An Unlandscape of words and painting: from Meenamatta to paradise

Cover of An Unlandscape of words and painting: from Meenamatta to paradise
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Geological pit stops: Kate Hill and Isadora Vaughan
Feature
Abbra Kotlarczyk

Published 01 March 2020
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Duchamp and Australia: In opposition
Feature
Rex Butler and A.D.S. Donaldson

Published 01 March 2020
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The Brazilian moment: A picture gallery in transformation
Feature
John Mateer

Published 01 March 2020
NAVA
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Crafty prepping
Feature
Sera Waters

Published 01 March 2020
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2019: The year of our cyberpunk future
Feature
Darren Jorgensen

Published 01 March 2020
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Art in the time of the burning
Feature
Ian Milliss

Published 01 January 2020
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Reading the entrails: Digesting posthuman entanglement
Feature
Sasha Grbich

Published 01 December 2019
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Eating together online: The ambivalent conviviality of ASMR videos
Feature
Francis Russell

Published 01 December 2019

This article explores new territory opened up by a cross-cultural collaboration between Indigenous poet Jim Everett and visual artist Jonathan Kimberley.

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More from this Issue Full Issue Contents

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Nam Bang!
Review
Eliza Garnesy

NAM BANG!
Curator: Boitran Huynh-Beattie
Casula Powerhouse Arts Centre
4 April - 21 June 2009

Published June 2009
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New climate for an old world: Paul Carter's Nearamnew
Feature
Emily Potter

Paul Carter's Nearamnew, a public art work which is embedded in the 7,500 square metres of paving at Federation Square, asks for multiple, inclusive and open-ended responses.

Published June 2009
Editorial
Editorial
Kevin Murray

Published June 2009
0.7425
Exhibitions 2 watch: June - August 09
Stephanie Radok

Published June 2009
The Secret Life of Plants
Review
Betty Milonas

A Secret Life of Plants
Curator: Andrew Gaynor
Linden Centre for Contemporary Arts
4 April – 17 May 2009
Fremantle Arts Centre
30 May – 19 July 2009

Published June 2009
Karen Genoff
Review
Margot Osborne

Karen Genoff
The Mother Lode
BMG Art Adelaide
27 March-18 April 2009

Published June 2009
1.3325
Big Bad World
Review
Philip Watkins

Little Red Riding Hood
Curator: Victor Medrano
Inflight ARI, Hobart
11 April - 2 May 2009

Published June 2009
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Island improvisations: Nathan Gray
Feature
Kelly Fliedner

In 2008 Nathan Gray spent two months on Itaparica, a Brazilian island in the Bahia region, as part of an exchange initiated by The South Project Inc. At the end of the year the exhibition Tudo Que Acho was held to show the work created and produced as a result of the residency. The title in English means ‘everything I think’. In Portuguese the phrase also denotes discovery, as ‘to think’ and ‘to find’ signify the same act.
Tudo Que Acho: Nathan Gray was shown 4 – 20 December 2008 at The Narrows, Melbourne.

Published June 2009
0.786885245902
The China Project
Review
Kate Woodcroft

The China Project: Three Decades; William Yang; Zhang Xiaogang
GOMA, Brisbane
28 March – 28 June 2009

Published June 2009
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Collapsing the Bilateral: creating consciousness
Feature
Zoe Butt

The Long March Project founded by Lu Jie is an ongoing art project that began with a philosophical evaluation of the complex role and meaning of art and selfhood, in all its political, economic, cultural, and social guises.
It is critical that new opportunities are found for artistic reciprocity that exist beyond the presumed centres of art validation (ie. America and Europe). The Long March directs the gaze of Chinese cultural producers to re-assess how art can be a tool through which ideas of making – self, thought, object – can be critically empowered and conceived.

Published June 2009
0.662
Mark Siebert: new work
Profile
Stephanie Radok

Mark Siebert: Forever 27 is at the Experimental Art Foundation, 15 May – 13 June 2009.

Published June 2009
0.746835443038
Contemporary Art in the Hermit Kingdom
Feature
Veronica Tello

Artists who have created fascinating works within the DMZ (Korean Demilitarized Zones) include the Spanish artist Santiago Sierra, the Italian artist Armin Linke and the Australian artist Lyndal Jones.

Published June 2009