Lin Onus: picturing histories, speaking politics

Cover of Lin Onus: picturing histories, speaking politics
0.662
The five phases of Aboriginal art
Feature
Djon Mundine

 

Published 01 September 2005
0.786
palawa kani: Expressing the power of language in art and the museum context
Feature
Zoe Rimmer and Theresa Sainty

Published 01 June 2020
0.786
Reconnecting the Yaghan community to cultural belongings 90 years on
Feature
Rebecca Carland

Published 01 June 2020
Artlink Subs Promo
0.786
Looking for murnong
Feature
Lou Bennett and Romaine Moreton

Published 01 June 2020
0.786
Kin‑dling and other radical relationalities
Feature
Emily Johnson and Karyn Recollet

Published 01 June 2020
0.786
Making Inuit art in the moment
Feature
asinnajaq

Published 01 June 2020
NAVA
0.786
Notes from Kahoʻolawe, Ka Paeʻāina o Hawaiʻi, Moananuiākea
Feature
Drew Kahuaina Broderick and Josh Tengan

Published 01 June 2020
0.786
Weaving memory, living embodiment
Feature
Freja Carmichael

Published 01 June 2020

Art historian and painter Gamilaroi/Gamilaraay woman Donna Leslie examines the work and the legacy of Lin Onus, its humour, its depth and its urgency.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

1.5
Learning to be proppa : Aboriginal artists collective ProppaNOW
Feature
Margo Neale

Senior Research Fellow and Senior Curator at the National Museum of Australia Margo Neale presents an incisive account of the genesis of proppaNOW the Queensland collective of urban Aboriginal Artists who are making waves in Australia and internationally with their intelligent brash art.

Published March 2010
0.834
Not black enough, the politics of skin
Feature
Daniel Browning

Bundjalung man, journalist and radio broadcaster Daniel Browning, guest editor of this issue of Artlink, writes about the current state of racism and Aboriginality in Australia.

Published March 2010
Artrave
Artrave
Edblog

Published March 2010
1.018
Casting shadows
Feature
Romaine Moreton

Published 01 March 2010
0.686
Tayenebe/exchange: Tasmanian Aboriginal women and fibre work
Feature
Julie Gough

Published 01 March 2010
0.53
Gordon Hookey : Flash Gordon's message - language is a virus
Feature
Brenda L Croft

Curator, artist and South Australian School of Art lecturer Brenda L. Croft gives the lowdown on Gordon Hookey's really rude and loud art that uses language and Australian animals to put the boot into racism and lend a voice to the silenced.

Published March 2010
Editorial
Editorial
Daniel Browning

Published March 2010
1.332524271845
Gary Lee: the outsider
Feature
Daniel Browning

Photographer Gary Lee makes work saturated with beauty and homoeroticism. His photographs of Aboriginal men are celebratory, bold and uncompromising.

Published March 2010
0.67
Spotlight on Queensland Indigenous art
Feature
QIAMEA

The Queensland Indigenous Arts Marketing and Export Agency (QIAMEA) was established in 2003 to promote the export of quality Queensland Indigenous art globally and nationally.
A focal point for Queensland Indigenous art will be the 2nd Cairns Indigenous Art Fair (CIAF) to be held from 20 to 22 August 2010.

Published March 2010
1.182
Richard Bell: Matter of fact
Artist Profile
Bruce McLean

Published 01 March 2010
Arthur Pambegan Junior (1936-2010)
Feature
Tony Albert

Published March 2010
0.75
History is a weapon: Fiona Foley history teacher
Feature
Tess Allas

Badtjala woman Fiona Foley is a sculptor, installation artist, painter, printmaker, photographer, public artist, curator, lecturer and public speaker.
Her work addresses lacunae and silences in Australian history, opening wounds and drawing attention to important topics of the past and how it affects the present.

Published March 2010
 
Darwin Aboriginal Art Fair
UNSW
MGNSW
Curiocity Brisbane (Mulberry Seed Comms)
The Torch