Not black enough, the politics of skin

Cover of Not black enough, the politics of skin
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We Don't Fabricate, We Weave: Kumarangk (Hindmarsh Island) and Ngarrindjeri women’s resistance
Feature
Dominic Guerrera

Published 15 December 2021
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Reclaiming the Rock in Project Banaba: Creativity, survival and agricultural colonialism in the Pacific
Feature
Katerina Teaiwa

Published 15 December 2021
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Lipstick and Land Rights: A poetic response
Feature
Lorna Munro

Published 15 December 2021
Gallery Lane Cove
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Woven Selves, Entangled Countries: Weaving across borders
Feature
Dameeli Coates

Published 15 December 2021
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Sovereign city, sovereign self and Warrior Woman Lane
Feature
Timmah Ball

Published 15 December 2021
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Miyurr Mi:wi: Working from home in the spirit of Country
Feature
Tracey Rigney

Published 15 December 2021
NAVA
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My Sovereign Mind: A practice in two parts
Feature
Hayley Millar Baker

Published 15 December 2021
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Sovereign Sight: Intersections of the historical archive and artistic practice—a curatorial perspective
Feature
Kimberley Moulton

Published 15 December 2021

Bundjalung man, journalist and radio broadcaster Daniel Browning, guest editor of this issue of Artlink, writes about the current state of racism and Aboriginality in Australia.

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More from this Issue Full Issue Contents

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Tayenebe / Exchange: Tasmanian Aboriginal women and fibre work
Feature
Julie Gough

Published 01 March 2010
Editorial
Editorial
Daniel Browning

Published March 2010
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History is a weapon: Fiona Foley history teacher
Feature
Tess Allas

Badtjala woman Fiona Foley is a sculptor, installation artist, painter, printmaker, photographer, public artist, curator, lecturer and public speaker.
Her work addresses lacunae and silences in Australian history, opening wounds and drawing attention to important topics of the past and how it affects the present.

Published March 2010
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Gordon Hookey : Flash Gordon's message - language is a virus
Feature
Brenda L Croft

Curator, artist and South Australian School of Art lecturer Brenda L. Croft gives the lowdown on Gordon Hookey's really rude and loud art that uses language and Australian animals to put the boot into racism and lend a voice to the silenced.

Published March 2010
1.5
Learning to be proppa : Aboriginal artists collective ProppaNOW
Feature
Margo Neale

Senior Research Fellow and Senior Curator at the National Museum of Australia Margo Neale presents an incisive account of the genesis of proppaNOW the Queensland collective of urban Aboriginal Artists who are making waves in Australia and internationally with their intelligent brash art.

Published March 2010
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Casting shadows
Feature
Romaine Moreton

Published 01 March 2010
Arthur Pambegan Junior (1936-2010)
Feature
Tony Albert

Published March 2010
Artrave
Artrave

Published March 2010
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Spotlight on Queensland Indigenous art
Feature

The Queensland Indigenous Arts Marketing and Export Agency (QIAMEA) was established in 2003 to promote the export of quality Queensland Indigenous art globally and nationally.
A focal point for Queensland Indigenous art will be the 2nd Cairns Indigenous Art Fair (CIAF) to be held from 20 to 22 August 2010.

Published March 2010
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Richard Bell: Matter of fact
Artist Profile
Bruce McLean

Published 01 March 2010
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Gary Lee: the outsider
Feature
Daniel Browning

Photographer Gary Lee makes work saturated with beauty and homoeroticism. His photographs of Aboriginal men are celebratory, bold and uncompromising.

Published March 2010
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Lin Onus: picturing histories, speaking politics
Feature
Donna Leslie

Art historian and painter Gamilaroi/Gamilaraay woman Donna Leslie examines the work and the legacy of Lin Onus, its humour, its depth and its urgency.

Published March 2010