An Unlandscape of words and painting: from Meenamatta to paradise

Cover of An Unlandscape of words and painting: from Meenamatta to paradise
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Writing through the archive: the art writing marathon
Feature
Jacqueline Millner
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Ethics and aesthetics: D Harding, Luciano Benetton and Terra Incognita: inclusiveness is a good way
Feature
Ian McLean

Published 30 March 2022
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In conversation: Sebastian Goldspink and Una Rey
Feature
Sebastian Goldspink and Una Rey

Published 30 March 2022
NAVA
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The museum fell silent
Feature
Elspeth Pitt

Published 30 March 2022
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Kings of wishful thinking: internet irony and its illusionary critics
Feature
Olivia Bennett

Published 30 March 2022
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Damper is a language word for art
Feature
Dominique Chen

Published 30 March 2022
Japan Foundation
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Someone has to be innocent: a reflection on the post-2020 art critic
Feature
John Mateer

Published 30 March 2022
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A case for writing contemporary art history
Feature
Aneta Trajkoski

Published 30 March 2022

This article explores new territory opened up by a cross-cultural collaboration between Indigenous poet Jim Everett and visual artist Jonathan Kimberley.

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More from this Issue Full Issue Contents

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Hired hands: the Filipino collaborations of David Griggs
Feature
Neil Fettling

Neil Fettling asks; 'Why does an Australian-based artist like David Griggs, living and working in the first world, have such strong connections with a third world community, and how do these linkages affect his work?' and answers this question through an analysis of Griggs' recent art as well as comparing it to the work of Pat Hoffie and Wim Delvoye.

Published June 2009
The Secret Life of Plants
Review
Betty Milonas

A Secret Life of Plants
Curator: Andrew Gaynor
Linden Centre for Contemporary Arts
4 April – 17 May 2009
Fremantle Arts Centre
30 May – 19 July 2009

Published June 2009
1.007104795737
Anne Ferran
Review
Vaughan O'Connor

Anne Ferran: The Ground, The Air
Curator: Craig Judd
Wollongong City Art Gallery
21 March - 17 May 2009

Published June 2009
0.750507099391
China welcomes Australian ceramics
Feature
Janet de Boos

Potter and Head of Ceramics at ANU School of Art Janet de Boos writes about her journeys to China since 1996 and her current collaborations in bone china tableware. She writes : 'Rather than just a place where we can appropriate techniques and technologies and source cheap labour, China becomes a place for Australians to work and research collaboratively with fellow artists.'

Published June 2009
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New climate for an old world: Paul Carter's Nearamnew
Feature
Emily Potter

Paul Carter's Nearamnew, a public art work which is embedded in the 7,500 square metres of paving at Federation Square, asks for multiple, inclusive and open-ended responses.

Published June 2009
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Exhibitions 2 watch: June - August 09
Stephanie Radok

Published June 2009
Editorial
Editorial
Kevin Murray

Published June 2009
1.334
Nam Bang!
Review
Eliza Garnesy

NAM BANG!
Curator: Boitran Huynh-Beattie
Casula Powerhouse Arts Centre
4 April - 21 June 2009

Published June 2009
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Artrave
Artrave

Published June 2009
0.786885245902
The China Project
Review
Kate Woodcroft

The China Project: Three Decades; William Yang; Zhang Xiaogang
GOMA, Brisbane
28 March – 28 June 2009

Published June 2009
0.752
Threads, traces and legacies of the mission
Feature
Kylie Waters

Artist Kylie Waters works with the history of her own family and the way it is embedded in South Australian history. Specifically she explores the space between negative and positive evaluations of Lutheran missions in Central and South Australia.

Published June 2009
0.666
Yellow Vest Syndrome
Review
Nyanda Smith

The Yellow Vest Syndrome: recent West Australian art
Curator: Jasmin Stephens
Fremantle Arts Centre
31 January – 29 March 2009

Published June 2009
 
Samstag Museum
Desert Mob
Artshub