporary Art Centre of South Australia Rosella Biscotti Australian Experimental Art Foundation Nina Fisher & Maroan el Sani, Donghee Koo, Li Mu, Tara Donovan, Imma Issa, Apichatpong Weerasethakul Anne & Gordon Samstag Art Museum Lucy and Jorge Orta JamFactory Gallery Julian Hooper Flinders University Art Museum Curator: Victoria Lynn 26 February – 14 March 2010
Del Kathryn Barton, Pat Brassington, Kirsty Bruce, Jacqueline Fraser, Anastasia Klose, Fiona Lowry, Fiona Pardington, Yvonne Todd, Jemima Wyman Curator: Robert Leonard IMA (Institute of Modern Art), Brisbane 30 January - 20 March 2010